BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Women's Studio Workshop - ECPv6.15.12.2//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Women's Studio Workshop X-ORIGINAL-URL:https://wsworkshop.org X-WR-CALDESC:Events for Women's Studio Workshop REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20240310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20241103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20270314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20271107T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20260328 DTEND;VALUE=DATE:20260330 DTSTAMP:20260503T231608 CREATED:20260217T161602Z LAST-MODIFIED:20260217T162900Z UID:46143-1774656000-1774828799@wsworkshop.org SUMMARY:Broadcast Now: publishing as a tool of survival during fascism and genocide with Lukaza Branfman-Verissimo DESCRIPTION:Broadcast Now: publishing as a tool of survival during fascism and genocide – Lukaza Branfman-Verissimo \nDates: March 28 – 29\, 2026\, 10AM – 4PM\nStudio: Multipurpose Room\nTuition: Sliding Scale\, $50 – 300 ($25 – 150\, per day)\nClass limit: 15\, KN95 masks required at all times\, priority to local BIPOC community members \nBroadcast Now: publishing as a tool of survival during fascism and genocide is a two-day workshop hosted by artist\, abolitionist\, and storyteller Lukaza Branfman-Verissimo. We will start by grounding our making in the role of the printed multiple\, publishing\, and broadcasting throughout liberatory history. We’ll learn about the use of leaflets as a dissemination tactic during the dictatorship in Chile\, the Black Panther newspaper printed in Oakland\, CA and mailed nationally\, the Detroit Printing Co-op’s role in making printshops a space for collective use\, and the ways letters and postcards have enabled close dialogue with our incarcerated community. We will then investigate our own relationships to publishing\, and explore how we can collectively incorporate broadcasting into the struggles\, fights\, and work of 2026. Inspired by the long legacy of the printed multiple shaping liberation movements\, participants will craft collective and individual banners\, posters\, and a class newspaper using screenprinting\, creative writing\, xerox\, and risograph printing. This workshop does not require previous printmaking experience. \nParticipants should bring a sketchbook and artwork of their own they might want to work with. Please note\, this class will make use of the photocopier which is located on the second floor up a flight of stairs. This class requires all participants to wear KN95 masks for the duration of the workshop. Masks will be provided. \n \n  URL:https://wsworkshop.org/event/broadcast-now/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Weekend Workshops ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/broadcast-now-publishing-as-a-tool-of-survival-during-fascism-and-genocide-with-lukaza-branfman-verissimo/jpg/LBV_02-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250818 DTEND;VALUE=DATE:20250823 DTSTAMP:20260503T231608 CREATED:20250114T174339Z LAST-MODIFIED:20250515T150755Z UID:44087-1755475200-1755907199@wsworkshop.org SUMMARY:*Contemporary and Experimental Marbling with Maisie Broome DESCRIPTION:Contemporary and Experimental Marbling – Maisie Broome \nDates: August 18 – August 22\, 2025\nStudio: Papermaking\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 10 \nTake a playful and contemporary approach to the ancient technique of marbling! Participants will explore the vast potential of marbling and experiment with materials while familiarizing themselves with the process’s unique relationships to movement\, imagery\, and scale. The workshop will give participants the technical knowledge for making a marbling bath\, preparing materials\, and applying paint to the bath’s surface. We will print on a variety of materials\, including (but not limited to) fabric and paper. Responding intuitively to our materials\, we will learn how to manipulate the floating paints to create pattern and imagery\, and the week will culminate in printing collectively on a large scale. Participants will leave with the foundational knowledge needed to continue marbling at home and a variety of marbled materials to utilize in their practice. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nhis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/contemporary-and-experimental-marbling-with-maisie-broome/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/contemporary-and-experimental-marbling-with-maisie-broome/jpg/PaperSample-copy-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250811 DTEND;VALUE=DATE:20250816 DTSTAMP:20260503T231608 CREATED:20250114T185310Z LAST-MODIFIED:20250506T135002Z UID:44078-1754870400-1755302399@wsworkshop.org SUMMARY:Stencil to Screen: Unlocking the Power of Print with Tyanna Buie DESCRIPTION:Stencil to Screen: Unlocking the Power of Print – Tyanna Buie \nDates: August 11 – August 15\, 2025\nStudio: Silkscreen (Second Floor\, located up one flight of stairs*)\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nLet’s get experimental! Discover silkscreen’s flexibility\, exploring the inherent cross-connections and expressive possibilities of photomechanical digital processes\, hand drawn stencils\, found stencils\, mark-making and monotypes. Participants will be prompted to push the boundaries of the processes while creating new ways a screen print is made\, explored\, and considered. \nPrintmaking is a unique way to make images and to think about the construction of images. It emphasizes thinking in layers and processes that value indirect and highly mediated production. This course will focus on the history of screen-printing\, as well as contemporary and non-traditional methods and techniques; such as monotypes\, mono-printing\, collage\, and mixed media. Participants will understand the range of ink options and color mixing\, and the different ways hand-drawn and photomechanical films can be made\, while exploring the versatility of screen-printing to work with non-traditional substrates other than paper. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n*Any questions regarding accessibility\, please call our office at (845)658-9133 or email info@wsworkshop.org. URL:https://wsworkshop.org/event/stencil-to-screen-unlocking-the-power-of-print-with-tyanna-buie/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/stencil-to-screen-unlocking-the-power-of-print-with-tyanna-buie/jpg/04.-Buie_ItGirl-1.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250811 DTEND;VALUE=DATE:20250816 DTSTAMP:20260503T231608 CREATED:20250114T174227Z LAST-MODIFIED:20250421T144725Z UID:43847-1754870400-1755302399@wsworkshop.org SUMMARY:Drypoint with Chine Collé: Multi-Color and Layer with Rie Hasegawa DESCRIPTION:Drypoint with Chine Collé: Multi-Color and Layer – Rie Hasegawa \nDates: August 11 – August 15\, 2025\nStudio: Intaglio\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nDrypoint is an intaglio printmaking technique in which an image is scratched into a metal or plastic plate. The scratches produce a “burr”: a raised portion of metal or plastic that catches and holds ink while the smooth portions of the plate can be wiped clean. With the help of an intaglio printing press\, this ink gets transferred to a dampened sheet of paper. \nThis workshop will demonstrate drypoint techniques either with traditional materials\, copper plate\, rigid vinyl or recycled materials\, and how to ink and transfer images onto paper. Since the image is created by mechanically scratching the surface of the plate\, almost any tool can be used – from traditional drypoint tools\, to sandpaper\, sewing needles\, knives\, etc. Class instruction will also include producing other techniques such as Chine Collé (collage technique in printmaking)\, À la poupée (inking up different colors on a single plate) and multi layers with your drypoints. All techniques are made with non-toxic printmaking materials and processes. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. URL:https://wsworkshop.org/event/drypoint-with-chine-colle-multi-color-and-layer-with-rie-hasegawa/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/drypoint-with-chine-colle-multi-color-and-layer-with-rie-hasegawa/jpg/fully-equippedg_two-plate-copy.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250811 DTEND;VALUE=DATE:20250816 DTSTAMP:20260503T231608 CREATED:20250114T174141Z LAST-MODIFIED:20250515T150724Z UID:44054-1754870400-1755302399@wsworkshop.org SUMMARY:*Topographic Language: Embedding and Collage in Handmade Paper with Katharine DeLamater DESCRIPTION:Topographic Language: Embedding and Collage in Handmade Paper – Katharine DeLamater \nDates: August 11 – August 15\, 2025\nStudio: Papermaking\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nLayer textile\, photographic\, and other soft collage elements\, concurrently building a narrative alongside the development of your handmade paper artwork! In this all levels papermaking workshop\, participants will learn how to make paper with a focus on translucent abaca and flax fiber to best highlight their personal embedded and collaged elements. Techniques covered will include creating veils\, double couching\, bottle application of pulp\, and creating shaped sheets. We’ll also cover techniques to work on both the recto and the verso (front and back) of wet sheets of handmade paper\, a technique that can be used for artists books or other works one might desire to have information on both sides. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/topographic-language-embedding-and-collage-in-handmade-paper-with-katharine-delamater/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/topographic-language-embedding-and-collage-in-handmade-paper-with-katharine-delamater/jpg/KD_Topographic-Language_03-copy.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250804 DTEND;VALUE=DATE:20250809 DTSTAMP:20260503T231608 CREATED:20250114T174113Z LAST-MODIFIED:20250515T150641Z UID:44040-1754265600-1754697599@wsworkshop.org SUMMARY:*Windows\, Wells\, and Walls: Stencils and Masking in Handmade Paper with Katharine DeLamater DESCRIPTION:Windows\, Wells\, and Walls: Stencils and Masking in Handmade Paper – Katharine DeLamater \nDates: August 4 – August 8\, 2025\nStudio: Papermaking\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nIn this all levels papermaking workshop\, participants will learn how to make paper using a variety of fibers and incorporate stenciled imagery using hand-cut stencils and pigmented pulp paint. We’ll begin with the basics of sheet-forming and an overview of the stenciling process to create a roadmap for each participant’s work. Participants will work with the instructor to choose papermaking fibers and stenciling methods to best suit their envisioned artwork or sampler. Stenciling techniques will include brush application\, bottle application\, washes\, as well as masking techniques to create layered effects in desired and protect others. This process will encourage participants to experiment and invoke creative problem solving to express their unique vision through the art of hand papermaking. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/windows-wells-and-walls-stencils-and-masking-in-handmade-paper-with-katharine-delamater/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/windows-wells-and-walls-stencils-and-masking-in-handmade-paper-with-katharine-delamater/jpg/KD_WindowsWellsWalls_05-copy.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250804 DTEND;VALUE=DATE:20250809 DTSTAMP:20260503T231608 CREATED:20250114T184002Z LAST-MODIFIED:20250707T153037Z UID:44071-1754265600-1754697599@wsworkshop.org SUMMARY:*Photo-based Screenprinting: Light and Shadow with K Sarrantonio DESCRIPTION:Photo-based Screenprinting: Light and Shadow – K Sarrantonio \nDates: August 4 – August 8\, 2025\nStudio: Silkscreen (Second Floor\, located up one flight of stairs*)\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nImmerse yourself in the incredible world of halftones! The halftone process translates continuous shades and tones into patterns of dots\, allowing screenprinters to create a rich stencil from a photograph or any 2D image. We will start the week with single color prints and move through the four layer CMYK process. \nDemos will include creating halftones and color separations in Photoshop\, mixing ink\, and registering our print layers with pins and tabs. We will discuss how to choose dot size\, mesh count\, squeegee firmness\, and ink transparency\, and examine how these tools can be used to convey the meaning of our work. We will also leave space for experimentation\, happy accidents\, and unintended outcomes. Explorations will include making direct alterations to films with scissors and paint markers as well as using hands-on paper stencils to block and fill areas of the paper. Prior familiarity with screenprinting fundamentals is recommended\, including comfort coating and exposing photo-emulsion\, and the ability to screenprint on paper with consistent results. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n*Any questions regarding accessibility\, please call our office at (845)658-9133 or email info@wsworkshop.org. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/photo-based-screenprinting-light-and-shadow-with-k-sarrantonio/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/photo-based-screenprinting-light-and-shadow-with-k-sarrantonio/jpg/Sarrantonio_Image2-1.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250804 DTEND;VALUE=DATE:20250809 DTSTAMP:20260503T231608 CREATED:20250114T174245Z LAST-MODIFIED:20250630T134055Z UID:43860-1754265600-1754697599@wsworkshop.org SUMMARY:Non-Toxic Printmaking: Kitchen Lithography\, Watercolor Monotype and More! with Rie Hasegawa DESCRIPTION:Non-Toxic Printmaking: Kitchen Lithography\, Watercolor Monotype and More! – Rie Hasegawa \nDates: August 4 – August 8\, 2025\nStudio: Intaglio\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nTraditional printmaking involves use of a variety of toxic chemicals to make ink-receptive and non-image areas receptive to water and ink-repellent. This course will introduce several alternative planographic printing techniques such as kitchen litho that is an alternative way of lithography using common materials you have at home such as tin foil\, soda and white vinegar and also watercolor monotype and stencil. These techniques are much simpler and more accessible processes\, which can be applied without harmful chemicals. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. URL:https://wsworkshop.org/event/non-toxic-printmaking-kitchen-lithography-watercolor-monotype-and-more-with-rie-hasegawa/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/non-toxic-printmaking-kitchen-lithography-watercolor-monotype-and-more-with-rie-hasegawa/jpg/20240820_145531-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250728 DTEND;VALUE=DATE:20250802 DTSTAMP:20260503T231608 CREATED:20250114T190520Z LAST-MODIFIED:20250709T180558Z UID:44017-1753660800-1754092799@wsworkshop.org SUMMARY:Street Art as Protest: How To Make Wheat Paste Posters with Symone Salib DESCRIPTION:Street Art as Protest: How To Make Wheat Paste Posters – Symone Salib \nDates: July 28 – August 1\, 2025\nStudio: Multipurpose Room & Outdoor Patio\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $100\nClass limit: 8 \nThis course introduces the art of wheat-pasting posters in public spaces\, focusing on both technical skills and creative expression. Participants will learn how to design\, create\, and install posters using wheat paste\, a sustainable and accessible method for public art. The course will emphasize ethical considerations in public art\, particularly in marginalized or heavily monitored spaces. Participants will receive feedback on their designs and installations throughout the course. The workshop will emphasize community engagement\, artistic intention\, and the history of street art. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. URL:https://wsworkshop.org/event/how-to-make-wheat-paste-posters-with-symone-salib/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Other Media,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/how-to-make-wheat-paste-posters-with-symone-salib/jpeg/176B3186-AA4E-4944-97EC-5CA2467646A8-1.jpeg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250728 DTEND;VALUE=DATE:20250802 DTSTAMP:20260503T231608 CREATED:20250114T190222Z LAST-MODIFIED:20250709T180632Z UID:43831-1753660800-1754092799@wsworkshop.org SUMMARY:*Ink\, Paper\, and Thread: Artist’s Book Editions with Liz Castaldo DESCRIPTION:Ink\, Paper\, and Thread: Artist’s Book Editions – Liz Castaldo \nDates: July 28 – August 1\, 2025\nStudio: Silkscreen (Second Floor\, located up one flight of stairs*)\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nMake your artist’s book dreams a reality in this silkscreen-focused workshop. We will go over how to make several book structures by hand including one page books\, accordion books\, pamphlet bindings\, flexagons and drum leaf bindings. We’ll make one collaborative zine together as a workshop and then participants will spend the rest of the workshop developing\, printing and binding a small edition of artists’ books. The silkscreen printing process will allow us to create multiples of our book pages. Participants will learn how to create hand drawn and digital transparencies\, expose their images to the screen and print several copies of their book pages! \nParticipants can come to the workshop with an idea for their artist’s book in mind but we will also have some time for brainstorming and working through strategies for developing content. The instructor will be available to work with each student to tailor their idea to an appropriate book structure and go over efficient ways to lay out pages for silkscreen printing. We’ll also look at and discuss how content works in different types of book structures and get inspired through artists’ books in the WSW collection. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n*Any questions regarding accessibility\, please call our office at (845)658-9133 or email info@wsworkshop.org. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/ink-paper-and-thread-artists-book-editions-with-liz-castaldo/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Book Arts Classes,Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/ink-paper-and-thread-artists-book-editions-with-liz-castaldo/jpg/03_castaldo_primordial_forms.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250728 DTEND;VALUE=DATE:20250802 DTSTAMP:20260503T231608 CREATED:20250114T190018Z LAST-MODIFIED:20250515T150546Z UID:43791-1753660800-1754092799@wsworkshop.org SUMMARY:*Place and Identity through Papermaking with Candy Gonzalez DESCRIPTION:Place and Identity through Papermaking – Candy Gonzalez \nDates: July 28 – August 1\, 2025\nStudio: Papermaking\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $100\nClass limit: 6 \nExplore your relationship to place and identity through papermaking with native plants! The workshop will start with the exploration of plants native to the Hudson Valley and learning to make paper with native plants. Participants will build on foundational knowledge through demos\, collective inquiry-based investigation\, foraging\, and open studio time. Throughout the week\, participants will engage in self and group reflection on the relationship between place\, native plants and identity. These reflections will inform visual papermaking investigations of place and identity. Participants will have the opportunity to create a small series of works on handmade paper. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. \n  URL:https://wsworkshop.org/event/place-and-identity-through-papermaking-with-candy-gonzalez/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/expressive-pulp-painting-with-candy-gonzalez/jpg/Altar-to-community-healing-copy.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250728 DTEND;VALUE=DATE:20250802 DTSTAMP:20260503T231608 CREATED:20250114T185042Z LAST-MODIFIED:20250708T145903Z UID:43988-1753660800-1754092799@wsworkshop.org SUMMARY:*Combine\, Layer\, Overlap: Guided Monoprint with Tara Sabharwal DESCRIPTION:Combine\, Layer\, Overlap: Guided Monoprint – Tara Sabharwal \nDates: July 28 – August 1\, 2025\nStudio: Intaglio\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nCreate a rich and multifaceted print\, using one-off pre-printed rice papers as a launching point! After monoprinting a variety of marks\, drawing\, colors\, script\, or textures on your choice on several rice papers\, we will add adhesive to them\, converting them into Chine Collé sheets. We will then design monoprints with these chine collé papers in mind\, cutting them into shapes as needed\, with attention to content and composition. By combining the two processes we will work with order and chance\, random mark making and intention. We will use brushes\, Inkjet and mylar stencils\, Q- tips\, rags\, a range of solvents\, aluminum foil\, string\, collage material\, natural and found material to make marks and textures on the paper. We will work on 18”x24” plexiglass sheets with water soluble inks. Acid-free adhesive can also be used to create an added collage effect after the print is dry. This workshop is suitable for novice as well as experienced printmakers. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide.  If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/combine-layer-overlap-guided-monoprint-with-tara-sabharwal/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/combine-layer-overlap-guided-monoprint-with-tara-sabharwal/jpg/1-2021-The-moon-again.