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Author Archives for Kathryn Scudier

If Trees Could Speak: Meeting Up with Barbara Beisinghoff

Oct 28, 2016

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Setting the Table: Miki Palchick in the Studio

Oct 23, 2016

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Christine Chin’s Patterned Garden

Oct 14, 2016

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#FirstFriday: October Exhibitions We Love

Oct 07, 2016

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A Life Unwoven: Katie Grove in the Studio

Sep 30, 2016

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Dreamlike Worlds: Bahar Habibi in the Studio

Sep 09, 2016

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#FirstFriday: September Exhibitions We Love

Sep 02, 2016

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Rachelle Spero: Opening Doors for Inclusive Art

Aug 24, 2016

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Meg Turner’s @megprinter Artist’s Book Residen Meg Turner’s @megprinter Artist’s Book Residency is in full swing! While on campus, she’s printing pages for her upcoming publication “WET” volume two. “WET” volume two is composed of photogravure prints from their latest tintype portraits, printed and bound to have the feel of a magazine. In Turner’s practice, she invites her colleagues to reimagine symbols of power, sex, gender, and wealth that are often used in photography to seduce us into cycles of consumption and labor. They use those same symbols in a style she refers to as ‘queer maximalism,’ celebrating rest, fantasy, and relaxation. 

Meg splits her time between New York City and New Orleans where she works as a Master Photogravure Printer for Luna Press, shoots portraits, and occasionally teaches printmaking at Tulane University.
Thank you to everyone who came out to Slide Night Thank you to everyone who came out to Slide Night this week! We love our community♥️ Shoutout to Meg Turner @megprinter and Mo Nuñez Alzate @flotsam0jetsam for a great night and for a special printing demo for Meg’s upcoming publication “WET” Volume 2! 

Join us for the last Slide Night of the year on December 9th at 5:30PM to hear from Chotsani Elaine Dean @chotsanielaine and Shani Richards @shani.richards. We hope to see you there!
We’re celebrating a week full of milestone birth We’re celebrating a week full of milestone birthdays! Wishing a Happy Birthday to WSW cofounder Tatana Kellner @tatana1950! 🎂⭐♥️ 

1: WSW in Gear promotional photo,1988
2: Tatana instructing a monoprint Summer Art Institute workshop, 2024
3: Promotional image used in a WSW newsletter, 1984
4: Tatana instructing a monoprint & encaustic Summer Art Institute workshop, 2014
5: Ann Kalmbach & Tatana Kellner, 2024
6: Left to Right: Barbara Leoff Burge, Ann Kalmbach, Anita Wetzel, Tatana Kellner, 2013
We are pleased to announce our newest publication, We are pleased to announce our newest publication, “History Constructs the House that Sometimes Holds Us” by Alexis Callender @alexiscallender! 

“History Constructs the House that Sometimes Holds Us” traces the chaotic policies of housing removal and tenant relocation that were central to the mid 20th-century federal urban renewal programs. Drawing from archival collections in New York City and New Haven, Connecticut, the layered images reflect the intimacy and violence of bureaucratic systems. In decentering established narratives of Urban Renewal programs, we can hear community anti-displacement histories, and the insistence of doing memory work to understand the systemic roots of generational housing injustice. The scale and accordion structure of the book allows the reader to experience the pages as a landscape, moving inside and outside architecture, time, and memory. Read a full description of Callender’s book on our website, link in bio to learn more.

A PDF of this book and a corresponding research guide are available to download for free at alexcallender.com
The countdown begins! We are two weeks away from G The countdown begins! We are two weeks away from Giving Tuesday (12/2), the international day of philanthropy. Celebrated on the Tuesday after consumer-centric Black Friday and Cyber Monday, #GivingTuesday is the day for everyone, everywhere to give back to their communities.

Now more than ever, it is important to align our spending with our values. On this day of giving, please consider using your dollar to amplify the voices of women, trans, intersex, nonbinary, and genderfluid artists. Women’s Studio Workshop offers residencies, economic opportunities through publishing, and award winning art education programs. 

Link in bio to make a gift.

