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23 events found.

Women’s Studio Workshop

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Address
722 Binnewater Lane
Kingston, 12401 United States
Get Directions
Phone (845) 658-9133
Website wsworkshop.org

Events at this venue

Today
  • June 2026

  • Tue 2
    May 21 - June 25

    Everyday Whimsy Redux with Lora Shelley – Back by Popular Demand!

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Everyday Whimsy Redux – Lora Shelley Dates: Thursdays, 5-7PM, May 21st - June 25th, 2026 | Rain Date: July 2nd Studio: Outdoor Ceramics Area Tuition: $255 Lab fee: N/A Class limit: 8 Learn to make imaginative functional objects for your everyday life! In this class we will explore different methods of hand-building— including slab, coil,... View Article

    $255
  • July 2026

  • Mon 6
    July 6 - July 10

    Veils, Layers, Illusions with Jaz Graf

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Veils, Layers, Illusions – Jaz Graf Dates: July 6 - 10, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Working with mulberry, cotton and overbeaten abaca fibers, we will explore light, layering and illusions in handmade paper. Stencils will be used as masks and for blowouts, a process... View Article

    $450 – $1300
  • Mon 6
    July 6 - July 10

    Riso Ephemera: Printing the Day with Emily Larned

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Riso Ephemera: Printing the Day – Emily Larned Dates: July 6 - 10, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Originally denoting a plant that lives only a single day, ephemera means both “things of no lasting significance” (Merriam Webster) as well as a subset of those... View Article

    $450 – $1300
  • Mon 6
    July 6 - July 10

    Box: The Art of Enclosures with Golnar Adili

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Box: The Art of Enclosures – Golnar Adili Dates: July 6 - 10, 2026 Studio: Bindery Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 4 In this class we will cover the basics of making different kinds of boxes as part of redefining the artist book architecturally reviewing fundamentals of tray, enclosure... View Article

    $450 – $1300
  • Mon 6
    July 6 - July 10

    All About Collagraphs with Tatana Kellner

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    All About Collagraphs – Tatana Kellner Dates: July 6 - 10, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Expand your printmaking practice through an in-depth exploration of collagraph, a versatile technique that merges intaglio and relief processes. Using both incised and collage-like textures on cardboard plates, participants... View Article

    $450 – $1300
  • Mon 13
    July 13 - July 17

    Pulp Pigmenting & Blowouts with Jaz Graf

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Pulp Pigmenting & Blowouts – Jaz Graf Dates: July 13 - 17, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Learn how to mix aqueous pigments with cotton and abaca pulps to customize your handmade paper. Consider the physical, conceptual and optical aspects of color to express your... View Article

    $450 – $1300
  • Mon 13
    July 13 - July 17

    Trash Talk with Tatana Kellner

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Trash Talk – Tatana Kellner Dates: July 13 - 17, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Get out of your comfort zone and discover new ways of working in this week-long experimental workshop. Using everyday disposable packaging as our matrix, we will develop a series of... View Article

    $450 – $1300
  • Mon 13
    July 13 - July 17

    Gel Plate Alchemy, From Accidents to Art: A Dive into Intentional Gel Plate Printing with Yetunde Rodriguez

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Gel Plate Alchemy, From Accidents to Art: A Dive into Intentional Gel Plate Printing – Yetunde Rodriguez Dates: July 13 - 17, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 8 Curious about Gelli Printing? In this workshop, you will learn the essential techniques to master the magic of... View Article

    $450 – $1300
  • Mon 20
    July 20 - July 24

    Captured Narratives: Embedded Memories, Ephemera & Scraps with Ashley Page

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Captured Narratives: Embedded Memories, Ephemera & Scraps – Ashley Page Dates: July 20 - 24, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Explore the versatility of collage within the papermaking context! This workshop is a great opportunity to put your collection of loose paper bits, newspaper clippings,... View Article

    $450 – $1300
  • Mon 20
    July 20 - July 24

    The Power of Electro-etching with Malgorzata Oakes

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    The Power of Electro-etching – Malgorzata Oakes Dates: July 20 - 24, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 In this workshop, you will master the fundamentals of safer intaglio by focusing on the methods of electro-etching and exploring their extensive potential. Using innovative etching and safer... View Article