-Again-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250721 DTEND;VALUE=DATE:20250726 DTSTAMP:20260503T231608 CREATED:20250114T190103Z LAST-MODIFIED:20250515T150409Z UID:43779-1753056000-1753487999@wsworkshop.org SUMMARY:*Expressive Pulp Painting with Candy Gonzalez DESCRIPTION:Expressive Pulp Painting – Candy Gonzalez \nDates:  July 21 – July 25\, 2025\nStudio: Papermaking\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nThrough demos\, embodied inquiry-based investigation and open studio time\, participants will expand their papermaking practice by experimenting with contemporary pulp painting techniques. Participants will learn the mechanics of working with various fibers in pulp painting\, to make pulp paints from start to finish and to build an expansive pulp paint palette. Participants will learn various pulp painting techniques\, and will learn to incorporate stenciling\, wet collaging and blowout techniques in their work. During open studio time\, participants will have the opportunity to create a series of work that serves as an exploration of pulp painting as an expressive art form. This workshop is intended for people who have made paper before. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. \n Present Bodies: Papermaking at Dieu Donné\, presents the work of Swoon\, Noel W. Anderson\, Lesley Dill\, Candy Gonzalez\, Lina Puerta\, Paul Wong\, Saya Woolfalk\, and Tricia Wright. These eight visual artists\, all working in hand papermaking\, draw upon paper’s connection to ritual offerings\, to the body\, and to paper’s role as a keeper of memory. Paper’s historic use in communicating personal memory\, collective history\, and spiritual beliefs manifests more deeply when we reflect on its ancient history–before it became a substrate for the written word or images. The earliest recorded reference to paper dates back to A.D. 105 in China\, where paper acted as a votive or offering\, a material used in faith-based ritual practice as an aid to speak to deities or to ward off evil spirits. Much of the artwork in this exhibition takes the form of shrines\, altars\, or reliquaries\, alluding to connections between ritual practice and our contemporary understanding of what holds collective memory and its ancient antecedents. All of the works in this exhibition were created in the studios of Dieu Donné\, finding their forms in handmade paper. For more than four decades\, Dieu Donné has worked at the forefront of a movement to forge this powerfully subversive medium.This storied institution was founded in New York in order to explore the untapped potential of hand papermaking as an art medium. Artists participating in this exhibition include master papermakers like Paul Wong and long-time hand papermaker Lesley Dill\, who have worked with paper for over 30 years\, as well as artists that have recently learned the papermaking process through the Dieu Donné Workspace or through their professional studio programs. These programs pair artists from a wide variety of practices with master papermakers to explore the creative possibilities of hand papermaking\, fostering experimentation and innovative processes. Present Bodies honors this mix of artists at various stages in their creative Present Bodies: Papermaking at Dieu Donné\, presents the work of Swoon\, Noel W. Anderson\, Lesley Dill\, Candy Gonzalez\, Lina Puerta\, Paul Wong\, Saya Woolfalk\, and Tricia Wright. These eight visual artists\, all working in hand papermaking\, draw upon paper’s connection to ritual offerings\, to the body\, and to paper’s role as a keeper of memory. Paper’s historic use in communicating personal memory\, collective history\, and spiritual beliefs manifests more deeply when we reflect on its ancient history–before it became a substrate for the written word or images. The earliest recorded reference to paper dates back to A.D. 105 in China\, where paper acted as a votive or offering\, a material used in faith-based ritual practice as an aid to speak to deities or to ward off evil spirits. Much of the artwork in this exhibition takes the form of shrines\, altars\, or reliquaries\, alluding to connections between ritual practice and our contemporary understanding of what holds collective memory and its ancient antecedents. All of the works in this exhibition were created in the studios of Dieu Donné\, finding their forms in handmade paper. For more than four decades\, Dieu Donné has worked at the forefront of a movement to forge this powerfully subversive medium.This storied institution was founded in New York in order to explore the untapped potential of hand papermaking as an art medium. Artists participating in this exhibition include master papermakers like Paul Wong and long-time hand papermaker Lesley Dill\, who have worked with paper for over 30 years\, as well as artists that have recently learned the papermaking process through the Dieu Donné Workspace or through their professional studio programs. These programs pair artists from a wide variety of practices with master papermakers to explore the creative possibilities of hand papermaking\, fostering experimentation and innovative processes. Present Bodies honors this mix of artists at various stages in their creative URL:https://wsworkshop.org/event/expressive-pulp-painting-with-candy-gonzalez/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/expressive-pulp-painting-with-candy-gonzalez/jpg/Expressive-Pulp-Painting-6-copy.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250721 DTEND;VALUE=DATE:20250726 DTSTAMP:20260503T231608 CREATED:20250114T190348Z LAST-MODIFIED:20250520T142425Z UID:43816-1753056000-1753487999@wsworkshop.org SUMMARY:*Printing to Infinity: Endless Silkscreen Repeats for Installation with Liz Castaldo DESCRIPTION:Printing to Infinity: Endless Silkscreen Repeats for Installation – Liz Castaldo \nDates: July 21 – July 25\, 2025\nStudio: Silkscreen (Second Floor\, located up one flight of stairs*)\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nIn this workshop we will explore the endless possibilities of working with patterns\, and learn how to turn small components into large scale wall installations\, wallpaper\, or even covering three dimensional objects. We’ll cover multiple methods to create repeatable patterns from participants’ own drawings or photos\, that have the potential to be tiled together to create an endless repeat. Participants will also learn the Silkscreen printing process\, which gives us the ability to make many multiples of our modular patterns. We will discuss multiple color printing\, methods for loose and tight registration\, color mixing\, and layering pattern and color on the same print. Once participants have made an edition of prints we’ll get them up on the wall and strategize creative ways to display them and options for attaching prints to the wall. \nWe will contextualize this concept by looking at examples by artists working with repeat pattern and tessellation such as Lanette Scheeline\, MC Escher and Julia Rothman and examples from the WSW collection. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n*Any questions regarding accessibility\, please call our office at (845)658-9133 or email info@wsworkshop.org. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/printing-to-infinity-endless-silkscreen-repeats-for-installation-with-liz-castaldo/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/printing-to-infinity-endless-silkscreen-repeats-for-installation-with-liz-castaldo/jpg/10_castaldo_install_view_alternate.