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126 Search Results for 4 3 2 cry

#FirstFriday: July Exhibitions We Love

Jul 01, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Clarissa Sligh (Artist’s Book resident ’88, Artist’s Book resident ’04) has published her latest artist’s book Transforming Hate: An Artist’s Book. Through this book, she explores the many levels of oppression and violence at the… View Article

Clay Critters: Figurative Vessels, Vases, and More! with Lora Shelley

May 06, 2024

Instructor: Lora Shelley Class Type: Four-week handbuilding class Skill Level: All Levels Time: Tuesdays 5:30 – 7:30 pm Dates: June 4 – 25 Make Up Date: July 2 In this class, Lora Shelley will guide students to make the form of their dreams! Develop the skills to help you achieve a variety of new forms… View Article

*Windows, Wells, and Walls: Stencils and Masking in Handmade Paper with Katharine DeLamater

Jan 14, 2025

Windows, Wells, and Walls: Stencils and Masking in Handmade Paper – Katharine DeLamater Dates: August 4 – August 8, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 In this all levels papermaking workshop, participants will learn how to make paper using a variety of fibers and incorporate stenciled… View Article

Protected: Mokuhanga and Me – Jennifer Mack-Watkins

Mar 23, 2021

There is no excerpt because this is a protected post.

Spring Intern Exhibition: “How to Make a Home”

May 15, 2015

Women’s Studio Workshop is pleased to announce How to Make a Home, an exhibition featuring work from our spring 2015 interns: Katie Bosley, Danielle LaCasse, Ellen Prosko, and Katie Wofford. They’ve each dedicated their free time to develop their own creative practices, culminating in a show opening May 23. We’ll celebrate with a fully packed schedule,… View Article

The Power of Electro-Etching – Malgorzata Oakes

Nov 27, 2019

The Power of Electro-Etching – Malgorzata Oakes Dates: July 12 – 16, 2021 Studio: Intaglio Tuition: Sliding Scale, $300-$1200 Lab fee: $100 Class limit: 4 In order to reserve your space in the class, we require a deposit. Registration is on a first-come first-served basis, and you can read about our refund and cancellation policies… View Article

Studio Workspace Residency

May 29, 2015

The Studio Workspace Residency is an opportunity for artists to create new work and fully immerse themselves in WSW’s supportive environment. We invite applications from artists at any stage of their careers. This residency gives artists the necessity of time and space, an uninterrupted period to live and work away from the stresses of daily… View Article

Etching

May 27, 2015

Rather than use traditional acids to etch plates, Women’s Studio Workshop uses non-toxic materials; ferric chloride for copper and salt etch for aluminum and zinc. We generally stock copper and plastic plates, along with a selection of fine print and handmade papers.

Papermaking

May 27, 2015

Women’s Studio Workshop has been making quality handmade papers since 1979. Our papermaking studios are designed for sheet forming processes, low relief, and three-dimensional work.

#First Friday: June Edition

May 29, 2025

Every month we highlight exhibitions, events, and workshops that feature WSW alumnx artists! We share the shows near and far that make up our monthly must-see list. New York June 7 & 8: Take a trip to Brooklyn for Susan Newmark‘s (Studio Workspace Residency, 1995) open house. @ The Bureau of General Services-Queer Division, 208… View Article

#FirstFriday: Must-See February Exhibitions

Feb 02, 2023

Every month, we highlight exhibitions, group shows, events, and workshops that feature WSW artists, we share the shows near and far that make up our monthly must-see list. New York Maya Beverly (Right Now! Production Grant Recipient ’20) will have work in the group show Molded. Opening on February 2nd, Molded is a collaborative exhibition, curated by Good… View Article

Handmade Paper and Encaustic with Laura Moriarty

Jan 23, 2023

Handmade Paper and Encaustic – Laura Moriarty Dates: July 31 – August 4, 2023 Studio: Papermaking and R&F Tuition: Members $775, Nonmembers $825 Lab fee: $75 Class limit: 7 This class is currently full. If you’d like to be added to our waitlist please email [email protected] or call 845-658-9133. Join WSW in collaboration with R&F… View Article

#FirstFriday: August Exhibitions We Love

Aug 01, 2014

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Tyanna Buie (Studio Resident, ’12) is showing Still Lives, a multimedia, site-specific installation at ONE Gallery in the Museum of Wisconsin Art. Show runs August 8 – November 2, 2014. Opening reception… View Article