    $450 – $1300
  • Mon 20
    July 20 - July 24

    Single Block Magic: Reduction Printing by Hand with Yetunde Rodriguez

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Single Block Magic: Reduction Printing by Hand – Yetunde Rodriguez Dates: July 20 - 24, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 8 Ready to move beyond creating a single-color print? This is the opportunity for a deep dive into the complex relief printing techniques of the reduction... View Article

    $450 – $1300
  • Mon 27
    July 27 - July 31

    Let’s Make a Lantern! Paper & Wire Forms with Ashley Page

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Let's make a Lantern! Paper & Wire Forms – Ashley Page Dates: July 27 - 31, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Explore the translucent quality of paper in this lantern workshop! We will cover basic sheetforming and expand into more advanced 3-dimensional papermaking applications. Participants... View Article

    $450 – $1300
  • Mon 27
    July 27 - July 31

    Plant, Pigment, Papers with Erina Schultz

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Plant, Pigment, Papers – Erina Schultz Dates: July 27 - 31, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 8 Working with the traditional Japanese process of Katazome-shi, we will be making and printing rice paste resist on paper. The class will explore painting with natural pigments using a... View Article

    $450 – $1300
  • August 2026

  • Sat 1
    August 1 - August 2

    Contemporary Basket Weaving: A Weekend Special with Dee Clements

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Contemporary Basket Weaving: A Weekend Special – Dee Clements Dates: August 1 + 2, 2026 Studio: Multipurpose Room Tuition: Sliding Scale, $250, $350, $450 Lab fee: $60 Class limit: 8 Learn and apply basket-weaving techniques to create three-dimensional forms, structures, and vessels! We will begin with weaving a round base and practicing various techniques using... View Article

    $250 – $450
  • Mon 3
    August 3 - August 7

    Making Revolution Irresistible with Oscar Maynard

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Making Revolution Irresistible – Oscar Maynard Dates: August 3 - 7, 2026 Studio: Letterpress Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Writer, teacher, and activist Toni Cade Bambara said: “As a cultural worker who belongs to an oppressed people my job is to make revolution irresistible.” Participants will choose a... View Article

    $450 – $1300
  • Mon 3
    August 3 - August 7

    Irresistible Indigo with Erina Schultz

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Irresistible Indigo – Erina Schultz Dates: August 3 - 7, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Print, Dip, and Dye! Learn to make your own rice paste resist and dye with indigo. We will explore the process of making an iron indigo vat and applying resist... View Article

    $450 – $1300
  • Mon 3
    August 3 - August 7

    From Pulp to Print: Hybrid Techniques in Papermaking with Gretchen Schermerhorn

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    From Pulp to Print: Hybrid Techniques in Papermaking – Gretchen Schermerhorn Dates: August 3 - 7, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Explore an interdisciplinary process that fuses papermaking and print through stencil techniques and screenprinting with colored pulp. Shifting between studios, you’ll work with pulp... View Article

    $450 – $1300
  • Mon 10
    August 10 - August 14

    I Love Your Layers with Shelley Thorstensen

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    I Love Your Layers – Shelley Thorstensen Dates: August 10 - 14, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Let’s get closer to the place where people say, “I love your layers,” and create seamless, surprising work together. In this workshop, we’ll focus on proofing—making beautiful versions... View Article

    $450 – $1300
  • Mon 10
    August 10 - August 14

    Maximalize Your Prints: Variable Editions in Silkscreen with Elizabeth Castaldo

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Maximalize Your Prints: Variable Editions in Silkscreen – Elizabeth Castaldo Dates: August 10 - 14, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $125 Class limit: 6 In this silkscreen workshop we will explore ways to bring variety and spontaneity into printed editions. In variable editions, each print features imagery that is... View Article

    $450 – $1300
  • Mon 10
    August 10 - August 14

    Southern Fiber Lab with Kelly Taylor Mitchell

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Southern Fiber Lab – Kelly Taylor Mitchell Dates: August 10 - 14, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Southern Fiber Lab is an experimental and exploratory workshop where site specific plant matter becomes paper. You will learn how to cook and process foraged fibers with southern... View Article

    $450 – $1300
  • Mon 17
    August 17 - August 21

    Many Hands: Collaborative Pulp Painting with Kelly Taylor Mitchell

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Many Hands: Collaborative Pulp Painting – Kelly Taylor Mitchell Dates: August 17 - 21, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Many Hands is a pulp painting workshop that emphasizes collaborative process. This workshop challenges the notion of an isolated artist practice and alternatively invites participants to... View Article

