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15 events found.

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  • Month
Today
  • July 2026

  • Tue 21
    July 20 - July 24

    Captured Narratives: Embedded Memories, Ephemera & Scraps with Ashley Page

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Captured Narratives: Embedded Memories, Ephemera & Scraps – Ashley Page Dates: July 20 - 24, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Explore the versatility of collage within the papermaking context! This workshop is a great opportunity to put your collection of loose paper bits, newspaper clippings,... View Article

    $450 – $1300
  • Tue 21
    July 20 - July 24

    The Power of Electro-etching with Malgorzata Oakes

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    The Power of Electro-etching – Malgorzata Oakes Dates: July 20 - 24, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 In this workshop, you will master the fundamentals of safer intaglio by focusing on the methods of electro-etching and exploring their extensive potential. Using innovative etching and safer... View Article

    $450 – $1300
  • Tue 21
    July 20 - July 24

    Single Block Magic: Reduction Printing by Hand with Yetunde Rodriguez

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Single Block Magic: Reduction Printing by Hand – Yetunde Rodriguez Dates: July 20 - 24, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 8 Ready to move beyond creating a single-color print? This is the opportunity for a deep dive into the complex relief printing techniques of the reduction... View Article

    $450 – $1300
  • Mon 27
    July 27 - July 31

    Let’s Make a Lantern! Paper & Wire Forms with Ashley Page

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Let's make a Lantern! Paper & Wire Forms – Ashley Page Dates: July 27 - 31, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Explore the translucent quality of paper in this lantern workshop! We will cover basic sheetforming and expand into more advanced 3-dimensional papermaking applications. Participants... View Article

    $450 – $1300
  • Mon 27
    July 27 - July 31

    Plant, Pigment, Papers with Erina Schultz

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Plant, Pigment, Papers – Erina Schultz Dates: July 27 - 31, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 8 Working with the traditional Japanese process of Katazome-shi, we will be making and printing rice paste resist on paper. The class will explore painting with natural pigments using a... View Article

    $450 – $1300
  • August 2026

  • Sat 1
    August 1 - August 2

    Contemporary Basket Weaving: A Weekend Special with Dee Clements

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Contemporary Basket Weaving: A Weekend Special – Dee Clements Dates: August 1 + 2, 2026 Studio: Multipurpose Room Tuition: Sliding Scale, $250, $350, $450 Lab fee: $60 Class limit: 8 Learn and apply basket-weaving techniques to create three-dimensional forms, structures, and vessels! We will begin with weaving a round base and practicing various techniques using... View Article

    $250 – $450
  • Mon 3
    August 3 - August 7

    Making Revolution Irresistible with Oscar Maynard

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Making Revolution Irresistible – Oscar Maynard Dates: August 3 - 7, 2026 Studio: Letterpress Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Writer, teacher, and activist Toni Cade Bambara said: “As a cultural worker who belongs to an oppressed people my job is to make revolution irresistible.” Participants will choose a... View Article

    $450 – $1300
  • Mon 3
    August 3 - August 7

    Irresistible Indigo with Erina Schultz

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Irresistible Indigo – Erina Schultz Dates: August 3 - 7, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Print, Dip, and Dye! Learn to make your own rice paste resist and dye with indigo. We will explore the process of making an iron indigo vat and applying resist... View Article

    $450 – $1300
  • Mon 3
    August 3 - August 7

    From Pulp to Print: Hybrid Techniques in Papermaking with Gretchen Schermerhorn

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    From Pulp to Print: Hybrid Techniques in Papermaking – Gretchen Schermerhorn Dates: August 3 - 7, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Explore an interdisciplinary process that fuses papermaking and print through stencil techniques and screenprinting with colored pulp. Shifting between studios, you’ll work with pulp... View Article

    $450 – $1300
  • Mon 10
    August 10 - August 14

    I Love Your Layers with Shelley Thorstensen

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    I Love Your Layers – Shelley Thorstensen Dates: August 10 - 14, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Let’s get closer to the place where people say, “I love your layers,” and create seamless, surprising work together. In this workshop, we’ll focus on proofing—making beautiful versions... View Article