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250721 DTEND;VALUE=DATE:20250726 DTSTAMP:20260503T231609 CREATED:20250114T184612Z LAST-MODIFIED:20250714T184053Z UID:43978-1753056000-1753487999@wsworkshop.org SUMMARY:Building Edges in Monoprint with Tara Sabharwal DESCRIPTION:Building Edges in Monoprint – Tara Sabharwal \nDates:  July 21 – July 25\, 2025\nStudio: Intaglio\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nWe will make monoprints\, exploring lines and shapes to build a vocabulary of EDGES. Besides brushes we will use Inkjet sheets and mylar stencils for hard\, sharp edges\, remove ink with Q- tips and rags to make softer edges and collage material for perforated edges\, scrape ink for dry\, abrasive edges and use a range of solvents to make fluid\, flowing edges. Participants can also scratch on the plexiglass sheet and print the inked\, scratched or dry point mark to create whimsical\, blurry edges. String\, wool and rope\, can be explored to make embossed edges. We will work on 18”x24” plexiglass sheets with water soluble inks. Smaller sheets can be purchased for the dry point option. This workshop is suitable for novice as well as experienced printmakers. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. URL:https://wsworkshop.org/event/building-edges-in-monoprint-with-tara-sabharwal/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/building-edges-in-monoprint-with-tara-sabharwal/jpg/3-2017-In-Between-worlds-2-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250714 DTEND;VALUE=DATE:20250719 DTSTAMP:20260503T231609 CREATED:20250114T185208Z LAST-MODIFIED:20250515T150134Z UID:43909-1752451200-1752883199@wsworkshop.org SUMMARY:*Light as a Feather\, Stiff as a Board: Casting with Paper with SR Lejeune DESCRIPTION:Light as a Feather\, Stiff as a Board: Casting with Paper – SR Lejeune \nDates: July 14– July 18\, 2025\nStudio: Papermaking\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nThis experimental workshop will emphasize the unique nature of paper as a casting medium through a wide exploration of this material. Using experimental casting processes rooted in fiber properties and hand papermaking techniques\, participants will learn to record dimension\, texture\, and surface with paper pulp. Beginning with technical basics such as fiber processing and sheet formation\, participants will apply these skills to a variety of paper casting methods. This workshop will cover carved and collaged low relief mould making and use\, various approaches to found moulds\, basic plaster mould making and filling\, two-part mould making with oven-bake clay\, and laminate casting objects with high shrinkage fibers. This course will cover ways of working applicable both to professional and more improvisational studio contexts. All levels are welcome. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide.  If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/light-as-a-feather-stiff-as-a-board-casting-with-paper-with-sr-lejeune/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/material-memory-texture-techniques-in-papermaking-with-sr-lejeune/jpg/3__no-one-is-here-right-now-door-one-copy-3-1-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250714 DTEND;VALUE=DATE:20250719 DTSTAMP:20260503T231609 CREATED:20250114T185931Z LAST-MODIFIED:20250421T144541Z UID:43964-1752451200-1752883199@wsworkshop.org SUMMARY:Risograph Structures with Caroline Kern DESCRIPTION:Risograph Structures – Caroline Kern \nDates: July 14– July 18\, 2025\nStudio: Silkscreen (Second Floor\, located up one flight of stairs*)\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nIs it a book? Is it a sculpture? Could it be both? Come learn the basics of Risograph while also experimenting with structure and form through folded paper! In this workshop we will go over the basics of the Risograph machine\, a brief history of stencil duplicators (Risograph)\, and experiment with folded forms to help participants wrap their minds around how to plan\, design\, and then print their sculptural books. Templates will be provided to participants prior to the workshop\, though participants can work on their own designs if they like. This workshop is for both newbies\, as well participants who have used stencil duplicators before\, and for anyone who would like to create books that break out of traditional formats\, and/or are into creating paper sculptures without a narrative. Participants will complete a small edition of their projects and leave with a basic foundation of one to two color Risograph printing\, as well as basic paper folding technique. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n*Any questions regarding accessibility\, please call our office at (845)658-9133 or email info@wsworkshop.org. URL:https://wsworkshop.org/event/risograph-structures-with-caroline-kern/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Book Arts Classes,Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/risograph-structures-with-caroline-kern/jpg/risoimage3-copy.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250714 DTEND;VALUE=DATE:20250719 DTSTAMP:20260503T231609 CREATED:20250114T185548Z LAST-MODIFIED:20250515T150209Z UID:43929-1752451200-1752883199@wsworkshop.org SUMMARY:*Broadsides\, Ballads\, and Fables: Letterpress Printing with Type and Image with Corinne Teed DESCRIPTION:Broadsides\, Ballads\, and Fables: Letterpress Printing with Type and Image – Corinne Teed \nDates: July 14– July 18\, 2025\nStudio: Letterpress\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nCollaboration between type and image is an essential aspect of letterpress printing. Whether working with proclamations\, manifestos\, poetry\, or fables\, letterpress is a powerful vehicle for getting crucial voices and stories out into the world. This course will explore the relationship between words and images in letterpress prints. We will set type and combine it with hand carved relief blocks and/or photopolymer plates made from drawings. Participants will work with a variety of texts including the speculative\, the declarative\, and the poetic. The course will culminate in a print exchange. Participants will receive information from the instructor before class to help start the research process in advance. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. URL:https://wsworkshop.org/event/broadsides-ballads-and-fables-letterpress-printing-with-type-and-image-with-corinne-teed/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/broadsides-ballads-and-fables-letterpress-printing-with-type-and-image-with-corinne-teed/jpg/WSW-2023-SongoftheBestiary-WEB-011-cropped-1.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250707 DTEND;VALUE=DATE:20250712 DTSTAMP:20260503T231609 CREATED:20250114T185655Z LAST-MODIFIED:20250701T143239Z UID:43919-1751846400-1752278399@wsworkshop.org SUMMARY:Remixing the Archive: Manipulating Digitized Images for Risograph with Corinne Teed DESCRIPTION:Remixing the Archive: Manipulating Digitized Images for Risograph – Corinne Teed \nDates: July 7– July 11\, 2025\nStudio: Intaglio\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nRisograph is a stencil duplicator that can quickly produce print editions with an array of colors and techniques. Through this one week intensive workshop\, we will delve into the archive\, using the risograph with digital drawing and photographic sources. We will review the basics of how the riso operates and how to prepare simple files for printing. We will then dive deeper into digital manipulation by learning to play with halftones\, duotones and CMYK. \nThe workshop will culminate in a print exchange between the class. Participants will be encouraged to collect archival imagery of interest to them prior to the beginning of the course. Ideas for source material will be shared by the instructor before the class begins to support you in your research process. While participants are encouraged to bring a drawing tablet (i.e iPad or Wacom) or laptop to work on\, there will be a few devices available to share. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. URL:https://wsworkshop.org/event/remixing-the-archive-manipulating-digitized-images-for-risograph-with-corinne-teed/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/remixing-the-archive-manipulating-digitized-images-for-risograph-with-corinne-teed/jpg/Unculturable-Majority-copy-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250707 DTEND;VALUE=DATE:20250712 DTSTAMP:20260503T231609 CREATED:20250114T185428Z LAST-MODIFIED:20250515T150028Z UID:43897-1751846400-1752278399@wsworkshop.org SUMMARY:*Material Memory: Texture Techniques in Papermaking with SR Lejeune DESCRIPTION:Material Memory: Texture Techniques in Papermaking – SR Lejeune \nDates: July 7– July 11\, 2025\nStudio: Papermaking\nTuition: Sliding Scale\, $450 – $1300\nLab Fee: $150\nClass limit: 6 \nUse paper pulp to hold texture and surface! Beginning with technical basics such as fiber processing in the Hollander beater and sheet formation\, participants will apply these skills to an array of non-traditional techniques that use papermaking as a recorder\, both conceptually and materially. Approaching paper as a memory device\, this workshop will cover predominantly two dimensional processes such as embossing\, embedding\, variations on stenciling\, pulp rubbings\, rag-processing and low-relief casting. This course will discuss ways of working applicable both to professional and more improvisational studio contexts. All levels are welcome. \nIn order to reserve your space in the class\, we require a $250 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. For assistance in selecting your tuition level\, see this guide. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop is at capacity. Please email info@wsworkshop.org or call 845 658 9133 to be added to the waitlist. \n  URL:https://wsworkshop.org/event/material-memory-texture-techniques-in-papermaking-with-sr-lejeune/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/light-as-a-feather-stiff-as-a-board-casting-with-paper-with-sr-lejeune/jpg/witness-mark_2-1-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250619 DTEND;VALUE=DATE:20250725 DTSTAMP:20260503T231609 CREATED:20250331T220541Z LAST-MODIFIED:20250528T150212Z UID:44583-1750291200-1753401599@wsworkshop.org SUMMARY:Trading Stories Through Tile Making: Hybridizing Printmaking and Clay with Dilara Miller DESCRIPTION:Instructor: Dilara Miller\nClass Type: Six-week slab building class\nSkill Level: All Levels\nTime: Thursdays 5 – 7PM\nDates: June 19 – July 24\nMake Up Date: July 31 \nJoin us in this 6-week course where students will create a set of their own hand made tiles and learn to translate printmaking techniques to transform clay surfaces. In this class\, Dilara Miller will instruct participants in slab building tiles\, and guide them in preparing their surface to transfer a repetitive or large scale image over multiple tiles. Attendees will learn how to incorporate sgraffito and intaglio techniques onto their clay surface to create a unique array of tiles that can be puzzled together. Dilara uses these techniques in her own work\, drawing inspiration from Byzantine and Ottoman iconography. She utilizes the tiles as novel artifacts\, taking rubbings of the tiles to create a remnant of the object. By the end of the workshop students will have a set of fired tiles to keep\, and they will also take rubbings of each others’ tiles. \nRegister today for an outdoor clay adventure! Take advantage of the inspiring golden hours to express yourself creatively during our Plein Air Pottery sessions at WSW. While we work on our new and improved studio\, our ceramic program is setting up camp on the back deck outside of the silkscreen studio! In case of inclement weather: the outdoor space is shaded in the afternoon and evening and has a covering adequate to provide shelter from light rain. URL:https://wsworkshop.org/event/trading-stories-through-tile-making-hybridizing-printmaking-and-clay-with-dilara-miller/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Ceramics Workshops ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/everyday-whimsy-hand-built-sculptural-vessels-with-lora-shelley/jpg/Kingdomalt4-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250505 DTEND;VALUE=DATE:20250610 DTSTAMP:20260503T231609 CREATED:20250331T221823Z LAST-MODIFIED:20250513T154810Z UID:44595-1746403200-1749513599@wsworkshop.org SUMMARY:Everyday Whimsy: Hand-Built Sculptural Vessels with Lora Shelley DESCRIPTION:Instructor: Lora Shelley\nClass Type: Six-week handbuilding class\nSkill Level: All Levels\nTime: Mondays 5 – 7PM\nDates: May 5 – June 9\nMake Up Date: June 16 \nLearn to make imaginative functional objects for your everyday life! In this class we will explore different methods of hand-building— including slab\, coil\, pinch\, and hollowing out a form. Embracing experimentation and play\, we’ll dream up whimsical designs and make them come to life. Make your own custom dinnerware accessories. Brighten up your kitchen counter with a raccoon sugar bowl and matching spoon. Make a squirrel-themed paint palette with mushroom brush rest and woodsy water vessel. The possibilities are endless! \nRegister today for an outdoor clay adventure! Take advantage of the inspiring golden hours to express yourself creatively during our Plein Air Pottery sessions at WSW. While we work on our new and improved studio\, our ceramic program is setting up camp on the back deck outside of the silkscreen studio! In case of inclement weather: the outdoor space is shaded in the afternoon and evening and has a covering adequate to provide shelter from light rain. \n  URL:https://wsworkshop.org/event/everyday-whimsy-hand-built-sculptural-vessels-with-lora-shelley/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Ceramics Workshops ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/everyday-whimsy-hand-built-sculptural-vessels/jpeg/Bear-espresso-mugs-©-Lora-Shelley-Hand-built-originals.jpeg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240819 DTEND;VALUE=DATE:20240824 DTSTAMP:20260503T231609 CREATED:20240111T202828Z LAST-MODIFIED:20240401T152505Z UID:42462-1724025600-1724457599@wsworkshop.org SUMMARY:What The F!?! - Fiber\, Fabrics\, Fusing\, Facades with Jaz Graf DESCRIPTION:What The F!?! – Fiber\, Fabrics\, Fusing\, Facades – Jaz Graf \nDates: August 19 – August 23\, 2024\nStudio: Papermaking\nTuition: Sliding Scale\, $350 – $1200\nLab Fee: $100\nClass limit: 8 \nHow do materials collide and synthesize to convey our embodied and metaphorical stories? How might we translate old prints\, drawings\, and cloth scraps to enrich something new? We will use fibers such as mulberry\, abaca\, cotton\, recycled materials\, and fabrics as foundations for fusing\, embedding\, layering\, and image construction. Participants will explore pattern\, texture\, and color from matrices\, stencils\, and other fragments through water-based pigments\, and pulp blowouts\, with experimental drying techniques including stack\, restraint\, and air drying. All levels of experience are welcome. All are encouraged to feel empowered to play with the possibilities. \nThis course is currently full. To be added to the waitlist\, please call 845-658-9133\, or email us at info@wsworkshop.org URL:https://wsworkshop.org/event/fiber-fabrics-fusing-facades/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/fiber-fabrics-fusing-facades/jpg/blowout-experiment-1-scaled-e1704992914930.