    $450 – $1300
  • Mon 17
    August 17 - August 21

    Painting through Print with Karen Lederer

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Painting through Print – Karen Lederer Dates: August 17 - 21, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Learn to build colorful monoprints using non-toxic, water-based materials. We will print from watercolor paintings on plexiglass, plastic stencils, and water-soluble crayon drawings. With a focus on experimentation, we... View Article

    $450 – $1300
  • Mon 17
    August 17 - August 21

    Printing to Infinity: Creating Repeat Patterns with Elizabeth Castaldo

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Printing to Infinity: Creating Repeat Patterns – Elizabeth Castaldo Dates: August 17 - 21, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $125 Class limit: 6 In this silkscreen workshop we will learn how to turn almost any type of image into an endless repeat pattern and explore the potential of what... View Article

    $450 – $1300
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  • 722 Binnewater Lane, Kingston, NY 12401
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Women’s Studio Workshop
P.O. Box 489
Rosendale, NY 12472

(845) 658-9133

[email protected]

Get Directions

Map of Women's Studio Workshop

Calling all Summer Art Institute participants 📢 Di Calling all Summer Art Institute participants 📢 Did you know that WSW offers a buffet-style meal plan that is available for purchase during your workshop? Remove the stress of planning your lunches, and let Chef Lexa Walsh @lexawalshstudios take the lead! 🍊🥑🍒🥬🥖🍅🍰 Meals include five locally-sourced, homemade lunches, and one dinner with wine. 

As an extension of our mission to make SAI more accessible, we are excited to offer sliding scale pricing for meal plans. You may select between 3 tiers of payment: $125, $155, or $175. Meal plans must be purchased at least one week before your workshop.

Link in bio for more info.
Jazmine Hayes @jazminelovine recently wrapped up h Jazmine Hayes @jazminelovine recently wrapped up her Studio Workspace Residency at WSW! While here, Hayes worked in our papermaking studio making experimental paper with sorrel and collards green. They also worked on tambourines made with over-beaten paper for future performance pieces.

Hayes is an interdisciplinary visual artist, musician, and poet born and based in Brooklyn, New York. Through a research based lens, her practice explores histories of the African diaspora and the ways they are preserved and reproduced through cultural traditions. She is a 2023 U.S. Fulbright researcher, in which she traveled to Senegal, Africa to study weaving traditions and patterns as coded communication, protection and preservation of Black American, Afro-Caribbean & West African histories.
As we approach the opening of “Rock, Paper, Sister As we approach the opening of “Rock, Paper, Sister,” we want to highlight each participating artist, and we are so pleased that Elizabeth Saloka @bettyrubblenyc will be in attendance at the June 5th reception. Her practice begins with the collection of rocks and rubble, detritus she gathers from the street, construction sites, and other places. Each piece of rubble she selects is both material and metaphor, a fragment separated from a greater whole. In the 1980s, she was one of thousands of South Korean children adopted by Minnesota families. Growing up in a mostly white environment, she often found connection to family and friends through pop culture. As an adult, she is inspired creatively by the American brands and products she grew up with, using them as subjects of her paintings. The surface imagery Saloka paints onto each form, like the culture of her adopted country, is full of bright colors and bold words, artfully composed branding draped over bumpy, imperfect canvases. 

“Rock, Paper, Sister” is a two-person exhibition featuring Kate Bingaman-Burt (Oregon) and Elizabeth Saloka (New York), two artists who explore how the mundane accrues significance. In highlighting the overlooked and the everyday, both artists’ work suggests that even the smallest acts of attention can shape how we understand our lives.

📆Opening Reception: June 5, 2026, 6-8 PM
On view through September 18, 2026
📍Women’s Studio Workshop, 722 Binnewater Lane, Kingston, NY
Gallery Hours: Mon - Fri, 9 AM - 5 PM
Spring at WSW <3 Spring at WSW <3
Embrace Creativity at Summer Art Institute! Spend Embrace Creativity at Summer Art Institute! Spend a week in the beautiful Hudson Valley learning a new skill or further developing your practice with like-minded artists. There are limited spots still available, find your next summer adventure today…

Painting through Print with Karen Lederer @krlederer, August 17 - 21
Experiment with mark-making techniques and learn to build a rich history of layers into your prints! Participants will learn how to build colorful monoprints using non-toxic, water-based materials, and will print from watercolor paintings on plexiglass, plastic stencils, and water-soluble crayon drawings.

