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222 Search Results for 4 3 2 cry

4 3 2 CRY

Jun 16, 2015

A Lamentation and a Goodbye: Kathy Hettinga’s “4 3 2 CRY”

Sep 08, 2014

After a 34 year absence, Artists’ Book Resident Kathy T. Hettinga paid a visit to Johnstown Farm, a modest, thoughtfully made farmhouse in Weld County, Colorado. It was there she once lived with her husband Duane, raised chicks in the basement, and reveled in the clear, open landscape. What she found upon returning was a region… View Article

4 x 4

Jun 01, 2015

A collaborative book by WSW’s four founders, with each artist having created four pages, based on numbers one through sixteen.

Kathy T. Hettinga

Jun 01, 2015

For over 30 years, Kathy Hettinga has worked in and taught design, artists’ books, and digital images, balancing between embracing technology and critically examining its role. As an Artist’s Book Resident, she produced 4. 3. 2, CRY: Fracking in Northern Colorado.Kathy earned her MFA from Colorado State University is a Distinguished Professor of Art and… View Article

#FirstFriday: June Exhibitions We Love

Jun 03, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Cara Lynch (Studio Workspace resident ’14) installed a permanent stained-glass piece entitled Inheritance: In Memory of American Glass for the NYC MTA at the Ditmas Avenue stop on the F Line in… View Article

#FirstFriday: February Exhibitions We Love

Feb 03, 2017

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New York Zarina Hashmi (Artist’s Book Grant resident ’91) is featured in the Metropolitan Museum of Art’s exhibition Workshop and Legacy alongside Stanley William Hayter and Krishna Reddy. Show runs through March 26, 2017. Tatana Kellner (WSW Artistic Director &… View Article

#FirstFriday: July Exhibitions We Love

Jul 01, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Clarissa Sligh (Artist’s Book resident ’88, Artist’s Book resident ’04) has published her latest artist’s book Transforming Hate: An Artist’s Book. Through this book, she explores the many levels of oppression and violence at the… View Article

A 19-2 View

Jun 26, 2015

#FirstFriday: September Exhibitions We Love

Sep 02, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: DM Whitman (Studio Workspace resident ’12) is showing work in STUMP at Candela Books + Gallery in Richmond, VA. The exhibition showcases the politically and socially-engaged photography of seven artists. Show runs from September 2-October 22; opening… View Article

Postcards from the Edge

Mar 22, 2017

In the spirit of Women’s History Month 2017, we kicked off the event series Postcards from the Edge! Postcards from the Edge unites WSW’s regional and international communities. Each month, we’re hosting in-studio postcard making events to continue the flood of messages going to the Washington. Join us for postcard-making every second Tuesday of the month—then stay… View Article

#FirstFriday: April Exhibitions We Love

Apr 04, 2019

Highlighting exhibitions that feature the work of WSW artists, we share the shows near and far that make up our monthly must-see list. New York AfterImage Journal selected Kathy Hettinga’s (Artist’s Book Residency Grant, ’14) artist’s book 4 3 2 CRY, was selected as the Featured Portfolio Artist in Vol. 45, no. 6. New Jersey Nancy Diessner (Studio Workspace Residency, ’97;… View Article

#FirstFriday: March Exhibitions We Love

Mar 01, 2019

Highlighting exhibitions that feature the work of WSW artists, we share the shows near and far that make up our monthly must-see list. New York AfterImage Journal selected Kathy Hettinga’s (Artist’s Book Residency Grant, ’14) artist’s book 4 3 2 CRY, was selected as the Featured Portfolio Artist in Vol. 45, no. 6. Whereas, we Declare by Tana Kellner (Founder) and Ann Kalmbach (Founder) is… View Article

Spring Intern Exhibition: “How to Make a Home”

May 15, 2015

Women’s Studio Workshop is pleased to announce How to Make a Home, an exhibition featuring work from our spring 2015 interns: Katie Bosley, Danielle LaCasse, Ellen Prosko, and Katie Wofford. They’ve each dedicated their free time to develop their own creative practices, culminating in a show opening May 23. We’ll celebrate with a fully packed schedule,… View Article

#FirstFriday: August Exhibitions We Love

Aug 05, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: Rejin Leys (Studio intern ‘89) is showing work in Living In My Skin at Rio Penthouse Gallery III in New York, NY. The exhibition explores the complexities of the multicultural and multiracial… View Article

Summer Muggin’