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240819 DTEND;VALUE=DATE:20240824 DTSTAMP:20260503T231609 CREATED:20240111T201503Z LAST-MODIFIED:20240409T191425Z UID:42467-1724025600-1724457599@wsworkshop.org SUMMARY:RISOGRAPH CAMP! with Kate Bingaman-Burt DESCRIPTION:RISOGRAPH CAMP! – Kate Bingaman-Burt \nDates: August 19 – August 23\, 2024\nStudio: Multipurpose Room\nTuition: Sliding Scale\, $350 – $1200\nLab Fee: $125\nClass limit: 6 \nRISOGRAPH CAMP! This workshop is a great place to start if you’re new to riso or want a refresher! We’ll dive deep into risograph history\, an overview of how these machines work\, the stencil-duplicator process\, and the quirks and fun (sometimes unpredictable) outcomes of riso printing. The main focus of this class is EXPERIMENTATION. We’ll share print and zine inspiration\, favorite mark-making tools\, and how to use them for Riso; we will make multiple print editions\, zines\, buttons\, and more! LET’S ROLL! \nThis course is currently full. To be added to the waitlist\, please call 845-658-9133\, or email us at info@wsworkshop.org URL:https://wsworkshop.org/event/risograph-camp-with-kate-bingaman-burt/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/risograph-camp-with-kate-bingaman-burt/jpeg/IMG_8140-scaled-e1704993214745.jpeg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240819 DTEND;VALUE=DATE:20240824 DTSTAMP:20260503T231609 CREATED:20240111T201330Z LAST-MODIFIED:20260105T210121Z UID:42464-1724025600-1724457599@wsworkshop.org SUMMARY:Propagating Propaganda with Lois Harada DESCRIPTION:Propagating Propaganda – Lois Harada \nDates: August 19 – August 23\, 2024\nStudio: Letterpress\nTuition: Sliding Scale\, $350 – $1200\nLab Fee: $100\nClass limit: 6 \nArchives are often built from found materials — printed booklets\, pamphlets\, broadsides\, and more. But who decides which of these important artifacts are created and produced on a scale wide enough to ensure their survival? In this course\, we’ll create objects and prints inspired by historical documents and propaganda. Through the commercial printing process of letterpress printing\, we’ll create large editions of these important artifacts. The course will include printing techniques based on handset wood and metal type as well as image recreation using photopolymer plates. Basic hand-binding techniques will also be incorporated. The class will culminate in a print exchange. The instructor will be in touch to help start the research process in advance of the workshop. \nIn order to reserve your space in the class\, we require a $150 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n  \n  URL:https://wsworkshop.org/event/propagating-propaganda/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/propagating-propaganda/jpg/HaradaReminder-8-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240812 DTEND;VALUE=DATE:20240817 DTSTAMP:20260503T231609 CREATED:20240111T203622Z LAST-MODIFIED:20240320T144056Z UID:42509-1723420800-1723852799@wsworkshop.org SUMMARY:Paper as Textile\, Textile as Paper – Amy Jacobs DESCRIPTION:Paper as Textile\, Textile as Paper – Amy Jacobs \nDates: August 12 – August 16\, 2024\nStudio: Papermaking\nTuition: Sliding Scale\, $350 – $1200\nLab Fee: $100\nClass limit: 8 \nThis workshop will explore numerous ways of combining textiles with handmade paper. We will use textiles as the basis for various creative techniques such as embedding\, embossing\, stenciling\, blowouts\, collage\, and pulp painting. We’ll use high and low shrinkage pulps\, including cotton\, translucent abaca\, linen\, and flax to experiment with surface textures and different ways of drying. We’ll cover various methods of altering the paper once dry\, as well as finishing treatments and surface manipulation. There will be daily demonstrations and discussions\, and students are encouraged to explore and experiment. Participants can bring in a variety of fabrics\, trim\, lace\, threads\, and clothing from their own collections. \nThis course is currently full. To be added to the waitlist\, please call 845-658-9133\, or email us at info@wsworkshop.org \n  URL:https://wsworkshop.org/event/paper-as-textile-textile-as-paper/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Papermaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/paper-as-textile-textile-as-paper/jpg/Jacobs_Textile-Relief_3-e1704993467690.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240809 DTEND;VALUE=DATE:20240831 DTSTAMP:20260503T231609 CREATED:20240709T153956Z LAST-MODIFIED:20240718T203823Z UID:43094-1723161600-1725062399@wsworkshop.org SUMMARY:Inside\, Outside: Handbuilding a Lidded Box with Chrystal O'Boyle DESCRIPTION:Instructor: Chrystal O’Boyle\nClass Type: Four-week handbuilding class\nSkill Level: All Levels\nTime: Fridays 4 – 6 pm\nDates: August 9 – 30\nMake Up Date: September 6 \nThis four-week class will explore the possibilities of slab construction\, transforming two-dimensional slabs of clay into 3D geometric objects with lids. To add a unique twist to our straight-walled geometric boxes we will explore Mishima\, a traditional inlay decoration technique. This class encourages participants to take this time to have fun designing a unique functional item for everyday use! \nChrystal O’Boyle (she/her) has had a lifelong love of the arts. Born and raised in Fayetteville\, Arkansas\, Chrystal attended the School of Art at the University of Arkansas and graduated with her Bachelor’s degree in art education. In 2018\, she became a teaching artist at the Community Creative Center\, instructing classes in ceramics\, painting\, and glass fusing. In the 2021-2022 school year\, she completed her post-baccalaureate at the University of Oklahoma studying ceramics. While in Oklahoma\, she also worked as a studio school instructor at Oklahoma Contemporary. In the 2022-2023\, Chrystal served as an Emerging Artist in Residence at Pocosin Arts School of Fine Craft. Now\, she is pursuing her MFA in Ceramics at SUNY New Paltz in New York. When she isn’t in the studio\, she enjoys reading\, hiking\, and spending time with friends and family. \n$195.00 tuition includes one bag of clay and firing fees. Registration is online only\, and is first come first serve. To inquire about the wait list call WSW at (845) 658-9133 or email info@wsworkshop.org. \nKilns will be fired on a weekly basis. One 25 lb bag of clay will be provided with the class. Additional clay can be purchased for $30/25lb bag  if needed. The outdoor class area will be available for students to use throughout the week during daylight hours. There will not be access to our basement studio at this time as we are working to build a better space. There will be some personal shelving space for each student to store clay tools and some work in process. Shelving dimensions are approximately: 17” x 10” x  24”. \n  \n \n \n  URL:https://wsworkshop.org/event/inside-outside-handbuilding-a-lidded-box-with-chrystal-oboyle/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Ceramics Workshops ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/inside-outside-handbuilding-a-lidded-box-with-chrystal-oboyle/jpg/image_123650291-2-copy-e1720539574503.