Summer Muggin’

Aug 26, 2013

Ceramics studio intern Meghan Hallock and volunteer Shannon O’Leary have been collaborating throughout the summer to create  new mugs for WSW. They began by throwing solid forms on the wheel and making molds for each of 3 original mug forms. Separate molds were made for the handles to allow for efficient casting and the possibility… View Article

#FirstFriday: August Exhibitions We Love

Aug 04, 2017

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. Megan Duffy, Untitled, 2017, graphite and collage. Find her work at the Art Barge in Amagansett, NY through August 25! New York Kathleen Sherin (Studio Grant resident ’01) has her solo show Resonance at the Pausa Art House, Buffalo…. View Article

#FirstFriday: March Exhibitions We Love

Mar 04, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Jennifer Yorke (Studio intern ‘95) is showing work in the 87th Exhibition of Professional Members at The Arts Club of Chicago in Chicago, IL. Show runs March 1 – April 16, 2016…. View Article

#FirstFriday: Must-See May Exhibitions

May 04, 2023

Every month we highlight exhibitions, events, and workshops that feature WSW alumnx artists! We share the shows near and far that make up our monthly must-see list. Pennsylvania Wilder Alison (Studio Workspace Residency ’23) and Xio Martin will have work at the Michel Obultra Project Space at 20 E Herman Street, Philadelphia Pennsylvania. The show will be up… View Article

Book Event, The War of Art: A History of Artists’ Protest In America

May 29, 2025

The War of Art: A History of Artists’ Protest In America by Lauren O’Neill-ButlerBook EventJuly 26th 4-6PM WSW is pleased to invite you to celebrate how artists have changed America through direct action with a reading and interactive talk to celebrate the release of Lauren O’Neill-Butler’s The War of Art: A History of Artists’ Protest In… View Article

#FirstFriday: November Exhibitions We Love

Nov 03, 2017

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. Stop by Women’s Studio Workshop to see Ann Kalmbach and Tatana Kellner‘s mural project! New York Zarina Hashmi (Artist’s Book Grant resident ’91) has a solo exhibition Zarina: Dark Roads at NYU’s Asian/Pacific/American Institute Gallery,… View Article

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Up next for our weekly instructor Slide Nights is Up next for our weekly instructor Slide Nights is Liz Castaldo @ecastaldo_artandbooks, Candy Gonzalez @candy_alexandra1, Tara Sabharwal @tarasabharwal, and Symone Salib @symonesalibstudio ! Join us Monday, July 21st to hear from these Summer Art Institute instructors. During SAI, we host instructor Slide Nights every Monday at 6PM, see you there!
We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
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Up next for our weekly instructor Slide Nights is Up next for our weekly instructor Slide Nights is Liz Castaldo @ecastaldo_artandbooks, Candy Gonzalez @candy_alexandra1, Tara Sabharwal @tarasabharwal, and Symone Salib @symonesalibstudio ! Join us Monday, July 21st to hear from these Summer Art Institute instructors. During SAI, we host instructor Slide Nights every Monday at 6PM, see you there!
We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
Our new archive capsule exhibition “We Have Move Our new archive capsule exhibition “We Have Moved Neutrality: Looking back at WSW’s Big Brother is Watching” is now on view upstairs through fall 2025. The concept for 1984: Big Brother Is Watching, 5 Women’s Art Organizations Make Artcrime, an Orwellian-inspired photocopy exhibition, was born out of creative motivation to secure a new Xerox machine for the office, paired with“the desire for communication with other women’s art organizations.” WSW invited four like-minded feminist art spaces; Women’s Art Registry, Minneapolis, MN, Women’s Graphic Center, Los Angeles, CA, Local 1734 Art Collective, Washington, DC, and Feminist Art Institute, New York, NY,  to create artwork that could be reproduced as multiples on a photocopier, with the intention of the exhibition traveling nationwide over the year. Visit us and learn more about the innovative and radical exhibition. You can even purchase original, limited copies of recently unearthed deadstock exhibition catalogs. Hot tip: these will also be available at the upcoming book fair @cpw_Kingston in August for $48.00
☆ New merch alert! ☆ Do you love Women’s Stu ☆ New merch alert! ☆ Do you love Women’s Studio Workshop?! You can now drive around in style sporting our new WSW bumper stickers! 🚙❤️
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Only available onsite. Each design comes in multiple colors; black, brown, white + red
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