Gel Plate Printing - Holly Hughes Dates: July 24 - 28, 2023 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $75 Class limit: 8 This class is currently full. If you’d like to be added to our waitlist please email [email protected] or call 845-658-9133. Gel plate printing is a super user friendly, kitchen table compatible printmaking technique with no need for a press. Fun, open to experimentation, great for travel, and very painterly - this is a method where artists…

Dots for Days: Screenprinting for Photographers - Meg Turner Dates: July 31 - August 4, 2023 Studio: Silkscreen Tuition: Sliding Scale, $350-$1200 Lab fee: $75 Class limit: 8 This class is currently full. If you’d like to be added to our waitlist please email [email protected] or call 845-658-9133. A crash course in large format silkscreen printing for photographers. Learn the magic of 4 color separation to create full color hand-printed photographs in the same CMYK halftone dot method that magazines are printed.…

Collagraph & Embossment/Debossment – Rie Hasegawa Dates: August 7 - 11, 2023 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 8 This class is currently full. If you’d like to be added to our waitlist please email [email protected] or call 845-658-9133. Collagraph is a basic method of printmaking using collage materials such as fabric, strings and gesso to create a plate without the use of acid or any solvents and print from a variety of textures. It could be…

Seamless Textile Printing: Designing and Printing Patterned Fabric Sec. 2 - Amy Cousins Dates: August 7 - 11, 2023 Studio: Silkscreen Tuition: Sliding Scale $350 - $1200 Lab fee: $75 Class limit: 8 This course will guide you through designing and screen printing a patterned textile. Participants will learn how to design a repeat pattern by hand and translate it into screen printed yardage. Each participant will begin with their own visual interests, whether they be abstract, narrative, botanical, etc,…

Pressing Stories: Folding Prints as Narratives - Andrea Narno Dates: August 14 - 18, 2023 Studio: Relief Tuition: Sliding Scale, $350-$1200 Lab fee: $75 Class limit: 8 During this workshop, we will explore how printmaking can serve as our visual language to narrate stories and express ourselves. We will pair relief printing with the long standing tradition of do-it-yourself zine making. After looking at a large variety of examples and brainstorming together, each student will design and carve a linocut…

Riso Power: A Socially Engaged Introduction to Risograph Printing - Mary Tremonte Dates: August 21 - 25, 2023 Tuition: Sliding Scale, $350-$1200 Lab fee: $75 Class limit: 10 This class is currently full. If you’d like to be added to our waitlist please email [email protected] or call 845-658-9133. What is riso? How can we use this tool to agitate, educate, and organize? Learn all about the risograph and how you can harness this stencil duplicator’s power for artist publications, posters, prints, and…

Motivational Intaglio – Shelley Thorstensen Dates: July 8 - 12, 2024 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Each morning, Shelley will begin the workshop with a series of demonstrations including printing and color usage. She will cover stencils, a la poupée, chine collé, viscosity, multiple plates, relief, collage, and digital media. Using participants’ current work and ideas as a catalyst, Shelley will work with everyone individually to discover what aspects are vital to their…

The Power of Electro-etching – Maggie Oakes Dates: July 15 - 19, 2024 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $125 Class limit: 7 In this non-toxic workshop, participants will learn the fundamentals of safer intaglio, specifically electro-etching methods and explore its endless possibilities. Participants will gain a working knowledge of the science behind electro-etching, safely preparing and etching their metal plates as well as maintaining a non-toxic work environment. Workshop will cover the following processes: electro-line, electro-tint, experimental…

Writing for the Screen(print) – Gaby Hurtado-Ramos Dates: July 15 - 19, 2024 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 In this workshop, we will be playing with the possibilities of hand-drawn stencils and text in screenprinting. Through exercises and demos in simple book forms and drawing techniques tailored for exposing to a screen, participants will make a variety of prints involving writing and mark-making. We will look at examples of artists’ books, zines, and…

Malleable Print – Tatana Kellner Dates: July 22 - 26, 2024 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 8 Explore the possibilities of collagraph, a cardboard or plastic plate matrix that offers unlimited opportunities for creating rich linear and textural prints. In this week-long workshop participants will be introduced to a variety of intaglio as well as relief techniques, including drypoint, carborundum aquatint, silk aquatint, textural relief printing, and a variety of multiple printing and collaging…

Image/Text – Paloma Barhaugh-Bordas Dates: July 22 - 26, 2024 Studio: Silkscreen Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Starting at YES, this silkscreen-based workshop will explore the potential of text to become image and image to become text – ever expanding the potential for symbols and signifiers to transform. Students will learn the basics of producing silkscreen prints with hand-cut and digital stencils. There will also be an emphasis on building transparent layers and variable editions…

Swappin’ Stories: Riso Books Made to Share – Ashley Hairston Doughty Dates: July 22 - 26, 2024 Studio: Multipurpose Room Tuition: Sliding Scale, $350-$1200 Lab fee: $125 Class limit: 6 Every person has a unique history—a collection of experiences that define our views of the world. Let’s share some of those one-of-a-kind stories with one another! In this workshop, you will work to build confidence and curiosity in exploring your own history, trajectory, and existence to a point where you…