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240805 DTEND;VALUE=DATE:20240817 DTSTAMP:20260503T231609 CREATED:20240111T203843Z LAST-MODIFIED:20260105T210044Z UID:42460-1722816000-1723852799@wsworkshop.org SUMMARY:Mokuhanga and Emakimono: Two Week Course in Woodblock Printing and Scroll Making DESCRIPTION:Mokuhanga and Emakimono: Two Week Course in Woodblock Printing and Scroll Making – Yoonmi Nam and Katie Baldwin \nDates: August 5 – August 16\, 2024\nStudio: Intaglio and Silkscreen\nTuition: Sliding Scale\, $700 – $2400\nLab fee: $150\nClass limit: 12 \nIn this two-week course\, participants will immerse themselves in the process of learning Mokuhanga and Emakimono. Mokuhanga is Japanese-style water-based woodblock printing and Emakimono is the term for a horizontal Japanese handscroll with pictures. \nThis workshop will be an introduction to the printing process mokuhanga\, which uses water-based pigments (or sumi ink)\, a kento registration method\, and hand printing with a baren. Participants will learn about tools and materials\, and the carving and printing methods associated with this process. All participants will have the opportunity to carve and print two projects: a single-block and a multiple-block. One of the wonderful aspects of this process is that it does not require a press or a large workspace and it is non-toxic! \nThe printed single-block edition will be exchanged amongst the members of the class and used to create an Emakimono\, a traditional Japanese scroll with a sequence of narrative images. Using traditional fabric and paper mounting techniques\, participants will learn how to connect multiple mokuhanga prints together to create a continuous horizontal image in a handscroll structure. \nIn order to reserve your space in this two week course\, we require a $300 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop partially takes place in our silkscreen studio\, which is located on the second floor up a flight of stairs. \n  \n  URL:https://wsworkshop.org/event/mokuhanga-and-emakimono/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/mokuhanga-and-emakimono/jpg/06_The-Four-Seasons_01_Yoonmi-Nam-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240729 DTEND;VALUE=DATE:20240803 DTSTAMP:20260503T231609 CREATED:20240111T211100Z LAST-MODIFIED:20240627T133629Z UID:42458-1722211200-1722643199@wsworkshop.org SUMMARY:What's still good about yesterday's liberation?: Feminist Criticism and Construction in the WSW Archives with Jeanne Vaccaro DESCRIPTION:What’s still good about yesterday’s liberation?: Feminist Criticism and Construction in the WSW Archives – Jeanne Vaccaro \nDates: July 29 – August 2\, 2024\nStudio: Archive\nTuition: Sliding Scale\, $350-$1200\nLab fee: $75\nClass limit: 6 \nThis workshop moves between two concepts: criticism and construction. What is criticism for\, exactly\, and how can it be harnessed to build movements on top of movements? Rather than think of criticism as destructive we will consider and practice forms of collective inquiry. Anchored in the WSW Feminist Criticism workshop of 1987\, some readings and horizontal style classroom lectures will be provided on the politics of feminist citationality\, lesbian bibliography\, political organizing within library and information systems\, and how identity politics and knowledge production go hand in hand. We will have a chance to learn about and use the WSW archive and produce a takeaway based on our collective research. Hands-on exercises\, free writing\, rewrites\, and collage will be incorporated. Many archival documents including video will be on offer. The class will have the opportunity to collectively curate a capsule exhibition based on their research and learning experience\, which will remain on display in the WSW library display case through the Summer Art Institute in August. Open to all\, no specialized experience necessary. \nIn order to reserve your space in the class\, we require a $150 nonrefundable deposit. WSW offers a sliding tuition model for the Summer Art Institute\, and you can pick your desired tuition level from the drop-down menu at check-out. If you are in a position to pay full tuition or more\, we request that you do so. The pay-as-you-can model is not based on tax returns or documentation\, rather your self-determined capacity to pay. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis workshop takes place in our Archive\, which is located on the second floor up a flight of stairs. \nThis course is currently full. To be added to the waitlist\, please call 845-658-9133\, or email us at info@wsworkshop.org \n  \n \n  \n  \n\n \n  URL:https://wsworkshop.org/event/whats-still-good-about-yesterdays-liberation/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Other Media,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/whats-still-good-about-yesterdays-liberation/jpg/IMG_9685-copy-scaled.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240729 DTEND;VALUE=DATE:20240803 DTSTAMP:20260503T231609 CREATED:20240111T204716Z LAST-MODIFIED:20240320T143945Z UID:42451-1722211200-1722643199@wsworkshop.org SUMMARY:Gestural Adaptations: A Print in Three Acts – Tara Sabharwal DESCRIPTION:Gestural Adaptations: A Print in Three Acts – Tara Sabharwal \nDates: July 29 – August 2\, 2024\nStudio: Intaglio\nTuition: Sliding Scale\, $350-$1200\nLab fee: $100\nClass limit: 6 \nUsing water-soluble inks\, students will explore the possibilities of creating a set of one-of-a-kind prints using the same template. They will make a monoprint by adding paint and collagraph material (stencils\, shapes cut out of various textured fabrics\, foil\, inkjet sheet\, string\, etc) directly on a sheet of plexiglass. After pulling one print\, artists will pull a series from the same template creating variations. By employing templates\, in the printing process\, students can produce multilayered images. This class is suitable for novice as well as experienced printmakers. \nThis course is currently full. To be added to the waitlist\, please call 845-658-9133\, or email us at info@wsworkshop.org \n  URL:https://wsworkshop.org/event/gestural-adaptations-a-print-in-three-acts/ LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States CATEGORIES:Printmaking Classes,Summer Art Institute ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/gestural-adaptations-a-print-in-three-acts/jpg/2022-Bare-scaled-e1704994666901.jpg GEO:41.8577293;-74.0852967 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Women’s Studio Workshop 722 Binnewater Lane Kingston 12401 United States;X-APPLE-RADIUS=500;X-TITLE=722 Binnewater Lane:geo:-74.0852967,41.8577293 END:VEVENT END:VCALENDAR