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126 Search Results for 4 3 2 cry

#FirstFriday: October Exhibitions We Love

Oct 03, 2014

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Katharine Libretto (Workspace Resident ’13) is exhibiting a new series of vibrant silkscreen prints that examine the intersection of landscape and cityscape in her solo show Here, There & Everywhere at… View Article

#FirstFriday: February Exhibitions We Love

Feb 05, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Nanette Yannuzzi (Studio Workspace resident ’14) is showing work in The Let Down Reflex at EFA Project Space in New York, NY.  This exhibition attempts to recognize the complexities of parenting in… View Article

#FirstFriday September Exhibitions We Love!

Sep 04, 2019

Highlighting exhibitions that feature the work of WSW artists, we share the shows near and far that make up our monthly must-see list. New York Lucy Holtsnider (AIE Workspace Residency ’18) has a solo show, Blind Spots, at Womenswork.art Gallery in Poughkeepsie. The show will have an opening reception on September 6th from 6-9pm. The show will be… View Article

#FirstFriday: June Exhibitions We Love

Jun 05, 2015

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Irene Chan (Studio intern ’96, Artist’s Book resident ’98) is performing An Incomplete (Sex) Education, an original production which explores stories from her early childhood, at the Atlanta Fringe Festival, Atlanta, GA. Read more… View Article

Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa

Jan 14, 2025

Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! – Rie Hasegawa Dates: August 4 – August 8, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Traditional printmaking involves use of a variety of toxic chemicals to make ink-receptive and non-image areas receptive to water and ink-repellent. This course… View Article

Box as Portrait – Golnar Adili

Dec 04, 2018

Box as Portrait – Golnar Adili Dates: August 12-16, 2019 Studio: Bindery Class limit: 4 Tuition: $750 members / $800 non-members Lab fee: $75 In order to reserve your space in the class, we require a $300 deposit.   Materials List In this class, we will examine portraiture in the context of the box utilizing… View Article

Ambassadors Circle

Jan 04, 2022

For more information, please contact executive director Lauren Walling at [email protected].  With only 4% of philanthropic dollars going to the arts and culture sector and only 2% going to women’s initiatives, help us support women artists by joining the Ambassadors Circle! The Ambassadors Circle is a valued group of supporters at the $5,000 and $2,500 membership… View Article

#FirstFriday: Must-See September Exhibitions

Aug 31, 2023

Every month we highlight exhibitions, events, and workshops that feature WSW alumnx artists! We share the shows near and far that make up our monthly must-see list. New York Intricate Rituals will feature work by Kaisa Lily Nichols-Russell (Nonprofit Management Intern ’22), Thaïs Calvarin (Studio Intern ’22), and Erin Moore (Studio Intern ’22). This exhibition… View Article

#FirstFriday: June Exhibitions We Love

Jun 02, 2017

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New York Megan Piontkowski (Artist’s Book Grant resident ’16) will be showing work, including her WSW-published book Feminist Ships, at the Fifth Annual BABZ Fair at the Knockdown Center, Maspeth, Queens. Hurry—the fair is June… View Article

#FirstFriday: December Exhibitions We Love

Dec 04, 2015

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Laura Berman (Studio intern ’97) is showing her new Umbra: F series of monoprints at Aqua Art Miami in Miami Beach, FL. December 2 – 6, 2015. Jennifer Grimyser (Artist Book resident ’08, Studio… View Article

#FirstFriday: Must-See March Exhibitions

Mar 02, 2023

Every month we highlight exhibitions, events, and workshops that feature WSW alumnx artists! We share the shows near and far that make up our monthly must-see list. New York Malery Nguyen (Art-in-Education Workspace Resident ’23) has work that she made here at WSW in the Head Hi Lamp Show at 146 Flushing Ave Brooklyn, NY 11205. The show… View Article

Right Now! Artist’s Publication Production Grant

Aug 25, 2020

                We are not currently accepting applications for this opportunity. Right Now! Production Grants are opportunities for artists to produce a publication that is reflective of current events and can be generated and disseminated quickly. WSW seeks projects of broad scope, from zines and chapbooks to button sets,… View Article

