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30 events found.

Women’s Studio Workshop

« All Events
Address
722 Binnewater Lane
Kingston, 12401 United States
Get Directions
Phone (845) 658-9133
Website wsworkshop.org

Events at this venue

Today
  • August 2025

  • Mon 18
    August 18, 2025 - August 22, 2025

    *Contemporary and Experimental Marbling with Maisie Broome

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Contemporary and Experimental Marbling – Maisie Broome Dates: August 18 – August 22, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 10 Take a playful and contemporary approach to the ancient technique of marbling! Participants will explore the vast potential of marbling and experiment with materials while familiarizing themselves... View Article

    $450 – $1300
  • Mon 11
    August 11, 2025 - August 15, 2025

    Stencil to Screen: Unlocking the Power of Print with Tyanna Buie

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Stencil to Screen: Unlocking the Power of Print – Tyanna Buie Dates: August 11 – August 15, 2025 Studio: Silkscreen (Second Floor, located up one flight of stairs*) Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Let’s get experimental! Discover silkscreen’s flexibility, exploring the inherent cross-connections and expressive possibilities of photomechanical... View Article

    $450 – $1300
  • Mon 11
    August 11, 2025 - August 15, 2025

    Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Drypoint with Chine Collé: Multi-Color and Layer – Rie Hasegawa Dates: August 11 – August 15, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Drypoint is an intaglio printmaking technique in which an image is scratched into a metal or plastic plate. The scratches produce a “burr”: a... View Article

    $450 – $1300
  • Mon 11
    August 11, 2025 - August 15, 2025

    *Topographic Language: Embedding and Collage in Handmade Paper with Katharine DeLamater

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Topographic Language: Embedding and Collage in Handmade Paper – Katharine DeLamater Dates: August 11 – August 15, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Layer textile, photographic, and other soft collage elements, concurrently building a narrative alongside the development of your handmade paper artwork! In this all... View Article

    $450 – $1300
  • Mon 4
    August 4, 2025 - August 8, 2025

    *Windows, Wells, and Walls: Stencils and Masking in Handmade Paper with Katharine DeLamater

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Windows, Wells, and Walls: Stencils and Masking in Handmade Paper – Katharine DeLamater Dates: August 4 – August 8, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 In this all levels papermaking workshop, participants will learn how to make paper using a variety of fibers and incorporate stenciled... View Article

    $450 – $1300
  • Mon 4
    August 4, 2025 - August 8, 2025

    *Photo-based Screenprinting: Light and Shadow with K Sarrantonio

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Photo-based Screenprinting: Light and Shadow – K Sarrantonio Dates: August 4 – August 8, 2025 Studio: Silkscreen (Second Floor, located up one flight of stairs*) Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Immerse yourself in the incredible world of halftones! The halftone process translates continuous shades and tones into patterns... View Article

    $450 – $1300
  • Mon 4
    August 4, 2025 - August 8, 2025

    Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! – Rie Hasegawa Dates: August 4 – August 8, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Traditional printmaking involves use of a variety of toxic chemicals to make ink-receptive and non-image areas receptive to water and ink-repellent. This course... View Article

    $450 – $1300
  • July 2025

  • Mon 28
    July 28, 2025 - August 1, 2025

    Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Street Art as Protest: How To Make Wheat Paste Posters – Symone Salib Dates: July 28 – August 1, 2025 Studio: Multipurpose Room & Outdoor Patio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $100 Class limit: 8 This course introduces the art of wheat-pasting posters in public spaces, focusing on both technical skills and... View Article

    $450 – $1300
  • Mon 28
    July 28, 2025 - August 1, 2025

    *Ink, Paper, and Thread: Artist’s Book Editions with Liz Castaldo

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Ink, Paper, and Thread: Artist’s Book Editions – Liz Castaldo Dates: July 28 – August 1, 2025 Studio: Silkscreen (Second Floor, located up one flight of stairs*) Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Make your artist’s book dreams a reality in this silkscreen-focused workshop. We will go over how... View Article

    $450 – $1300
  • Mon 28
    July 28, 2025 - August 1, 2025

    *Place and Identity through Papermaking with Candy Gonzalez

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Place and Identity through Papermaking – Candy Gonzalez Dates: July 28 – August 1, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $100 Class limit: 6 Explore your relationship to place and identity through papermaking with native plants! The workshop will start with the exploration of plants native to the Hudson Valley... View Article