    $450 – $1300
  • Mon 10
    August 10 - August 14

    Maximalize Your Prints: Variable Editions in Silkscreen with Elizabeth Castaldo

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Maximalize Your Prints: Variable Editions in Silkscreen – Elizabeth Castaldo Dates: August 10 - 14, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $125 Class limit: 6 In this silkscreen workshop we will explore ways to bring variety and spontaneity into printed editions. In variable editions, each print features imagery that is... View Article

    $450 – $1300
  • Mon 10
    August 10 - August 14

    Southern Fiber Lab with Kelly Taylor Mitchell

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Southern Fiber Lab – Kelly Taylor Mitchell Dates: August 10 - 14, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Southern Fiber Lab is an experimental and exploratory workshop where site specific plant matter becomes paper. You will learn how to cook and process foraged fibers with southern... View Article

    $450 – $1300
  • Mon 17
    August 17 - August 21

    Many Hands: Collaborative Pulp Painting with Kelly Taylor Mitchell

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Many Hands: Collaborative Pulp Painting – Kelly Taylor Mitchell Dates: August 17 - 21, 2026 Studio: Papermaking Tuition: Sliding Scale, $450 - $1300 Lab fee: $150 Class limit: 6 Many Hands is a pulp painting workshop that emphasizes collaborative process. This workshop challenges the notion of an isolated artist practice and alternatively invites participants to... View Article

    $450 – $1300
  • Mon 17
    August 17 - August 21

    Painting through Print with Karen Lederer

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Painting through Print – Karen Lederer Dates: August 17 - 21, 2026 Studio: Intaglio Tuition: Sliding Scale, $450 - $1300 Lab fee: $100 Class limit: 6 Learn to build colorful monoprints using non-toxic, water-based materials. We will print from watercolor paintings on plexiglass, plastic stencils, and water-soluble crayon drawings. With a focus on experimentation, we... View Article

    $450 – $1300
  • Mon 17
    August 17 - August 21

    Printing to Infinity: Creating Repeat Patterns with Elizabeth Castaldo

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Printing to Infinity: Creating Repeat Patterns – Elizabeth Castaldo Dates: August 17 - 21, 2026 Studio: Silkscreen Tuition: Sliding Scale, $450 - $1300 Lab fee: $125 Class limit: 6 In this silkscreen workshop we will learn how to turn almost any type of image into an endless repeat pattern and explore the potential of what... View Article

    $450 – $1300
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Rosendale, NY 12472

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Summer Art Institute workshops are in full swing, Summer Art Institute workshops are in full swing, and we’re having a blast! Summer is always a special time here because we get to share our campus with new and returning folks🏡🌷🌞🌀💗

Two weeks in, and seven workshops down…

+ “Riso Ephemera: Printing the Day” with Emily Larned @emilylarned
+ “Pulp Pigmenting & Blowouts” with Jaz Graf @jazgraf
+ “All About Collagraphs” with Tatana Kellner @tatana1950
+ “Box: The Art of Enclosures” with Golnar Adili @golnar.adili
+ “Pulp Pigmenting & Blowouts” with Jaz Graf
+ “Trash Talk” with Tatana Kellner
+ “Gel Plate Alchemy, From Accidents to Art: A Dive into Intentional Gel Plate Printing” with Yetunde Rodriguez @yaytoonday 

Thanks everyone for an amazing start to SAI! We look forward to spending this summer with ya’ll <3 

Want to join the fun? Visit our website to see what’s still available this summer. Link in bio.
WSW students recently returned from Scotland, wher WSW students recently returned from Scotland, where they completed the SAI International workshop, “Hybrid Printmaking–Texture, Color, Line with Lucy Turner” @lucy_turner_print at Rua Reidh Lighthouse. We’re thrilled to have been able to offer this workshop experience for a second year in a row! Thank you to Kiva Fateh for this awesome documentation of the program, which allows us to witness the adventure and printmaking process firsthand. 

Video Credit: Kiva Fateh
During our Summer Art Institute workshops, the vis During our Summer Art Institute workshops, the visiting instructors present about their creative practices on Monday nights, starting at 5:30PM. This event is held onsite at WSW’s campus, and is free and open to the public. On July 20th, we’ll be hearing fromAshley Page @ashleypage.studio, Malgorzata Oakes @malgorzata_oakes, and Yetunde Rodriguez @yzytoonday. See you then!
Come find WSW at @vassarcollege on July 24th! We’l Come find WSW at @vassarcollege on July 24th! We’ll be tabling at the Making Meaning Book Fair as a part of the three-day symposium, organized by Transforming Collage.

