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DTSTART;VALUE=DATE:20240715
DTEND;VALUE=DATE:20240720
DTSTAMP:20240320T141443Z
CREATED:20240111T211814Z
LAST-MODIFIED:20240320T141443Z
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SUMMARY:The Power of Electro-etching with Maggie Oakes
DESCRIPTION:The Power of Electro-etching – Maggie Oakes \nDates: July 15 – 19\, 2024\nStudio: Intaglio\nTuition: Sliding Scale\, $350-$1200\nLab fee: $125\nClass limit: 7 \nIn this non-toxic workshop\, participants will learn the fundamentals of safer intaglio\, specifically electro-etching methods and explore its endless possibilities. Participants will gain a working knowledge of the science behind electro-etching\, safely preparing and etching their metal plates as well as maintaining a non-toxic work environment. Workshop will cover the following processes: electro-line\, electro-tint\, experimental electro-graphite\, along with the electro-galvanizing method. Non-toxic BIG ground and other safer solutions will be used.\nBy the end of this workshop\, participants will not only print a small edition of their prints\, but also gain the knowledge and confidence to set up their own electro-etching tank in their studio. To celebrate the 50th anniversary of WSW we will have an opportunity to look at the special collections in the beginning of our workshop. \nThis course is currently full. To be added to the waitlist\, please call 845-658-9133\, or email us at info@wsworkshop.org \n\n 
URL:https://wsworkshop.org/event/the-power-of-electro-etching-2/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20240708
DTEND;VALUE=DATE:20240713
DTSTAMP:20240320T141709Z
CREATED:20240111T212350Z
LAST-MODIFIED:20240320T141709Z
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SUMMARY:Motivational Intaglio with Shelley Thorstensen
DESCRIPTION:Motivational Intaglio – Shelley Thorstensen \nDates: July 8 – 12\, 2024\nStudio: Intaglio\nTuition: Sliding Scale\, $350-$1200\nLab fee: $100\nClass limit: 6 \nEach morning\, Shelley will begin the workshop with a series of demonstrations including printing and color usage. She will cover stencils\, a la poupée\, chine collé\, viscosity\, multiple plates\, relief\, collage\, and digital media. Using participants’ current work and ideas as a catalyst\, Shelley will work with everyone individually to discover what aspects are vital to their work and how to successfully explore and expand their visions. \nThis workshop allows participants to incorporate new ways of working into their artistic practice. Shelley will organize this period to further examine participants’ work and mindset. She will cover material specific to each participant\, while also encouraging a further understanding of etching. Artists will learn how to seamlessly incorporate hand work such as drypoint and mezzotint on various substrates; editioned monoprint; paper and polyester photo litho; hand-worked and photo based collagraphs; photocopy transfer; handmade rubber stamp patterning for chine collé; and registration systems that are best suited to individual needs. Shelley will also address possible considerations for content\, scale\, series\, multiplicity\, format\, paper choice\, and available matrices. \nThis course is currently full. To be added to the waitlist\, please call 845-658-9133\, or email us at info@wsworkshop.org \n 
URL:https://wsworkshop.org/event/motivational-intaglio-with-shelley-thorstensen/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/motivational-intaglio-with-shelley-thorstensen/jpg/Shelley-Thorstensen-Jubilee-Lithograph-with-wood-engraving-19-x-23-2023.jpg
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DTSTART;VALUE=DATE:20230821
DTEND;VALUE=DATE:20230826
DTSTAMP:20230330T181751Z
CREATED:20230123T174842Z
LAST-MODIFIED:20230330T181751Z
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SUMMARY:Riso Power: A Socially Engaged Introduction to Risograph Printing with Mary Tremonte