    $450 – $1300
  • Mon 28
    July 28, 2025 - August 1, 2025

    *Combine, Layer, Overlap: Guided Monoprint with Tara Sabharwal

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Combine, Layer, Overlap: Guided Monoprint – Tara Sabharwal Dates: July 28 – August 1, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Create a rich and multifaceted print, using one-off pre-printed rice papers as a launching point! After monoprinting a variety of marks, drawing, colors, script, or textures... View Article

    $450 – $1300
  • Mon 21
    July 21, 2025 - July 25, 2025

    *Expressive Pulp Painting with Candy Gonzalez

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Expressive Pulp Painting – Candy Gonzalez Dates:  July 21 - July 25, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Through demos, embodied inquiry-based investigation and open studio time, participants will expand their papermaking practice by experimenting with contemporary pulp painting techniques. Participants will learn the mechanics of... View Article

    $450 – $1300
  • Mon 21
    July 21, 2025 - July 25, 2025

    *Printing to Infinity: Endless Silkscreen Repeats for Installation with Liz Castaldo

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Printing to Infinity: Endless Silkscreen Repeats for Installation – Liz Castaldo Dates: July 21 – July 25, 2025 Studio: Silkscreen (Second Floor, located up one flight of stairs*) Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 In this workshop we will explore the endless possibilities of working with patterns, and learn... View Article

    $450 – $1300
  • Mon 21
    July 21, 2025 - July 25, 2025

    Building Edges in Monoprint with Tara Sabharwal

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Building Edges in Monoprint – Tara Sabharwal Dates:  July 21 – July 25, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 We will make monoprints, exploring lines and shapes to build a vocabulary of EDGES. Besides brushes we will use Inkjet sheets and mylar stencils for hard, sharp... View Article

    $450 – $1300
  • Mon 14
    July 14, 2025 - July 18, 2025

    *Light as a Feather, Stiff as a Board: Casting with Paper with SR Lejeune

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Light as a Feather, Stiff as a Board: Casting with Paper – SR Lejeune Dates: July 14– July 18, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 This experimental workshop will emphasize the unique nature of paper as a casting medium through a wide exploration of this material.... View Article

    $450 – $1300
  • Mon 14
    July 14, 2025 - July 18, 2025

    Risograph Structures with Caroline Kern

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Risograph Structures – Caroline Kern Dates: July 14– July 18, 2025 Studio: Silkscreen (Second Floor, located up one flight of stairs*) Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Is it a book? Is it a sculpture? Could it be both? Come learn the basics of Risograph while also experimenting with... View Article

    $450 – $1300
  • Mon 14
    July 14, 2025 - July 18, 2025

    *Broadsides, Ballads, and Fables: Letterpress Printing with Type and Image with Corinne Teed

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Broadsides, Ballads, and Fables: Letterpress Printing with Type and Image – Corinne Teed Dates: July 14– July 18, 2025 Studio: Letterpress Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Collaboration between type and image is an essential aspect of letterpress printing. Whether working with proclamations, manifestos, poetry, or fables, letterpress is... View Article

    $450 – $1300
  • Mon 7
    July 7, 2025 - July 11, 2025

    Remixing the Archive: Manipulating Digitized Images for Risograph with Corinne Teed

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Remixing the Archive: Manipulating Digitized Images for Risograph – Corinne Teed Dates: July 7– July 11, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Risograph is a stencil duplicator that can quickly produce print editions with an array of colors and techniques. Through this one week intensive workshop,... View Article

    $450 – $1300
  • Mon 7
    July 7, 2025 - July 11, 2025

    *Material Memory: Texture Techniques in Papermaking with SR Lejeune

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Material Memory: Texture Techniques in Papermaking – SR Lejeune Dates: July 7– July 11, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Use paper pulp to hold texture and surface! Beginning with technical basics such as fiber processing in the Hollander beater and sheet formation, participants will apply... View Article

    $450 – $1300
  • June 2025

  • Thu 19
    June 19, 2025 - July 24, 2025

    Trading Stories Through Tile Making: Hybridizing Printmaking and Clay with Dilara Miller