We will have a selection of publications, including recent and upcoming releases: “Inequity/Iniquity” by KaKeART, WSW co-founders and collaborators, Ann Kalmbach @annkalmbach and Tatana Kellner @tatana1950, “What Does It Mean to Mend?” by Stella Nall @stella.nall, “WET Vol. 2” by Meg Turner @megprinter, and “The Pause Apothecary” by Macon Reed @macon_reed_studio. We can’t wait to share our incredible publications with ya’ll! 

📆July 24, 11AM - 1PM
📍Vassar College
🏠Bridge For Laboratory Sciences, 4 Chapel Road,  Poughkeepsie NY
The book fair is free and open to the public
🚨New Mural Alert🚨 Come by WSW’s campus to view our 🚨New Mural Alert🚨 Come by WSW’s campus to view our latest mural, painted by Julie Evanoff @julieevanoff (Public Art Mural Grant)! This mural is based her drawings in “Repetition and Ruins: The Art of Radical Political Thinking,” a non-fiction graphic novel collaboration with drawings by Julie Evanoff and text by University of Ottawa Professor Dalie Giroux.

A bold, unusual, and radically generous adventure in theory and image, “Repetition and Ruins” contemplates and questions our current shared condition as twenty-first-century earthlings living in, by, and against power accumulators: capitalism and the state. The book’s images and concepts are an invitation to notice and interpret the connection between these power accumulators and daily life.

“Repetition and Ruins” is based on a lecture by Giroux that Evanoff first learned of in a panel discussion following a screening of Moyra Davey’s i confess, which included footage of Giroux’s accompanying chalkboard drawing. The original talk freely used terms and ideas from critical theory, philosophy, and political theory, which Evanoff and Giroux have translated here into democratic, accessible language and images. Evanoff’s comics draw from a deep well of inspirations ranging from the art-historical to the pop-cultural, all rooted in her raw, compulsive, spontaneous drawing practice, and often including her characteristic philosophical-eyed animals as illustrative interlocutors.

The result is a sly, incisive, and urgent intervention slicing through our current political climate of obfuscation, uncertainty, and fear.
Are you going to the @hudsonvalleypotteryfair this Are you going to the @hudsonvalleypotteryfair this weekend? Find WSW’s table to learn more about our ceramics program and the upcoming opening of our new ceramic studio!

📍T.R. Gallo Park, Rondout Waterfront, Kingston, NY
📆Saturday, July 18th
⏰ 9 AM - 4:30 PM
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Summer Art Institute workshops are in full swing, Summer Art Institute workshops are in full swing, and we’re having a blast! Summer is always a special time here because we get to share our campus with new and returning folks🏡🌷🌞🌀💗

Two weeks in, and seven workshops down…

+ “Riso Ephemera: Printing the Day” with Emily Larned @emilylarned
+ “Pulp Pigmenting & Blowouts” with Jaz Graf @jazgraf
+ “All About Collagraphs” with Tatana Kellner @tatana1950
+ “Box: The Art of Enclosures” with Golnar Adili @golnar.adili
+ “Pulp Pigmenting & Blowouts” with Jaz Graf
+ “Trash Talk” with Tatana Kellner
+ “Gel Plate Alchemy, From Accidents to Art: A Dive into Intentional Gel Plate Printing” with Yetunde Rodriguez @yaytoonday 

Thanks everyone for an amazing start to SAI! We look forward to spending this summer with ya’ll <3 

Want to join the fun? Visit our website to see what’s still available this summer. Link in bio.
WSW students recently returned from Scotland, wher WSW students recently returned from Scotland, where they completed the SAI International workshop, “Hybrid Printmaking–Texture, Color, Line with Lucy Turner” @lucy_turner_print at Rua Reidh Lighthouse. We’re thrilled to have been able to offer this workshop experience for a second year in a row! Thank you to Kiva Fateh for this awesome documentation of the program, which allows us to witness the adventure and printmaking process firsthand. 