1: Current Artists-In-Residence, Meg Turner (Art-In-Ed Artist’s Book Residency Grant) (left) and Mo Nuñez Alzate (Studio Residency Grant) (right)
2: Rie Hasegawa with a student during her Summer Art Institute workshop, 2025
3: 4th graders from Kingston City School District making paper during WSW’s Art-In-Education program with SR Lejeune (Art-In-Ed Workspace Residency), 2025
Happy 80th Birthday to WSW’s beloved Robert “W Happy 80th Birthday to WSW’s beloved Robert “Woody” Woodruff! Woody’s been with WSW since 1977 and we’re thrilled to be celebrating this milestone birthday with him!

“The Woody Way is something we can all learn from. To just be here to help, with minimal expectation of reciprocity or gain, and to approach the solving of problems as creative practice and meditative joy. The Woody Way has been the driving engine behind WSW’s daily unfolding for decades, and in honoring Woody, we encourage ourselves to embody it.”

Visit our blog to revisit the article “On Robert “Woody” Woodruff, Zen, and the Art of Problem Solving” by Julia Hickey. Link in bio.

1: Woody with his wife Sue at WSW’s Autumn Luminary, 2025
2: Woody with Jenie Gao (Studio Residency Grant) posing with a table he fabricated for her, 2025
3: Standing at entrance, L to R: Barbara Leoff Burge, Brenda Dean, Tatana Kellner, Patty Tyrol, dog, Ann Kalmbach, Ariel Dougherty, and Woody, 1984
4: Woody (yellow shirt) helps unload an offset press into the studio, 1983
5: Woody at Flying Objects Festival, 1979
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Meg Turner’s @megprinter Artist’s Book Residen Meg Turner’s @megprinter Artist’s Book Residency is in full swing! While on campus, she’s printing pages for her upcoming publication “WET” volume two. “WET” volume two is composed of photogravure prints from their latest tintype portraits, printed and bound to have the feel of a magazine. In Turner’s practice, she invites her colleagues to reimagine symbols of power, sex, gender, and wealth that are often used in photography to seduce us into cycles of consumption and labor. They use those same symbols in a style she refers to as ‘queer maximalism,’ celebrating rest, fantasy, and relaxation. 

Meg splits her time between New York City and New Orleans where she works as a Master Photogravure Printer for Luna Press, shoots portraits, and occasionally teaches printmaking at Tulane University.
Thank you to everyone who came out to Slide Night Thank you to everyone who came out to Slide Night this week! We love our community♥️ Shoutout to Meg Turner @megprinter and Mo Nuñez Alzate @flotsam0jetsam for a great night and for a special printing demo for Meg’s upcoming publication “WET” Volume 2! 

Join us for the last Slide Night of the year on December 9th at 5:30PM to hear from Chotsani Elaine Dean @chotsanielaine and Shani Richards @shani.richards. We hope to see you there!
We’re celebrating a week full of milestone birth We’re celebrating a week full of milestone birthdays! Wishing a Happy Birthday to WSW cofounder Tatana Kellner @tatana1950! 🎂⭐♥️ 

1: WSW in Gear promotional photo,1988
2: Tatana instructing a monoprint Summer Art Institute workshop, 2024
3: Promotional image used in a WSW newsletter, 1984
4: Tatana instructing a monoprint & encaustic Summer Art Institute workshop, 2014
5: Ann Kalmbach & Tatana Kellner, 2024
6: Left to Right: Barbara Leoff Burge, Ann Kalmbach, Anita Wetzel, Tatana Kellner, 2013
We are pleased to announce our newest publication, We are pleased to announce our newest publication, “History Constructs the House that Sometimes Holds Us” by Alexis Callender @alexiscallender! 

“History Constructs the House that Sometimes Holds Us” traces the chaotic policies of housing removal and tenant relocation that were central to the mid 20th-century federal urban renewal programs. Drawing from archival collections in New York City and New Haven, Connecticut, the layered images reflect the intimacy and violence of bureaucratic systems. In decentering established narratives of Urban Renewal programs, we can hear community anti-displacement histories, and the insistence of doing memory work to understand the systemic roots of generational housing injustice. The scale and accordion structure of the book allows the reader to experience the pages as a landscape, moving inside and outside architecture, time, and memory. Read a full description of Callender’s book on our website, link in bio to learn more.