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Instructor: Dilara Miller Class Type: Six-week slab building class Skill Level: All Levels Time: Thursdays 5 - 7PM Dates: June 19 - July 24 Make Up Date: July 31 Join us in this 6-week course where students will create a set of their own hand made tiles and learn to translate printmaking techniques to transform clay... View Article

    $255
  • May 2025

  • Mon 5
    May 5, 2025 - June 9, 2025

    Everyday Whimsy: Hand-Built Sculptural Vessels with Lora Shelley

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Instructor: Lora Shelley Class Type: Six-week handbuilding class Skill Level: All Levels Time: Mondays 5 - 7PM Dates: May 5 - June 9 Make Up Date: June 16 Learn to make imaginative functional objects for your everyday life! In this class we will explore different methods of hand-building— including slab, coil, pinch, and hollowing out a... View Article

    $255
  • August 2024

  • Mon 19
    August 19, 2024 - August 23, 2024

    What The F!?! – Fiber, Fabrics, Fusing, Facades with Jaz Graf

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    What The F!?! - Fiber, Fabrics, Fusing, Facades – Jaz Graf Dates: August 19 - August 23, 2024 Studio: Papermaking Tuition: Sliding Scale, $350 - $1200 Lab Fee: $100 Class limit: 8 How do materials collide and synthesize to convey our embodied and metaphorical stories? How might we translate old prints, drawings, and cloth scraps... View Article

    $350 – $1200
  • Mon 19
    August 19, 2024 - August 23, 2024

    RISOGRAPH CAMP! with Kate Bingaman-Burt

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    RISOGRAPH CAMP! - Kate Bingaman-Burt Dates: August 19 - August 23, 2024 Studio: Multipurpose Room Tuition: Sliding Scale, $350 - $1200 Lab Fee: $125 Class limit: 6 RISOGRAPH CAMP! This workshop is a great place to start if you’re new to riso or want a refresher! We’ll dive deep into risograph history, an overview of... View Article

    $350 – $1200
  • Mon 19
    August 19, 2024 - August 23, 2024

    Propagating Propaganda with Lois Harada

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Propagating Propaganda - Lois Harada Dates: August 19 - August 23, 2024 Studio: Letterpress Tuition: Sliding Scale, $350 - $1200 Lab Fee: $100 Class limit: 6 Archives are often built from found materials — printed booklets, pamphlets, broadsides, and more. But who decides which of these important artifacts are created and produced on a scale... View Article

    $350 – $1200
  • Mon 12
    August 12, 2024 - August 16, 2024

    Paper as Textile, Textile as Paper – Amy Jacobs

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Paper as Textile, Textile as Paper – Amy Jacobs Dates: August 12 - August 16, 2024 Studio: Papermaking Tuition: Sliding Scale, $350 - $1200 Lab Fee: $100 Class limit: 8 This workshop will explore numerous ways of combining textiles with handmade paper. We will use textiles as the basis for various creative techniques such as... View Article

    $350 – $1200
  • Fri 9
    August 9, 2024 - August 30, 2024

    Inside, Outside: Handbuilding a Lidded Box with Chrystal O’Boyle

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Instructor: Chrystal O'Boyle Class Type: Four-week handbuilding class Skill Level: All Levels Time: Fridays 4 – 6 pm Dates: August 9 – 30 Make Up Date: September 6 This four-week class will explore the possibilities of slab construction, transforming two-dimensional slabs of clay into 3D geometric objects with lids. To add a unique twist to our straight-walled... View Article

    $195
  • Mon 5
    August 5, 2024 - August 16, 2024

    Mokuhanga and Emakimono: Two Week Course in Woodblock Printing and Scroll Making

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Mokuhanga and Emakimono: Two Week Course in Woodblock Printing and Scroll Making – Yoonmi Nam and Katie Baldwin Dates: August 5 - August 16, 2024 Studio: Intaglio and Silkscreen Tuition: Sliding Scale, $700 - $2400 Lab fee: $150 Class limit: 12 In this two-week course, participants will immerse themselves in the process of learning Mokuhanga... View Article

    $700 – $2400
  • July 2024

  • Mon 29
    July 29, 2024 - August 2, 2024

    What’s still good about yesterday’s liberation?: Feminist Criticism and Construction in the WSW Archives with Jeanne Vaccaro

