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Rachel Joy

Rachel Joy is an Australian artist who came to Atelierhaus Beisinghoff in Diemelstadt-Rhoden, Germany, to explore the color viscosity etching process. She holds a BFA in Sculpture from Victorian College of the Arts.

Website

http://www.racheljoyartist.com

Residencies

  • Private: Beisinghoff Printmaking Residency (2013)

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#FirstFriday: September Exhibitions We Love
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We had a lovely opening reception for Desire Rinse We had a lovely opening reception for Desire Rinse Repeat this past Saturday! This group show featuring print and paper works by Celia Shaheen (@gothmomgothmom), Erin Moore (@bugprints), Lily Pinchbeck, and Thaïs Calvarin (@thaiscalvarin) will be on view at Cornell Creative Arts Center (@ccac.ny) until end of day tomorrow (9/17) so check out these beautiful pieces while you still can! The exhibition title, “Desire, Rinse, Repeat” is sourced from a postcard found in the WSW archives that advertised a 1989 performance by Hawley Hussey (@hawleyhusseyarts). Hussey’s “Desire, Rinse, Repeat (Tales From The Wash Cycle)” was a mixed media performance that told the ordinary yet mythological tales of daily life and the modern woman. The artists resonated with this title, as they are also bound together by daily rituals.
As we approach the opening of Desire Rinse Repeat, As we approach the opening of Desire Rinse Repeat, a group exhibition featuring print and paper works by Celia Shaheen (@gothmomgothmom), Erin Moore (@bugprints), Lily Pinchbeck, and Thaïs Calvarin (@thaiscalvarin), we will be sharing work from each of the participating artists! Join us for the opening reception on September 14th from 6 to 8 PM at Cornell Creative Arts Center located at 129 Cornell St, Kingston, NY. Today we are highlighting the work of Studio Intern, Celia Shaheen (@gothmomgothmom)! Celia Shaheen (she/her) is an artist and craftsperson from North Texas. In 2020, Celia graduated with a BFA in studio art, a BA in honors art history, and a museum studies certificate from the University of Texas at Austin. Celia’s studio practice oscillates at the intersection of archiving and making, using materials across the spectrum of textiles, printmaking, papermaking, and metals to investigate the shared language of textiles and storytelling, Lebanese culinary traditions, folklores of the animate and inanimate, and webs of lineage and longing. Currently a Studio Intern at WSW, Celia was a 2022-24 Core Fellow at Penland School of Craft, a 2021 Textiles Studio Assistant at Peters Valley School of Craft, and has shown her work in Texas, California, Florida, New Jersey, and North Carolina. Exhibition poster design by Celia Shaheen The exhibition title, “Desire, Rinse, Repeat” is sourced from a postcard found in the WSW archives that advertised a 1989 performance by Hawley Hussey (@hawleyhusseyarts). Hussey’s “Desire, Rinse, Repeat (Tales From The Wash Cycle)” was a mixed media performance that told the ordinary yet mythological tales of daily life and the modern woman. The artists resonated with this title, as they are also bound together by daily rituals.
Say Hello to our current artists-in-residence, Rut Say Hello to our current artists-in-residence, Ruthe Karlin and Natalie Beall! Ruthe is on site as our Artist’s Book Residency Grant recipient, working on her book “Karlin in Bed,” and Natalie (@natalie_beall) is on site as our Ora Schneider Regional Residency Grant recipient, experimenting with papermaking methods.
Every month WSW hosts Slide Night, where we hear f Every month WSW hosts Slide Night, where we hear from current artists-in-residence about their work. Join us next Tuesday (9/17) at 5:30PM for the first Slide Night of this Artist in Residency season! We’ll be hearing from Natalie Beall (@natalie_beall), Allison Elliott, and Amoke Kubat. (Slide 1) Natalie Beall is on site as our current Ora Schneider Regional Residency Grant recipient! Natalie invents new forms containing traces of functionality and fantasy with paper collage and mixed media wall sculpture. Allison Elliott is the Archives & Programs Manager for The Feminist Institute (TFI) (@thefeministinstitute), and is on site as our Research Residency Grant recipient working in the WSW archive, furthering the partnership between the two organizations. TFI documents and celebrates feminist contributions to culture by preserving and digitizing archival materials for public access. TFI promotes information activism and gender equity by infilling the cultural record to reflect fuller truths. (Slide 2) Amoke Kubat is on site as our McKnight Fellowship Residency recipient, a partnership between Artist Communities Alliance (ACA) (@artistcommunitiesorg) and the Mcknight Foundation. Amoke reclaims an African Indigenous Spiritual sensibility to reconnect herself and Black people to Earth and Water, as practice for holistic wellness. Self-taught, she uses artmaking (weaving, doll making, and clay) and writing to continue to define herself and hold a position of wellness in an America sick with inequalities and inequities. We have also slightly changed the timing of our Slide Nights: moving forward, Slide Night will begin at 5:30PM instead of 6PM to help everyone get home before it gets too dark. We hope this change allows you to come hear from our talented artists this season!