A PDF of this book and a corresponding research guide are available to download for free at alexcallender.com
The countdown begins! We are two weeks away from G The countdown begins! We are two weeks away from Giving Tuesday (12/2), the international day of philanthropy. Celebrated on the Tuesday after consumer-centric Black Friday and Cyber Monday, #GivingTuesday is the day for everyone, everywhere to give back to their communities.

Now more than ever, it is important to align our spending with our values. On this day of giving, please consider using your dollar to amplify the voices of women, trans, intersex, nonbinary, and genderfluid artists. Women’s Studio Workshop offers residencies, economic opportunities through publishing, and award winning art education programs. 

Link in bio to make a gift.

1: Current Artists-In-Residence, Meg Turner (Art-In-Ed Artist’s Book Residency Grant) (left) and Mo Nuñez Alzate (Studio Residency Grant) (right)
2: Rie Hasegawa with a student during her Summer Art Institute workshop, 2025
3: 4th graders from Kingston City School District making paper during WSW’s Art-In-Education program with SR Lejeune (Art-In-Ed Workspace Residency), 2025
Happy 80th Birthday to WSW’s beloved Robert “W Happy 80th Birthday to WSW’s beloved Robert “Woody” Woodruff! Woody’s been with WSW since 1977 and we’re thrilled to be celebrating this milestone birthday with him!

“The Woody Way is something we can all learn from. To just be here to help, with minimal expectation of reciprocity or gain, and to approach the solving of problems as creative practice and meditative joy. The Woody Way has been the driving engine behind WSW’s daily unfolding for decades, and in honoring Woody, we encourage ourselves to embody it.”

Visit our blog to revisit the article “On Robert “Woody” Woodruff, Zen, and the Art of Problem Solving” by Julia Hickey. Link in bio.

1: Woody with his wife Sue at WSW’s Autumn Luminary, 2025
2: Woody with Jenie Gao (Studio Residency Grant) posing with a table he fabricated for her, 2025
3: Standing at entrance, L to R: Barbara Leoff Burge, Brenda Dean, Tatana Kellner, Patty Tyrol, dog, Ann Kalmbach, Ariel Dougherty, and Woody, 1984
4: Woody (yellow shirt) helps unload an offset press into the studio, 1983
5: Woody at Flying Objects Festival, 1979
Mark your calendars for this month’s Slide Night Mark your calendars for this month’s Slide Night! Join us Tuesday 11/18 at 5:30PM for an engaging evening of art. This month we’ll be hearing from Meg Turner @megprinter (Artist’s Book Residency Grant) and Mo Nuñez Alzate @flotsam0jetsam (Studio Residency Grant). We look forward to seeing you there!

1: Photogravure by Meg Turner
2: Handmade paper sculpture by Mo Nuñez Alzate
Efemmera Reissue No. 8: Workshopping at WSW was cr Efemmera Reissue No. 8: Workshopping at WSW was created by @emilylarned as part of her exhibition Workshopping, in the WSW gallery through January 23, 2026. In addition to teaching studio skills such as papermaking, printmaking, and book arts, WSW has offered workshops that are more experimental, personal, conceptual, or exploratory in nature, rooted in self-observation, inquiry, listening, embodiment, performance, study, and dreams. Efemmera Reissue No 8. Offers a few in their original form as they were published in WSW newsletters and Summer Art Institute catalogs from 1983–1999.

Circles in the Dirt. Mapmaking and Life Diagrams. Contemporary Ritual. Aesthetics and Sources. Learning to Pay Attention. Visionary Art.

Risograph printed in 3 colors, tan and cream paper, staple bound and fold-out format.
Edition 500, 4.375” x 11”(closed), 22 pages, 2025.

Available for purchase in our shop, link in bio!

Photos courtesy of Emily Larned.
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