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    What's still good about yesterday's liberation?: Feminist Criticism and Construction in the WSW Archives – Jeanne Vaccaro Dates: July 29 - August 2, 2024 Studio: Archive Tuition: Sliding Scale, $350-$1200 Lab fee: $75 Class limit: 6 This workshop moves between two concepts: criticism and construction. What is criticism for, exactly, and how can it be... View Article

    $350 – $1200
  • Mon 29
    July 29, 2024 - August 2, 2024

    Gestural Adaptations: A Print in Three Acts – Tara Sabharwal

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Gestural Adaptations: A Print in Three Acts – Tara Sabharwal Dates: July 29 - August 2, 2024 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Using water-soluble inks, students will explore the possibilities of creating a set of one-of-a-kind prints using the same template. They will make a monoprint by adding... View Article

    $350 – $1200
  • Mon 29
    July 29, 2024 - August 2, 2024

    Block in Hand: The Art and Craft of Fabric Printing by Hand with Yetunde Rodriguez

    Women's Studio Workshop 722 Binnewater Lane, Kingston, United States

    Block in Hand: The Art and Craft of Fabric Printing by Hand – Yetunde Rodriguez Dates: July 29 - August 2, 2024 Studio: Silkscreen Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Yetunde Rodriguez brings her keen eye for shapes and patterns into this fun and informative workshop. She will teach you her... View Article

    $350 – $1200
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  • 722 Binnewater Lane, Kingston, NY 12401
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Women’s Studio Workshop
P.O. Box 489
Rosendale, NY 12472

(845) 658-9133

[email protected]

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Map of Women's Studio Workshop

You don’t want to miss this! There are still a few You don’t want to miss this! There are still a few spots available in WSW’s 2026 international Summer Art Institute workshop in Rua Reidh, Scotland. Join Lucy Turner @lucy_turner_print for Hybrid Printmaking–Texture, Color, Line and expand your printmaking practice across the globe!

Based on positive feedback about the location, we have reimaged the course and extended the stay. Consider joining WSW on this incredible opportunity to create art at Rua Reidh Lighthouse, one of the most dramatic and remote locations on the north-west coast of Scotland. Register today and be part of this unforgettable printmaking workshop held between June 10 – 19th, 2026. Link in bio.

1. View from Rua Reidh Lighthouse
2. 2025’s SAI Scotland cohort
3. In the lighthouse studio
4. Sheep!
5. Flowers from Inverewe Gardens excursion
☆Internship Opportunities☆ Applications are now op ☆Internship Opportunities☆ Applications are now open for the fall term of Women’s Studio Workshop’s Studio and Nonprofit Management Internship positions. Apply by 11:59PM EST on March 15th!

🏠Our studio interns work on projects that may include printmaking, letterpress, papermaking, and book arts, in addition to assisting with the ongoing operations of the facility, and our nonprofit management intern focuses on arts organization operations, writing, and public relations. All internships grant studio access to WSW’s studio facilities, and include a private room in WSW’s on-campus Anne Atwood House, and a monthly stipend.

Link in bio for more info.

Image: Studio Intern Ollantay Avila Alcocer working on Meg Turner’s upcoming artist’s book, “Wet: Vol. 2”, 2025.
We are pleased to announce that Emily Larned’s @em We are pleased to announce that Emily Larned’s @emilylarned exhibition WORKSHOPPING will be extended through February 23, 2026. If you haven’t had the opportunity to see the show or pick up her new publication released in tandem with the exhibition, you now have a bit more time! Gallery hours are M-F, 9-5pm or by appointment. 

Images from the exhibition opening
We are excited to share our new tote to hold all y We are excited to share our new tote to hold all your favorite WSW goodies, groceries, and studio supplies! Let us introduce WSW’s latest tote design by former intern, Erin Moore @bugprints. Receive this beautiful gusseted blue tote, 14”W x 17”H x 7”D, heavy weight cotton, printed by Oddities @oddities_prints. Yours, when you sign up for a WSW membership at the Contributor level and above! Bags will also be available onsite and via our webshop in February!

By becoming a member, you help sustain WSW’s mission for years to come.

Member Tiers: 
⭐️ Basic: $75 Individual – $50 Students/Seniors
⭐️ Contributor: $100–249
⭐️ Friend: $250–499
⭐️ Supporter: $500–749
⭐️ Patron: $750–999

🔗 in bio.

