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222 Search Results for 4 3 2 cry

Ceramic Jewelry Design

Oct 19, 2018

  Instructor: Rachel Dubicki and Cheyenne Mallo Class Type: Five-week handbuilding class Skill Level: All levels Time: Tuesday, 7:00-9:00 pm Dates: November 6 – December 4 Class Capacity: 8 participants Tuition: $210 members/$235 non-members, includes one bag of clay and firing fees Double the fun this winter with two instructors! Learn to integrate new surface techniques into ceramic jewelry design. Throughout this… View Article

Gestural Adaptations: A Print in Three Acts – Tara Sabharwal

Jan 11, 2024

Gestural Adaptations: A Print in Three Acts – Tara Sabharwal Dates: July 29 – August 2, 2024 Studio: Intaglio Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Using water-soluble inks, students will explore the possibilities of creating a set of one-of-a-kind prints using the same template. They will make a monoprint by adding… View Article

#FirstFriday: December Exhibitions We Love!

Dec 05, 2019

Highlighting exhibitions that feature the work of WSW artists, we share the shows near and far that make up our monthly must-see list. New York Join us on December 7th from 5:00 to 7:00 pm at the idea garden for the opening of Rhyme/Repeat! This exhibition showcases the work of local high school students who came to our studios as… View Article

#FirstFriday: April Exhibitions We Love

Apr 06, 2018

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. Do not miss this chance to see Tatana Kellner’s  B11226: Fifty Years of Silence, Eugene Kellner’s Story in IPCNY’s exhibition Paper/Print: American Hand Papermaking, 1960s to Today! New York Jen Schwarting (Studio intern ’00) interviews artists Sahana Ramakrishnan… View Article

#FirstFriday: September Exhibitions We Love

Sep 04, 2015

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list.  New This Month: Mariona Barkus (Artist’s Book resident ’86) is showing selections from her book Illustrated History – 1985 published by WSW at El Camino College Art Gallery in Torrance, California. Show runs August 24… View Article

Throwing 101

May 30, 2019

Instructor: Lena Chin Class Type: Five-week throwing class Skill Level: Beginner Time: Tuesdays, 6:30 – 9:00 pm Dates: July 2 – July 30 Kick off your summer with an adventure in the ceramics studio! In this five week class, you’ll be introduced to clay and learn the fundamental aspects of wheel throwing. This course is… View Article

Resistance and Relief – Celeste de Luna

Dec 04, 2018

Resistance and Relief – Celeste de Luna Dates: July 29 – August 2, 2019 Studio: Intaglio Class Limit: 6 Tuition: $750 members / $800 non-members Lab fee: $75 The registration period for this class has passed. Find more summer workshops on our calendar! This workshop will use the history of political printmaking as a platform… View Article

Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa

Jan 14, 2025

Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! – Rie Hasegawa Dates: August 4 – August 8, 2025 Studio: Intaglio Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 Traditional printmaking involves use of a variety of toxic chemicals to make ink-receptive and non-image areas receptive to water and ink-repellent. This course… View Article

Box as Portrait – Golnar Adili

Dec 04, 2018

Box as Portrait – Golnar Adili Dates: August 12-16, 2019 Studio: Bindery Class limit: 4 Tuition: $750 members / $800 non-members Lab fee: $75 In order to reserve your space in the class, we require a $300 deposit.   Materials List In this class, we will examine portraiture in the context of the box utilizing… View Article

Nonprofit Management Internship

May 29, 2015

Behind every open call, opportunity, commission, and exhibition, there are teams of arts workers! Non-profit and arts administration is a wide ranging and interdisciplinary field, and is a great way to pursue a career while championing artistic and cultural initiatives. Each term, WSW hosts one Nonprofit Management Intern who works directly with our Operations and… View Article

Letterpress

May 27, 2015

Women’s Studio Workshop’s Letterpress studio is equipped to handle projects that include handset lead or wood type, photopolymer plates, wood and linoleum block, and die cut imagery.

Jobs

May 03, 2021

If you see yourself in a job description but don’t feel like you meet every single criteria, we encourage you to apply anyway! Research shows that individuals from historically marginalized groups, particularly women, trans, non-binary folks, and BIPOC, tend to self-select out of opportunities at higher rates. We take a holistic approach to all of… View Article

Directions

Dec 29, 2011

Women’s Studio Workshop encourages visitors to tour our studios, visit the gallery and observe visiting artists! We have a lot going on here, so please call us ahead of time and schedule a date and time to visit. We are located at 722 Binnewater Lane, Kingston, NY, 12401. WSW is about 2 hours by car… View Article

The Printed World: the Personal and the Political – Amy Diaz-Infante

Dec 04, 2018

The Printed World: the Personal and the Political – Amy Diaz-Infante Dates: July 15 – 19, 2019 Studio: Silkscreen Class limit: 5 Tuition: $750 members / $800 non-members Lab fee: $75 In order to reserve your space in the class, we require a $300 deposit.   Materials List This workshop will introduce you to the… View Article