Video Credit: Kiva Fateh
During our Summer Art Institute workshops, the vis During our Summer Art Institute workshops, the visiting instructors present about their creative practices on Monday nights, starting at 5:30PM. This event is held onsite at WSW’s campus, and is free and open to the public. On July 20th, we’ll be hearing fromAshley Page @ashleypage.studio, Malgorzata Oakes @malgorzata_oakes, and Yetunde Rodriguez @yzytoonday. See you then!
Come find WSW at @vassarcollege on July 24th! We’l Come find WSW at @vassarcollege on July 24th! We’ll be tabling at the Making Meaning Book Fair as a part of the three-day symposium, organized by Transforming Collage.

We will have a selection of publications, including recent and upcoming releases: “Inequity/Iniquity” by KaKeART, WSW co-founders and collaborators, Ann Kalmbach @annkalmbach and Tatana Kellner @tatana1950, “What Does It Mean to Mend?” by Stella Nall @stella.nall, “WET Vol. 2” by Meg Turner @megprinter, and “The Pause Apothecary” by Macon Reed @macon_reed_studio. We can’t wait to share our incredible publications with ya’ll! 

📆July 24, 11AM - 1PM
📍Vassar College
🏠Bridge For Laboratory Sciences, 4 Chapel Road,  Poughkeepsie NY
The book fair is free and open to the public
🚨New Mural Alert🚨 Come by WSW’s campus to view our 🚨New Mural Alert🚨 Come by WSW’s campus to view our latest mural, painted by Julie Evanoff @julieevanoff (Public Art Mural Grant)! This mural is based her drawings in “Repetition and Ruins: The Art of Radical Political Thinking,” a non-fiction graphic novel collaboration with drawings by Julie Evanoff and text by University of Ottawa Professor Dalie Giroux.

A bold, unusual, and radically generous adventure in theory and image, “Repetition and Ruins” contemplates and questions our current shared condition as twenty-first-century earthlings living in, by, and against power accumulators: capitalism and the state. The book’s images and concepts are an invitation to notice and interpret the connection between these power accumulators and daily life.

“Repetition and Ruins” is based on a lecture by Giroux that Evanoff first learned of in a panel discussion following a screening of Moyra Davey’s i confess, which included footage of Giroux’s accompanying chalkboard drawing. The original talk freely used terms and ideas from critical theory, philosophy, and political theory, which Evanoff and Giroux have translated here into democratic, accessible language and images. Evanoff’s comics draw from a deep well of inspirations ranging from the art-historical to the pop-cultural, all rooted in her raw, compulsive, spontaneous drawing practice, and often including her characteristic philosophical-eyed animals as illustrative interlocutors.

The result is a sly, incisive, and urgent intervention slicing through our current political climate of obfuscation, uncertainty, and fear.
Are you going to the @hudsonvalleypotteryfair this Are you going to the @hudsonvalleypotteryfair this weekend? Find WSW’s table to learn more about our ceramics program and the upcoming opening of our new ceramic studio!

📍T.R. Gallo Park, Rondout Waterfront, Kingston, NY
📆Saturday, July 18th
⏰ 9 AM - 4:30 PM
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Night presentations! Join us every Monday at 5:30PM in the front room to hear from WSW’s instructors. On Monday, July 13th we’ll be hearing from Jaz Graf @jazgraf, Tatana Kellner @tatana1950, and Yetunde Rodriguez @yaytoonday. All Slide Nights are free and open to the public, see you then!
You’re invited! On Sunday, July 19th, WSW will be You’re invited! On Sunday, July 19th, WSW will be hosting Allison Halter for a performance of CLEARING (SIGIL), in collaboration with the Carolee Schneemann Foundation @schneemannfoundation. The performance will begin at 2PM, followed by a panel discussion. This event is free and open to the public, link in bio to RSVP. 

Allison Halter (she/her) is a conceptual artist and witch. Through her performances, Halter explores themes of physical and psychic accumulation and calls into question audience expectations. Repetitive actions hint at mysterious prior events. The viewer must extrapolate the significance of these proliferating gestures, which take on a deeper emotional charge as they slowly and inexorably pile up.
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