Block in Hand: The Art and Craft of Fabric Printing by Hand – Yetunde Rodriguez Dates: July 29 - August 2, 2024 Studio: Silkscreen Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Yetunde Rodriguez brings her keen eye for shapes and patterns into this fun and informative workshop. She will teach you her unique approach to designing and printing surface patterns for printing by hand onto fabric. In this workshop, you will learn a variety of methods, from…

Gestural Adaptations: A Print in Three Acts – Tara Sabharwal Dates: July 29 - August 2, 2024 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Using water-soluble inks, students will explore the possibilities of creating a set of one-of-a-kind prints using the same template. They will make a monoprint by adding paint and collagraph material (stencils, shapes cut out of various textured fabrics, foil, inkjet sheet, string, etc) directly on a sheet of plexiglass. After pulling…

Mokuhanga and Emakimono: Two Week Course in Woodblock Printing and Scroll Making – Yoonmi Nam and Katie Baldwin Dates: August 5 - August 16, 2024 Studio: Intaglio and Silkscreen Tuition: Sliding Scale, $700 - $2400 Lab fee: $150 Class limit: 12 In this two-week course, participants will immerse themselves in the process of learning Mokuhanga and Emakimono. Mokuhanga is Japanese-style water-based woodblock printing and Emakimono is the term for a horizontal Japanese handscroll with pictures. This workshop will be an…

Propagating Propaganda - Lois Harada Dates: August 19 - August 23, 2024 Studio: Letterpress Tuition: Sliding Scale, $350 - $1200 Lab Fee: $100 Class limit: 6 Archives are often built from found materials — printed booklets, pamphlets, broadsides, and more. But who decides which of these important artifacts are created and produced on a scale wide enough to ensure their survival? In this course, we'll create objects and prints inspired by historical documents and propaganda. Through the commercial printing process…

RISOGRAPH CAMP! - Kate Bingaman-Burt Dates: August 19 - August 23, 2024 Studio: Multipurpose Room Tuition: Sliding Scale, $350 - $1200 Lab Fee: $125 Class limit: 6 RISOGRAPH CAMP! This workshop is a great place to start if you’re new to riso or want a refresher! We’ll dive deep into risograph history, an overview of how these machines work, the stencil-duplicator process, and the quirks and fun (sometimes unpredictable) outcomes of riso printing. The main focus of this class is…

Remixing the Archive: Manipulating Digitized Images for Risograph – Corinne Teed Dates: July 7– July 11, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Risograph is a stencil duplicator that can quickly produce print editions with an array of colors and techniques. Through this one week intensive workshop, we will delve into the archive, using the risograph with digital drawing and photographic sources. We will review the basics of how the riso operates…

Broadsides, Ballads, and Fables: Letterpress Printing with Type and Image – Corinne Teed Dates: July 14– July 18, 2025 Studio: Letterpress Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Collaboration between type and image is an essential aspect of letterpress printing. Whether working with proclamations, manifestos, poetry, or fables, letterpress is a powerful vehicle for getting crucial voices and stories out into the world. This course will explore the relationship between words and images in letterpress…

Building Edges in Monoprint – Tara Sabharwal Dates:  July 21 – July 25, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 We will make monoprints, exploring lines and shapes to build a vocabulary of EDGES. Besides brushes we will use Inkjet sheets and mylar stencils for hard, sharp edges, remove ink with Q- tips and rags to make softer edges and collage material for perforated edges, scrape ink for dry, abrasive edges and…

Printing to Infinity: Endless Silkscreen Repeats for Installation – Liz Castaldo Dates: July 21 – July 25, 2025 Studio: Silkscreen (Second Floor, located up one flight of stairs*) Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 In this workshop we will explore the endless possibilities of working with patterns, and learn how to turn small components into large scale wall installations, wallpaper, or even covering three dimensional objects. We’ll cover multiple methods to create repeatable patterns…

Combine, Layer, Overlap: Guided Monoprint – Tara Sabharwal Dates: July 28 – August 1, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Create a rich and multifaceted print, using one-off pre-printed rice papers as a launching point! After monoprinting a variety of marks, drawing, colors, script, or textures on your choice on several rice papers, we will add adhesive to them, converting them into Chine Collé sheets. We will then design monoprints with…

Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! – Rie Hasegawa Dates: August 4 – August 8, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Traditional printmaking involves use of a variety of toxic chemicals to make ink-receptive and non-image areas receptive to water and ink-repellent. This course will introduce several alternative planographic printing techniques such as kitchen litho that is an alternative way of lithography using common materials you have at home…

Photo-based Screenprinting: Light and Shadow – K Sarrantonio Dates: August 4 – August 8, 2025 Studio: Silkscreen (Second Floor, located up one flight of stairs*) Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Immerse yourself in the incredible world of halftones! The halftone process translates continuous shades and tones into patterns of dots, allowing screenprinters to create a rich stencil from a photograph or any 2D image. We will start the week with single color prints…

Drypoint with Chine Collé: Multi-Color and Layer – Rie Hasegawa Dates: August 11 – August 15, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Drypoint is an intaglio printmaking technique in which an image is scratched into a metal or plastic plate. The scratches produce a “burr”: a raised portion of metal or plastic that catches and holds ink while the smooth portions of the plate can be wiped clean. With the help…