As part of the traveling exhibition A Radical Alte As part of the traveling exhibition A Radical Alteration: Women’s Studio Workshop as a Model for Sustainable Art, curator Maymanah Farhat (@maymanah2.0) handpicked select artists’ books to be displayed with extended label text. Over the past few weeks, we have been sharing a closer look at each of them, but we’re coming up on the end! This week’s highlighted artists’ book is Twentysix Plants by Susan Mills (@minettaln). Maymanah writes, “Susan Mills’s Twentysix Plants was published in 2013 to coincide with the 50th anniversary of Ed Ruscha’s Twentysix Gasoline Stations (1963), a pared-down artist’s book consisting of photographs with basic captions. Analysis of Ruscha’s book often points to the fact that his black and white images, taken while driving down various highways, capture the banality of these everyday scenes using a medium that had become highly aestheticized. Ironically, this photobook is now referred to as “iconic” despite the fact that its mechanized simplicity worked against such concepts. Twentysix Plants contains twenty-six pages of handmade paper produced from everyday plants grown or forged at Women’s Studio Workshop’s ArtFarm, a project launched in 1996 that encouraged experimentation in papermaking while working towards sustainable means of production. Each page shows the distinct nature of its material, which is then identified as a letter pressed and digitally cut label at the bottom of the paper. The paper is rough and mostly has uneven edges. A sort of meditation on papermaking, the book describes the hidden beauty of what might otherwise be ignored, much like the midcentury work it references.” We thank Maymanah for her extensive dedication to highlighting our organization’s work and the artists we serve by providing an in-depth look for some of the incredible artists’ books we have published over the years. The exhibition is currently on view at Bainbridge Island Museum of Art and at WSW’s Kingston NY campus!
As we approach the opening of Desire Rinse Repeat, As we approach the opening of Desire Rinse Repeat, a group exhibition featuring print and paper works by Celia Shaheen (@gothmomgothmom), Erin Moore (@bugprints), Lily Pinchbeck, and Thaïs Calvarin (@thaiscalvarin), we will be sharing work from each of the participating artists! Join us for the opening reception on September 14th from 6 to 8 PM at Cornell Creative Arts Center (@ccac.ny) located at 129 Cornell St, Kingston, NY. Today we are highlighting the work of Assistant Studio Manager, Thaïs Calvarin (@thaiscalvarin)! Thaïs Calvarin is currently an assistant studio manager at WSW and has been part of the WSW studios since 2022, where she has learned about artist book production and taught papermaking workshops. In her own practice, she is exploring the use of color in relation to abaca fiber's transparency. Her most recent series evokes the tides and seascapes of the Bretagne Coast where her family is from. Exhibition poster design by Celia Shaheen (@gothmomgothmom) The exhibition title, “Desire, Rinse, Repeat” is sourced from a postcard found in the WSW archives that advertised a 1989 performance by Hawley Hussey (@hawleyhusseyarts). Hussey’s “Desire, Rinse, Repeat (Tales From The Wash Cycle)” was a mixed media performance that told the ordinary yet mythological tales of daily life and the modern woman. The artists resonated with this title, as they are also bound together by daily rituals.
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We had a lovely opening reception for Desire Rinse We had a lovely opening reception for Desire Rinse Repeat this past Saturday! This group show featuring print and paper works by Celia Shaheen (@gothmomgothmom), Erin Moore (@bugprints), Lily Pinchbeck, and Thaïs Calvarin (@thaiscalvarin) will be on view at Cornell Creative Arts Center (@ccac.ny) until end of day tomorrow (9/17) so check out these beautiful pieces while you still can! The exhibition title, “Desire, Rinse, Repeat” is sourced from a postcard found in the WSW archives that advertised a 1989 performance by Hawley Hussey (@hawleyhusseyarts). Hussey’s “Desire, Rinse, Repeat (Tales From The Wash Cycle)” was a mixed media performance that told the ordinary yet mythological tales of daily life and the modern woman. The artists resonated with this title, as they are also bound together by daily rituals.