Many Hands: Collaborative Pulp Painting with Kelly Taylor Mitchell @kellytaylormitchell, August 17 - 21
Expand your artistic community and try a new approach at the creative process! This workshop challenges the notion of an isolated artist practice and alternatively invites participants to work together to create a large-scale collaborative handmade paperwork.
*This workshop is a great fit for artists who want to explore not just papermaking, but the creative process. It is essential that participants are eager and open to collaboration.

Visit our website to learn more about all our SAI workshop offerings. Link in bio.
As we approach the opening reception of “Rock, Pap As we approach the opening reception of “Rock, Paper, Sister,” we would like to highlight each of the incredible participating artists. 

Kate Bingaman-Burt’s @katebingburt long-running daily drawing project approaches consumer culture through steady, intimate documentation. For over twenty years, she has drawn the items she purchases each day in quick, unedited sketches. What began as a gesture of personal accountability has grown into an expansive archive of daily life. Through repetition, small transactions and daily necessities become markers of time and routine. Accumulated over years, the drawings form a quiet but insistent record of being alive in the world. The exhibition will highlight selections from this ongoing project alongside sketchbooks, zines, and a new risograph-printed book that reflects on two decades of daily drawings.

“Rock, Paper, Sister” is a two-person exhibition featuring Kate Bingaman-Burt (Oregon) and Elizabeth Saloka (New York), two artists who explore how the mundane accrues significance. In highlighting the overlooked and the everyday, both artists’ work suggests that even the smallest acts of attention can shape how we understand our lives.

📆Opening Reception: June 5, 2026, 6-8 PM
On view through September 18, 2026
📍Women’s Studio Workshop, 722 Binnewater Lane, Kingston, NY
Gallery Hours: Mon - Fri, 9 AM - 5 PM
Follow on Instagram
Calling all Summer Art Institute participants 📢 Di Calling all Summer Art Institute participants 📢 Did you know that WSW offers a buffet-style meal plan that is available for purchase during your workshop? Remove the stress of planning your lunches, and let Chef Lexa Walsh @lexawalshstudios take the lead! 🍊🥑🍒🥬🥖🍅🍰 Meals include five locally-sourced, homemade lunches, and one dinner with wine. 

As an extension of our mission to make SAI more accessible, we are excited to offer sliding scale pricing for meal plans. You may select between 3 tiers of payment: $125, $155, or $175. Meal plans must be purchased at least one week before your workshop.

Link in bio for more info.
Jazmine Hayes @jazminelovine recently wrapped up h Jazmine Hayes @jazminelovine recently wrapped up her Studio Workspace Residency at WSW! While here, Hayes worked in our papermaking studio making experimental paper with sorrel and collards green. They also worked on tambourines made with over-beaten paper for future performance pieces.

Hayes is an interdisciplinary visual artist, musician, and poet born and based in Brooklyn, New York. Through a research based lens, her practice explores histories of the African diaspora and the ways they are preserved and reproduced through cultural traditions. She is a 2023 U.S. Fulbright researcher, in which she traveled to Senegal, Africa to study weaving traditions and patterns as coded communication, protection and preservation of Black American, Afro-Caribbean & West African histories.
As we approach the opening of “Rock, Paper, Sister As we approach the opening of “Rock, Paper, Sister,” we want to highlight each participating artist, and we are so pleased that Elizabeth Saloka @bettyrubblenyc will be in attendance at the June 5th reception. Her practice begins with the collection of rocks and rubble, detritus she gathers from the street, construction sites, and other places. Each piece of rubble she selects is both material and metaphor, a fragment separated from a greater whole. In the 1980s, she was one of thousands of South Korean children adopted by Minnesota families. Growing up in a mostly white environment, she often found connection to family and friends through pop culture. As an adult, she is inspired creatively by the American brands and products she grew up with, using them as subjects of her paintings. The surface imagery Saloka paints onto each form, like the culture of her adopted country, is full of bright colors and bold words, artfully composed branding draped over bumpy, imperfect canvases. 