P.S. Summer Art Institute registration opens to all on February 4th! Spots fill quickly, but you can sign up to be a WSW member to get one full week of early access. Make sure to sign up before the members-only registration period that begins on January 28th via email!
We are pleased to announce the release of “What Do We are pleased to announce the release of “What Does It Mean To Mend?” by Stella Nall @stella.nall This publication is a perfect-bound book featuring a risograph-printed interior, a letterpress-printed, handmade recycled paper cover individually hand-beaded by Nall.

Written over the span of a decade, “What Does It Mean To Mend?” by Nall moves through moments of joy and sorrow, tenderness and loss, humor and quiet reflection. Informed by the history of her ancestors and her own experiences navigating the world as a queer mixed-race Apsáalooke (Crow) woman, Nall’s illustrated poems trace a journey of processing personal, cultural, and creative experiences, working towards a sense of self-understood wholeness. The poems are rooted in memory, family, and the rhythms of everyday life. Her work also engages intergenerational trauma inflicted by assimilative boarding schools, their impact on her people, family, and life. A direct outcome for Nall and her brother was that they were not raised as fluent speakers of the Apsáalooke language, which motivated her to continue speaking, learning, and weaving it into her creations.

Link in bio to read more about this publication.

This publication was funded with the generous support of Bainbridge Island Museum of Art @bimuseum.of.art through the BIMA Artist’s Book Residency Grant for Indigenous Artists.
We are pleased to announce Women’s Studio Workshop We are pleased to announce Women’s Studio Workshop has received generous support from the Ruth Foundation for the Arts @ruthfoundationforthearts in an expanded three-year Core Granting program and will receive $150,000 over three-years.

As a national program, Ruth Arts Core Grant provides a snapshot of the current cultural landscape giving insights into the strategic, imaginative, and critical ways organizations are approaching their work today.  Acting Director Natalie Renganeschi says, “Multi-year support from Ruth Arts has provided us with essential stability, allowing us to plan ambitiously and invest in artists and staff. This deepens the impact of our programs over time, enables us to respond thoughtfully to the evolving needs of our community, and strengthens our ability to amplify the voices of women, trans, and nonbinary artists.”
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You don’t want to miss this! There are still a few You don’t want to miss this! There are still a few spots available in WSW’s 2026 international Summer Art Institute workshop in Rua Reidh, Scotland. Join Lucy Turner @lucy_turner_print for Hybrid Printmaking–Texture, Color, Line and expand your printmaking practice across the globe!

Based on positive feedback about the location, we have reimaged the course and extended the stay. Consider joining WSW on this incredible opportunity to create art at Rua Reidh Lighthouse, one of the most dramatic and remote locations on the north-west coast of Scotland. Register today and be part of this unforgettable printmaking workshop held between June 10 – 19th, 2026. Link in bio.

1. View from Rua Reidh Lighthouse
2. 2025’s SAI Scotland cohort
3. In the lighthouse studio
4. Sheep!
5. Flowers from Inverewe Gardens excursion
☆Internship Opportunities☆ Applications are now op ☆Internship Opportunities☆ Applications are now open for the fall term of Women’s Studio Workshop’s Studio and Nonprofit Management Internship positions. Apply by 11:59PM EST on March 15th!

🏠Our studio interns work on projects that may include printmaking, letterpress, papermaking, and book arts, in addition to assisting with the ongoing operations of the facility, and our nonprofit management intern focuses on arts organization operations, writing, and public relations. All internships grant studio access to WSW’s studio facilities, and include a private room in WSW’s on-campus Anne Atwood House, and a monthly stipend.

Link in bio for more info.

Image: Studio Intern Ollantay Avila Alcocer working on Meg Turner’s upcoming artist’s book, “Wet: Vol. 2”, 2025.
We are pleased to announce that Emily Larned’s @em We are pleased to announce that Emily Larned’s @emilylarned exhibition WORKSHOPPING will be extended through February 23, 2026. If you haven’t had the opportunity to see the show or pick up her new publication released in tandem with the exhibition, you now have a bit more time! Gallery hours are M-F, 9-5pm or by appointment. 