Aug 26, 2013

Ceramics studio intern Meghan Hallock and volunteer Shannon O’Leary have been collaborating throughout the summer to create  new mugs for WSW. They began by throwing solid forms on the wheel and making molds for each of 3 original mug forms. Separate molds were made for the handles to allow for efficient casting and the possibility… View Article

#FirstFriday: March Exhibitions We Love

Mar 02, 2018

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. Anne-Marie Lavigne’s solo show‘s at Spaceworks Gallery through March 2 – 30! Check out the Eventbrite page here! New York Tate Klacsmann (Studio Workspace resident ’16) has two prints in the MiniPrint International Exhibition at JVS Project Space, Manhattan. Check out the… View Article

#FirstFriday: June Exhibitions We Love!

Jun 02, 2022

Every month, we highlight exhibitions, group shows, events, and workshops that feature WSW artists, we share the shows near and far that make up our monthly must-see list. New York Andrea Chung (Studio Residency Grant ’16) has work in a group exhibition, everything slackens in a wreck, at the Ford Foundation Gallery. The show opened June 1, 2022… View Article

#FirstFriday: February Exhibitions We Love

Feb 02, 2018

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New York Find Tatana Kellner‘s Please Exit: Doors Are Closing at The Arts Center of the Capital Region in Troy, NY through March 12! Tatana Kellner (WSW Co-founder) is showing work in the group exhibition One Year of Resistance at Untitled Space,… View Article

#FirstFriday September Exhibitions We Love!

Sep 04, 2019

Highlighting exhibitions that feature the work of WSW artists, we share the shows near and far that make up our monthly must-see list. New York Lucy Holtsnider (AIE Workspace Residency ’18) has a solo show, Blind Spots, at Womenswork.art Gallery in Poughkeepsie. The show will have an opening reception on September 6th from 6-9pm. The show will be… View Article

#FirstFriday: April Exhibitions We Love

Apr 01, 2016

Highlighting exhibitions that feature the work of WSW artists, we share the shows, near and far, that make up our monthly must-see list. New This Month: The 4th and 8th grade students who participated  in our Hands-On Art program this spring are showing their work in the group exhibition Artifact and Industry at the Cioni Administration Building in Kingston,… View Article

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We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
Our new archive capsule exhibition “We Have Move Our new archive capsule exhibition “We Have Moved Neutrality: Looking back at WSW’s Big Brother is Watching” is now on view upstairs through fall 2025. The concept for 1984: Big Brother Is Watching, 5 Women’s Art Organizations Make Artcrime, an Orwellian-inspired photocopy exhibition, was born out of creative motivation to secure a new Xerox machine for the office, paired with“the desire for communication with other women’s art organizations.” WSW invited four like-minded feminist art spaces; Women’s Art Registry, Minneapolis, MN, Women’s Graphic Center, Los Angeles, CA, Local 1734 Art Collective, Washington, DC, and Feminist Art Institute, New York, NY,  to create artwork that could be reproduced as multiples on a photocopier, with the intention of the exhibition traveling nationwide over the year. Visit us and learn more about the innovative and radical exhibition. You can even purchase original, limited copies of recently unearthed deadstock exhibition catalogs. Hot tip: these will also be available at the upcoming book fair @cpw_Kingston in August for $48.00
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We are so pleased to share that our very own Rober We are so pleased to share that our very own Robert “Woody” Woodruff has been recognized for his contributions to papermaking history! He has a chapter dedicated to his life, commitment to helping artists, and many accomplishments in supporting WSW’s studios in Aimee Lee’s recent publication, “As Good As Our Tools: Equipment and Tool Makers for Hand Papermaking,” (Legacy Press). Woody has built essential equipment for WSW’s facilities like a hydraulic press, moulds and deckles, a vacuum table, a beater, and more.

Aimee Lee is an artist who makes paper, writes, and advocates for Korean papermaking practices. She first met Woody when she was an instructor at WSW in 2013, and later interviewed him for this publication in 2021 when she returned to teach Hanji, a Korean Papermaking technique during our Summer Art Institute.

“In a way, I’m sort of a good tool… I hate to say it, but the apocalypse would suit me fine because I’m best at making things work when they’re not supposed to.” - Robert Woodruff, interview with author, 2021
It’s not too late for you to spend a week in bea It’s not too late for you to spend a week in beautiful upstate New York investing in your craft alongside like-minded artists during our Summer Art Institute! Get inspired by the serene outdoors, strengthen your craft, or challenge yourself to learn a new medium! 