#FirstFriday: November Exhibitions We Love

Nov 04, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New York Zarina Hashmi (Artist’s Book Grant resident ’91) is showing work in the Metropolitan Museum of Art’s exhibition Workshop and Legacy alongside Stanley William Hayter and Krishna Reddy. Show runs through March 26, 2017. Tatana Kellner (WSW Artistic Director and… View Article

#FirstFriday: September Exhibitions We Love

Sep 02, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: DM Whitman (Studio Workspace resident ’12) is showing work in STUMP at Candela Books + Gallery in Richmond, VA. The exhibition showcases the politically and socially-engaged photography of seven artists. Show runs from September 2-October 22; opening… View Article

Dimensional Pulp: Sculptural Papermaking (Section 2)

May 02, 2022

Dimensional Pulp: Sculptural Papermaking – Fafnir Adamites Dates: July 4 – 8, 2022 Studio: Papermaking Tuition: Sliding Scale, $300-$1200 Lab fee: $75 Class limit: 8 Registration for this workshop is full. If you would like to be put on the waitlist, please email [email protected] or call our office at 845-658-9133. Click Here for Materials List… View Article

In the Studio: 2013 Chili Bowl Intern Britny Wainwright

Feb 13, 2013

Women’s Studio Workshop’s Annual Chili Bowl Fiesta is a beloved local event designed to burn-off the winter blues and refuel your inner furnace with great ceramics, fun music and a heaping dose of steaming chili. Every year the Workshop’s ceramics department gathers together a team of local artists and ceramicist volunteers to produce over 800… View Article

#FirstFriday: February Exhibitions We Love

Feb 02, 2018

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New York Find Tatana Kellner‘s Please Exit: Doors Are Closing at The Arts Center of the Capital Region in Troy, NY through March 12! Tatana Kellner (WSW Co-founder) is showing work in the group exhibition One Year of Resistance at Untitled Space,… View Article

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Up next for our weekly instructor Slide Nights is Up next for our weekly instructor Slide Nights is Liz Castaldo @ecastaldo_artandbooks, Candy Gonzalez @candy_alexandra1, Tara Sabharwal @tarasabharwal, and Symone Salib @symonesalibstudio ! Join us Monday, July 21st to hear from these Summer Art Institute instructors. During SAI, we host instructor Slide Nights every Monday at 6PM, see you there!
We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
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Up next for our weekly instructor Slide Nights is Up next for our weekly instructor Slide Nights is Liz Castaldo @ecastaldo_artandbooks, Candy Gonzalez @candy_alexandra1, Tara Sabharwal @tarasabharwal, and Symone Salib @symonesalibstudio ! Join us Monday, July 21st to hear from these Summer Art Institute instructors. During SAI, we host instructor Slide Nights every Monday at 6PM, see you there!
We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
Our new archive capsule exhibition “We Have Move Our new archive capsule exhibition “We Have Moved Neutrality: Looking back at WSW’s Big Brother is Watching” is now on view upstairs through fall 2025. The concept for 1984: Big Brother Is Watching, 5 Women’s Art Organizations Make Artcrime, an Orwellian-inspired photocopy exhibition, was born out of creative motivation to secure a new Xerox machine for the office, paired with“the desire for communication with other women’s art organizations.” WSW invited four like-minded feminist art spaces; Women’s Art Registry, Minneapolis, MN, Women’s Graphic Center, Los Angeles, CA, Local 1734 Art Collective, Washington, DC, and Feminist Art Institute, New York, NY,  to create artwork that could be reproduced as multiples on a photocopier, with the intention of the exhibition traveling nationwide over the year. Visit us and learn more about the innovative and radical exhibition. You can even purchase original, limited copies of recently unearthed deadstock exhibition catalogs. Hot tip: these will also be available at the upcoming book fair @cpw_Kingston in August for $48.00
☆ New merch alert! ☆ Do you love Women’s Stu ☆ New merch alert! ☆ Do you love Women’s Studio Workshop?! You can now drive around in style sporting our new WSW bumper stickers! 🚙❤️
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Only available onsite. Each design comes in multiple colors; black, brown, white + red
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