Images from the exhibition opening
We are excited to share our new tote to hold all y We are excited to share our new tote to hold all your favorite WSW goodies, groceries, and studio supplies! Let us introduce WSW’s latest tote design by former intern, Erin Moore @bugprints. Receive this beautiful gusseted blue tote, 14”W x 17”H x 7”D, heavy weight cotton, printed by Oddities @oddities_prints. Yours, when you sign up for a WSW membership at the Contributor level and above! Bags will also be available onsite and via our webshop in February!

By becoming a member, you help sustain WSW’s mission for years to come.

Member Tiers: 
⭐️ Basic: $75 Individual – $50 Students/Seniors
⭐️ Contributor: $100–249
⭐️ Friend: $250–499
⭐️ Supporter: $500–749
⭐️ Patron: $750–999

🔗 in bio.

P.S. Summer Art Institute registration opens to all on February 4th! Spots fill quickly, but you can sign up to be a WSW member to get one full week of early access. Make sure to sign up before the members-only registration period that begins on January 28th via email!
We are pleased to announce the release of “What Do We are pleased to announce the release of “What Does It Mean To Mend?” by Stella Nall @stella.nall This publication is a perfect-bound book featuring a risograph-printed interior, a letterpress-printed, handmade recycled paper cover individually hand-beaded by Nall.

Written over the span of a decade, “What Does It Mean To Mend?” by Nall moves through moments of joy and sorrow, tenderness and loss, humor and quiet reflection. Informed by the history of her ancestors and her own experiences navigating the world as a queer mixed-race Apsáalooke (Crow) woman, Nall’s illustrated poems trace a journey of processing personal, cultural, and creative experiences, working towards a sense of self-understood wholeness. The poems are rooted in memory, family, and the rhythms of everyday life. Her work also engages intergenerational trauma inflicted by assimilative boarding schools, their impact on her people, family, and life. A direct outcome for Nall and her brother was that they were not raised as fluent speakers of the Apsáalooke language, which motivated her to continue speaking, learning, and weaving it into her creations.

Link in bio to read more about this publication.

This publication was funded with the generous support of Bainbridge Island Museum of Art @bimuseum.of.art through the BIMA Artist’s Book Residency Grant for Indigenous Artists.
We are pleased to announce Women’s Studio Workshop We are pleased to announce Women’s Studio Workshop has received generous support from the Ruth Foundation for the Arts @ruthfoundationforthearts in an expanded three-year Core Granting program and will receive $150,000 over three-years.

As a national program, Ruth Arts Core Grant provides a snapshot of the current cultural landscape giving insights into the strategic, imaginative, and critical ways organizations are approaching their work today.  Acting Director Natalie Renganeschi says, “Multi-year support from Ruth Arts has provided us with essential stability, allowing us to plan ambitiously and invest in artists and staff. This deepens the impact of our programs over time, enables us to respond thoughtfully to the evolving needs of our community, and strengthens our ability to amplify the voices of women, trans, and nonbinary artists.”
WSW is pleased to announce Faythe Levine’s @faythe WSW is pleased to announce Faythe Levine’s @faythelevine new position as Special Collections & Public Engagement Manager. Hired in 2023 as WSW’s Archivist with generous grant support for 2.5 years from @HauserWirthInstitute, we are grateful this multifaceted position will allow Levine to continue to be full-time staff. The new job will combine her many years of arts administration and curatorial work with her expertise in WSW’s special collections, archives, and library operations. Her new role increases the visibility, value, and accessibility of the organization and encompasses artist book sales, exhibitions, community engagement and strategic planning.
Mark your calendars for this month’s Slide Night! Mark your calendars for this month’s Slide Night! Join us Tuesday (1/13) at 5:30PM on our campus for an engaging evening of art! We have a stacked month as we’ll be hearing from Victoria Day @artistvictoriaday (Studio Workspace Residency), Ann Kalmbach @annkalmbach (WSW Cofounder), Tatana Kellner @tatana1950 (WSW Cofounder), and Ruth McKinney Burket @ruth_mckinney_burket @feastforallpeoples (WSW Ceramics Studio Manager). We look forward to seeing you there!

1. Victoria Day, “Mirage,” 2023
2. Spread from “Whereas, We Declare” by KaKeART (Ann Kalmbach & Tatana Kellner), 2018
3. Ceramic bowl from “The WSW Pot Luck Bowl Library Project” by Ruth McKinney Burket, 2013-2018
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