There are currently limited spaces available in the below workshops:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie 

🔗 in bio to register.
Summer Art Institute is in full swing! Check out t Summer Art Institute is in full swing! Check out this glimpse into the past week of  “Remixing the Archive: Manipulating Digitized Images for Risograph” with Corinne Teed @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune…

It’s always fun seeing our campus full of new and returning faces. We look forward to seeing you all this summer <3 

Want to join in on the SAI fun? Link in bio to snag the last spots in:
Building Edges in Monoprint with Tara Sabharwal @tarasabharwal
Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib @symonesalibstudio
Non-Toxic Printmaking: Kitchen Lithography, Watercolor Monotype and More! with Rie Hasegawa @hariehanga
Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa
Stencil to Screen: Unlocking the Power of Print with Tyanna Buie @tyanna_buie
And just like that the first week of Summer Art In And just like that the first week of Summer Art Institute workshops has come to an end! We kicked off SAI with “Remixing the Archive: Manipulating Digitized Images for Risograph” with @corinneteed, and “Material Memory: Texture Techniques in Papermaking” with SR Lejeune. Corinne’s students explored our archive with WSW archivist @faythelevine to find inspiration for their projects, and both groups wrapped up with final critiques. Thanks everyone for a great first week!
Summer Art Institute is here, and with it comes th Summer Art Institute is here, and with it comes the return of our weekly instructor Slide Nights! Join us every Monday night at 6 PM for presentations from Women’s Studio Workshop’s instructors. On Monday July 14th, hear from Caroline Kern @carolinezkernz, Corinne Teed @corinneteed, and SR Lejeune!
Our new archive capsule exhibition “We Have Move Our new archive capsule exhibition “We Have Moved Neutrality: Looking back at WSW’s Big Brother is Watching” is now on view upstairs through fall 2025. The concept for 1984: Big Brother Is Watching, 5 Women’s Art Organizations Make Artcrime, an Orwellian-inspired photocopy exhibition, was born out of creative motivation to secure a new Xerox machine for the office, paired with“the desire for communication with other women’s art organizations.” WSW invited four like-minded feminist art spaces; Women’s Art Registry, Minneapolis, MN, Women’s Graphic Center, Los Angeles, CA, Local 1734 Art Collective, Washington, DC, and Feminist Art Institute, New York, NY,  to create artwork that could be reproduced as multiples on a photocopier, with the intention of the exhibition traveling nationwide over the year. Visit us and learn more about the innovative and radical exhibition. You can even purchase original, limited copies of recently unearthed deadstock exhibition catalogs. Hot tip: these will also be available at the upcoming book fair @cpw_Kingston in August for $48.00
☆ New merch alert! ☆ Do you love Women’s Stu ☆ New merch alert! ☆ Do you love Women’s Studio Workshop?! You can now drive around in style sporting our new WSW bumper stickers! 🚙❤️
•
Only available onsite. Each design comes in multiple colors; black, brown, white + red
The National Museum of Women in the Arts @womenint The National Museum of Women in the Arts @womeninthearts will be hosting a Virtual Educator Summer Camp led by participating artists from “A Radical Alteration” at the end of July! 

There will be 1.5-hour sessions daily, Monday, July 21, through Friday, July 25. Sessions, inspired by the Art, Books, and Creativity (ABC) Institutes and NMWA’s collection, are hands-on, participatory, and fun. Sessions will explore NMWA’s collection and resources, introduce historical and contemporary women artists, and engage participants in experimental making and close looking. Link in bio to learn more.

Mon. 7/21: Skye Tafoya @r.skye.t 
Tues. 7/22: Ana Fernández @mirandatexidorestudio 
Wed. 7/23: Imin Yeh @iminyeh 
Thurs. 7/24: Indigo Som @indigowooo
Fri. 7/25: IBé Crawley @ibearted 

Are you in the DC area? “A Radical Alteration: Women’s Studio Workshop as a Sustainable Model for Art Making” curated by Maymanah Farhat is on view at the National Museum of Women in the Arts through September 28th! 

Some of these titles are in print and available in our online bookstore. Link in bio

Slides: 1. Ul’nigid’ by Skye Tafoya, 2. “Never develop an appetite and other poems of love and havoc” by Ana Fernández, 3. “Paper Paper Film” by Imin Yeh, 4. He likes you by Indigo Som, 5. “11033” by IBe’ Bulinda Crawley
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