As we approach the opening of Desire Rinse Repeat, As we approach the opening of Desire Rinse Repeat, a group exhibition featuring print and paper works by Celia Shaheen (@gothmomgothmom), Erin Moore (@bugprints), Lily Pinchbeck, and Thaïs Calvarin (@thaiscalvarin), we will be sharing work from each of the participating artists! Join us for the opening reception on September 14th from 6 to 8 PM at Cornell Creative Arts Center located at 129 Cornell St, Kingston, NY. Today we are highlighting the work of Studio Intern, Celia Shaheen (@gothmomgothmom)! Celia Shaheen (she/her) is an artist and craftsperson from North Texas. In 2020, Celia graduated with a BFA in studio art, a BA in honors art history, and a museum studies certificate from the University of Texas at Austin. Celia’s studio practice oscillates at the intersection of archiving and making, using materials across the spectrum of textiles, printmaking, papermaking, and metals to investigate the shared language of textiles and storytelling, Lebanese culinary traditions, folklores of the animate and inanimate, and webs of lineage and longing. Currently a Studio Intern at WSW, Celia was a 2022-24 Core Fellow at Penland School of Craft, a 2021 Textiles Studio Assistant at Peters Valley School of Craft, and has shown her work in Texas, California, Florida, New Jersey, and North Carolina. Exhibition poster design by Celia Shaheen The exhibition title, “Desire, Rinse, Repeat” is sourced from a postcard found in the WSW archives that advertised a 1989 performance by Hawley Hussey (@hawleyhusseyarts). Hussey’s “Desire, Rinse, Repeat (Tales From The Wash Cycle)” was a mixed media performance that told the ordinary yet mythological tales of daily life and the modern woman. The artists resonated with this title, as they are also bound together by daily rituals.
Say Hello to our current artists-in-residence, Rut Say Hello to our current artists-in-residence, Ruthe Karlin and Natalie Beall! Ruthe is on site as our Artist’s Book Residency Grant recipient, working on her book “Karlin in Bed,” and Natalie (@natalie_beall) is on site as our Ora Schneider Regional Residency Grant recipient, experimenting with papermaking methods.
Every month WSW hosts Slide Night, where we hear f Every month WSW hosts Slide Night, where we hear from current artists-in-residence about their work. Join us next Tuesday (9/17) at 5:30PM for the first Slide Night of this Artist in Residency season! We’ll be hearing from Natalie Beall (@natalie_beall), Allison Elliott, and Amoke Kubat. (Slide 1) Natalie Beall is on site as our current Ora Schneider Regional Residency Grant recipient! Natalie invents new forms containing traces of functionality and fantasy with paper collage and mixed media wall sculpture. Allison Elliott is the Archives & Programs Manager for The Feminist Institute (TFI) (@thefeministinstitute), and is on site as our Research Residency Grant recipient working in the WSW archive, furthering the partnership between the two organizations. TFI documents and celebrates feminist contributions to culture by preserving and digitizing archival materials for public access. TFI promotes information activism and gender equity by infilling the cultural record to reflect fuller truths. (Slide 2) Amoke Kubat is on site as our McKnight Fellowship Residency recipient, a partnership between Artist Communities Alliance (ACA) (@artistcommunitiesorg) and the Mcknight Foundation. Amoke reclaims an African Indigenous Spiritual sensibility to reconnect herself and Black people to Earth and Water, as practice for holistic wellness. Self-taught, she uses artmaking (weaving, doll making, and clay) and writing to continue to define herself and hold a position of wellness in an America sick with inequalities and inequities. We have also slightly changed the timing of our Slide Nights: moving forward, Slide Night will begin at 5:30PM instead of 6PM to help everyone get home before it gets too dark. We hope this change allows you to come hear from our talented artists this season!