New Faces at WSW: Summer 2015 Edition

Jul 15, 2015

It’s that time of year again: a few weeks ago, we welcomed our latest group of interns to WSW. Studio interns Emma Bilyeu and Mara Hyman will be here for the next six months, assisting Summer Art Institute (SAI) instructors, working with resident artists, and maintaining the studios. Summer intern Paula Lycan will be with us until the… View Article

Block in Hand: The Art and Craft of Fabric Printing by Hand with Yetunde Rodriguez

Jan 11, 2024

Block in Hand: The Art and Craft of Fabric Printing by Hand – Yetunde Rodriguez Dates: July 29 – August 2, 2024 Studio: Silkscreen Tuition: Sliding Scale, $350-$1200 Lab fee: $100 Class limit: 6 Yetunde Rodriguez brings her keen eye for shapes and patterns into this fun and informative workshop. She will teach you her… View Article

*Windows, Wells, and Walls: Stencils and Masking in Handmade Paper with Katharine DeLamater

Jan 14, 2025

Windows, Wells, and Walls: Stencils and Masking in Handmade Paper – Katharine DeLamater Dates: August 4 – August 8, 2025 Studio: Papermaking Tuition: Sliding Scale, $450 – $1300 Lab Fee: $150 Class limit: 6 In this all levels papermaking workshop, participants will learn how to make paper using a variety of fibers and incorporate stenciled… View Article

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Women’s Studio Workshop
P.O. Box 489
Rosendale, NY 12472

(845) 658-9133

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We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
Our new archive capsule exhibition “We Have Move Our new archive capsule exhibition “We Have Moved Neutrality: Looking back at WSW’s Big Brother is Watching” is now on view upstairs through fall 2025. The concept for 1984: Big Brother Is Watching, 5 Women’s Art Organizations Make Artcrime, an Orwellian-inspired photocopy exhibition, was born out of creative motivation to secure a new Xerox machine for the office, paired with“the desire for communication with other women’s art organizations.” WSW invited four like-minded feminist art spaces; Women’s Art Registry, Minneapolis, MN, Women’s Graphic Center, Los Angeles, CA, Local 1734 Art Collective, Washington, DC, and Feminist Art Institute, New York, NY,  to create artwork that could be reproduced as multiples on a photocopier, with the intention of the exhibition traveling nationwide over the year. Visit us and learn more about the innovative and radical exhibition. You can even purchase original, limited copies of recently unearthed deadstock exhibition catalogs. Hot tip: these will also be available at the upcoming book fair @cpw_Kingston in August for $48.00
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We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
Our new archive capsule exhibition “We Have Move Our new archive capsule exhibition “We Have Moved Neutrality: Looking back at WSW’s Big Brother is Watching” is now on view upstairs through fall 2025. The concept for 1984: Big Brother Is Watching, 5 Women’s Art Organizations Make Artcrime, an Orwellian-inspired photocopy exhibition, was born out of creative motivation to secure a new Xerox machine for the office, paired with“the desire for communication with other women’s art organizations.” WSW invited four like-minded feminist art spaces; Women’s Art Registry, Minneapolis, MN, Women’s Graphic Center, Los Angeles, CA, Local 1734 Art Collective, Washington, DC, and Feminist Art Institute, New York, NY,  to create artwork that could be reproduced as multiples on a photocopier, with the intention of the exhibition traveling nationwide over the year. Visit us and learn more about the innovative and radical exhibition. You can even purchase original, limited copies of recently unearthed deadstock exhibition catalogs. Hot tip: these will also be available at the upcoming book fair @cpw_Kingston in August for $48.00
☆ New merch alert! ☆ Do you love Women’s Stu ☆ New merch alert! ☆ Do you love Women’s Studio Workshop?! You can now drive around in style sporting our new WSW bumper stickers! 🚙❤️
•
Only available onsite. Each design comes in multiple colors; black, brown, white + red
The National Museum of Women in the Arts @womenint The National Museum of Women in the Arts @womeninthearts will be hosting a Virtual Educator Summer Camp led by participating artists from “A Radical Alteration” at the end of July! 

There will be 1.5-hour sessions daily, Monday, July 21, through Friday, July 25. Sessions, inspired by the Art, Books, and Creativity (ABC) Institutes and NMWA’s collection, are hands-on, participatory, and fun. Sessions will explore NMWA’s collection and resources, introduce historical and contemporary women artists, and engage participants in experimental making and close looking. Link in bio to learn more.

Mon. 7/21: Skye Tafoya @r.skye.t 
Tues. 7/22: Ana Fernández @mirandatexidorestudio 
Wed. 7/23: Imin Yeh @iminyeh 
Thurs. 7/24: Indigo Som @indigowooo
Fri. 7/25: IBé Crawley @ibearted 

Are you in the DC area? “A Radical Alteration: Women’s Studio Workshop as a Sustainable Model for Art Making” curated by Maymanah Farhat is on view at the National Museum of Women in the Arts through September 28th! 

Some of these titles are in print and available in our online bookstore. Link in bio

Slides: 1. Ul’nigid’ by Skye Tafoya, 2. “Never develop an appetite and other poems of love and havoc” by Ana Fernández, 3. “Paper Paper Film” by Imin Yeh, 4. He likes you by Indigo Som, 5. “11033” by IBe’ Bulinda Crawley
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