“Rock, Paper, Sister” is a two-person exhibition featuring Kate Bingaman-Burt (Oregon) and Elizabeth Saloka (New York), two artists who explore how the mundane accrues significance. In highlighting the overlooked and the everyday, both artists’ work suggests that even the smallest acts of attention can shape how we understand our lives.

📆Opening Reception: June 5, 2026, 6-8 PM
On view through September 18, 2026
📍Women’s Studio Workshop, 722 Binnewater Lane, Kingston, NY
Gallery Hours: Mon - Fri, 9 AM - 5 PM
Spring at WSW <3 Spring at WSW <3
Embrace Creativity at Summer Art Institute! Spend Embrace Creativity at Summer Art Institute! Spend a week in the beautiful Hudson Valley learning a new skill or further developing your practice with like-minded artists. There are limited spots still available, find your next summer adventure today…

Painting through Print with Karen Lederer @krlederer, August 17 - 21
Experiment with mark-making techniques and learn to build a rich history of layers into your prints! Participants will learn how to build colorful monoprints using non-toxic, water-based materials, and will print from watercolor paintings on plexiglass, plastic stencils, and water-soluble crayon drawings.

Many Hands: Collaborative Pulp Painting with Kelly Taylor Mitchell @kellytaylormitchell, August 17 - 21
Expand your artistic community and try a new approach at the creative process! This workshop challenges the notion of an isolated artist practice and alternatively invites participants to work together to create a large-scale collaborative handmade paperwork.
*This workshop is a great fit for artists who want to explore not just papermaking, but the creative process. It is essential that participants are eager and open to collaboration.

Visit our website to learn more about all our SAI workshop offerings. Link in bio.
As we approach the opening reception of “Rock, Pap As we approach the opening reception of “Rock, Paper, Sister,” we would like to highlight each of the incredible participating artists. 

Kate Bingaman-Burt’s @katebingburt long-running daily drawing project approaches consumer culture through steady, intimate documentation. For over twenty years, she has drawn the items she purchases each day in quick, unedited sketches. What began as a gesture of personal accountability has grown into an expansive archive of daily life. Through repetition, small transactions and daily necessities become markers of time and routine. Accumulated over years, the drawings form a quiet but insistent record of being alive in the world. The exhibition will highlight selections from this ongoing project alongside sketchbooks, zines, and a new risograph-printed book that reflects on two decades of daily drawings.

“Rock, Paper, Sister” is a two-person exhibition featuring Kate Bingaman-Burt (Oregon) and Elizabeth Saloka (New York), two artists who explore how the mundane accrues significance. In highlighting the overlooked and the everyday, both artists’ work suggests that even the smallest acts of attention can shape how we understand our lives.

📆Opening Reception: June 5, 2026, 6-8 PM
On view through September 18, 2026
📍Women’s Studio Workshop, 722 Binnewater Lane, Kingston, NY
Gallery Hours: Mon - Fri, 9 AM - 5 PM
🚨*New Publication Alert *🚨 We are thrilled to anno 🚨*New Publication Alert *🚨 We are thrilled to announce the release of InIquity/InEquity by KaKeART! This publication is a hardbound book with a drop spine featuring a two-color silkscreen-printed cover, and silkscreen-printed imagery and text by Ann Kalmbach @annkalmbach and Tatana Kellner @tatana1950. 

Kalmbach and Kellner, two of the four co-founders of WSW, have collaborated on art for over 50 years. InIquity/InEquity is their 16th book, published under the moniker KaKeART. This piece combines Kalmbach’s experiments in lexicography and humor, Kellner’s collaged and monoprinted figures and stamped text, and the pair’s lifelong engagement in political action. 

To read the full book description and see our full catalog, visit our website. Link in bio.
Check out these process pics of Justin Lambert @jl Check out these process pics of Justin Lambert @jlpottery who recently spent time at our campus constructing a custom-built gas kiln in our new ceramics studio. As one of the most significant equipment investments in our 50-year history, the kiln represents both a return and a reinvention of ceramics at the organization. 

We can’t wait for this extension of our campus to be open, expand year-round programming, and provide professional-grade resources for artists working in ceramics.
The kiln was funded by grant from the Stavros Niarchos Foundation (SNF) @snforg, supporting our ongoing campus-expansion project to create a state-of-the-art ceramics facility.
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