As part of the traveling exhibition A Radical Alte As part of the traveling exhibition A Radical Alteration: Women’s Studio Workshop as a Model for Sustainable Art, curator Maymanah Farhat (@maymanah2.0) handpicked select artists’ books to be displayed with extended label text. Over the past few weeks, we have been sharing a closer look at each of them, but we’re coming up on the end! This week’s highlighted artists’ book is Twentysix Plants by Susan Mills (@minettaln). Maymanah writes, “Susan Mills’s Twentysix Plants was published in 2013 to coincide with the 50th anniversary of Ed Ruscha’s Twentysix Gasoline Stations (1963), a pared-down artist’s book consisting of photographs with basic captions. Analysis of Ruscha’s book often points to the fact that his black and white images, taken while driving down various highways, capture the banality of these everyday scenes using a medium that had become highly aestheticized. Ironically, this photobook is now referred to as “iconic” despite the fact that its mechanized simplicity worked against such concepts. Twentysix Plants contains twenty-six pages of handmade paper produced from everyday plants grown or forged at Women’s Studio Workshop’s ArtFarm, a project launched in 1996 that encouraged experimentation in papermaking while working towards sustainable means of production. Each page shows the distinct nature of its material, which is then identified as a letter pressed and digitally cut label at the bottom of the paper. The paper is rough and mostly has uneven edges. A sort of meditation on papermaking, the book describes the hidden beauty of what might otherwise be ignored, much like the midcentury work it references.” We thank Maymanah for her extensive dedication to highlighting our organization’s work and the artists we serve by providing an in-depth look for some of the incredible artists’ books we have published over the years. The exhibition is currently on view at Bainbridge Island Museum of Art and at WSW’s Kingston NY campus!
As we approach the opening of Desire Rinse Repeat, As we approach the opening of Desire Rinse Repeat, a group exhibition featuring print and paper works by Celia Shaheen (@gothmomgothmom), Erin Moore (@bugprints), Lily Pinchbeck, and Thaïs Calvarin (@thaiscalvarin), we will be sharing work from each of the participating artists! Join us for the opening reception on September 14th from 6 to 8 PM at Cornell Creative Arts Center (@ccac.ny) located at 129 Cornell St, Kingston, NY. Today we are highlighting the work of Assistant Studio Manager, Thaïs Calvarin (@thaiscalvarin)! Thaïs Calvarin is currently an assistant studio manager at WSW and has been part of the WSW studios since 2022, where she has learned about artist book production and taught papermaking workshops. In her own practice, she is exploring the use of color in relation to abaca fiber's transparency. Her most recent series evokes the tides and seascapes of the Bretagne Coast where her family is from. Exhibition poster design by Celia Shaheen (@gothmomgothmom) The exhibition title, “Desire, Rinse, Repeat” is sourced from a postcard found in the WSW archives that advertised a 1989 performance by Hawley Hussey (@hawleyhusseyarts). Hussey’s “Desire, Rinse, Repeat (Tales From The Wash Cycle)” was a mixed media performance that told the ordinary yet mythological tales of daily life and the modern woman. The artists resonated with this title, as they are also bound together by daily rituals.
Save the date for our 50th Birthday Bash on Saturd Save the date for our 50th Birthday Bash on Saturday, November 16, 2024 from 3-7pm on our campus! This celebratory afternoon will include cocktails, gourmet desserts, a silent auction, and games. Come support Women's Studio Workshop on this milestone anniversary as we toast to our legacy and look forward to the years to come! Formal invitation to follow--get more info on our website. Illustration by Cat Willett @catxwillett
As we approach the opening of Desire Rinse Repeat, As we approach the opening of Desire Rinse Repeat, a group exhibition featuring print and paper works by Celia Shaheen (@gothmomgothmom), Erin Moore (@bugprints), Lily Pinchbeck, and Thaïs Calvarin (@thaiscalvarin), we will be sharing work from each of the participating artists! Join us for the opening reception on September 14th from 6 to 8 PM at Cornell Creative Arts Center (@ccac.ny) located at 129 Cornell St, Kingston, NY. Today we are highlighting the work of Assistant Studio Manager, Erin Moore (@bugprints)! Erin Moore is a printmaker and book artist from Conshohocken, PA. They have been working with WSW as an Assistant Studio Manager in the printmaking studios. Moore’s own printmaking practice is research-based, often drawing from found text and imagery from archived queer publications. Their most recent body of work explores the language of personal advertisements. Exhibition poster design by Celia Shaheen (@gothmomgothmom) The exhibition title, “Desire, Rinse, Repeat” is sourced from a postcard found in the WSW archives that advertised a 1989 performance by Hawley Hussey (@hawleyhusseyarts). Hussey’s “Desire, Rinse, Repeat (Tales From The Wash Cycle)” was a mixed media performance that told the ordinary yet mythological tales of daily life and the modern woman. The artists resonated with this title, as they are also bound together by daily rituals.
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