
Remixing the Archive: Manipulating Digitized Images for Risograph with Corinne Teed
July 7 - July 11
| $450 – $1300Event Navigation

Remixing the Archive: Manipulating Digitized Images for Risograph – Corinne Teed
Dates: July 7– July 11, 2025
Studio: Intaglio
Tuition: Sliding Scale, $450 – $1300
Lab Fee: $150
Class limit: 6
Risograph is a stencil duplicator that can quickly produce print editions with an array of colors and techniques. Through this one week intensive workshop, we will delve into the archive, using the risograph with digital drawing and photographic sources. We will review the basics of how the riso operates and how to prepare simple files for printing. We will then dive deeper into digital manipulation by learning to play with halftones, duotones and CMYK.
The workshop will culminate in a print exchange between the class. Participants will be encouraged to collect archival imagery of interest to them prior to the beginning of the course. Ideas for source material will be shared by the instructor before the class begins to support you in your research process. While participants are encouraged to bring a drawing tablet (i.e iPad or Wacom) or laptop to work on, there will be a few devices available to share.
In order to reserve your space in the class, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level, see this guide. If you are in a position to pay full tuition or more, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation, rather your self-determined capacity to pay. Registration is on a first-come first-served basis, and you can read about our refund and cancellation policies here.
Artist
Corinne Teed
Corinne Teed is a research-based artist working in printmaking, book arts, time-based media, and social practice. Their work lives at the intersections of queer theory, ecology, and critical animal studies in the context of settler colonialism. Much of their creative practice centers on relationships, through collaboration, participation, interview-based research, and encounters with the more-than-human. Their work is supported by ongoing relationships with communities working toward social justice and ecosystem health. Teed currently works as an Assistant Professor in Printmaking at Tyler School of Art at Temple University in Philadelphia, PA.