DESCRIPTION:Riso Power: A Socially Engaged Introduction to Risograph Printing – Mary Tremonte \nDates: August 21 – 25\, 2023\nTuition: Sliding Scale\, $350-$1200\nLab fee: $75\nClass limit: 10 \nThis class is currently full. If you’d like to be added to our waitlist please email info@wsworkshop.org or call 845-658-9133. \nWhat is riso? How can we use this tool to agitate\, educate\, and organize? Learn all about the risograph and how you can harness this stencil duplicator’s power for artist publications\, posters\, prints\, and more. Through this one week intensive workshop\, we will explore materials and techniques for translating analog artwork into artist multiples. We will go over basics of creating artwork for printing on the riso\, including CMYK and spot color separation. The workshop will culminate in a print portfolio\, so that each participant will receive a print from each of the other participants\, on a theme that we collectively determine on the first day of class. Participants will have the opportunity to maximize the potential of the risograph\, limited only by your ideas and the time we have together. Let’s break in WSW’s new risograph\, Lt. Uhura with exuberance! \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n 
URL:https://wsworkshop.org/event/riso-power/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20230814
DTEND;VALUE=DATE:20230819
DTSTAMP:20231018T195620Z
CREATED:20230125T162449Z
LAST-MODIFIED:20231018T195620Z
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SUMMARY:Pressing Stories: Folding Prints as Narratives with Andrea Narno
DESCRIPTION:Pressing Stories: Folding Prints as Narratives – Andrea Narno \nDates: August 14 – 18\, 2023\nStudio: Relief\nTuition: Sliding Scale\, $350-$1200\nLab fee: $75\nClass limit: 8 \nDuring this workshop\, we will explore how printmaking can serve as our visual language to narrate stories and express ourselves. We will pair relief printing with the long standing tradition of do-it-yourself zine making. After looking at a large variety of examples and brainstorming together\, each student will design and carve a linocut that is meant to be cut\, folded\, and transformed into a zine using a single sheet binding. This class will focus on linoleum cutting and printing techniques\, the creation of dynamic and sequential graphic imagery\, as well as the incorporation of text and image for visual and narrative impact. \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n  \n \n \n  \n  \n  \n \n  \n  \n  \n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $350)
URL:https://wsworkshop.org/event/pressing-stories-folding-prints-as-narratives/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230814
DTEND;VALUE=DATE:20230819
DTSTAMP:20230720T142857Z
CREATED:20230123T190610Z
LAST-MODIFIED:20230720T142857Z
UID:41330-1691971200-1692403199@wsworkshop.org
SUMMARY:Books that Move: Volvelles\, Die Cuts\, and Fold Out with Hannah Moog
DESCRIPTION:Books that Move: Volvelles\, Die Cuts\, and Fold Out – Hannah Moog \nDates: August 14 – 18\, 2023\nStudio: Silkscreen\nTuition: Sliding Scale\, $350-$1200\nLab fee: $90\nClass limit: 8 \nThis class is currently full. If you’d like to be added to our waitlist please email info@wsworkshop.org or call 845-658-9133. \nIn this workshop students will explore how interactive elements can be used to hide\, reveal\, and transform images to aid a narrative. The class will investigate how these interactive elements can be utilized to create playful\, emotionally resonant work that creates life in inanimate objects. Students will learn a variety of techniques for creating interactive elements for use in book making and will learn introductory screen printing techniques to aid in the creation of multiples. The class will be given playful prompts to help generate the content for each person’s project. Students will learn beginner paper engineering for making volvelles (paper structures with rotating circles)\, fold-out structures\, and using cutouts to make their interactive elements. Together\, the class will look through books with interactive elements for inspiration and explore the WSW artist book collection. Screen printing demonstrations on the basics of printing\, how to plan a print\, and working with photo emulsion will be given so that students may create multiples of their projects. \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/books-that-move-volvelles-die-cuts-and-fold-out/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230807
DTEND;VALUE=DATE:20230812
DTSTAMP:20230731T135334Z
CREATED:20230316T131405Z
LAST-MODIFIED:20230731T135334Z
UID:41759-1691366400-1691798399@wsworkshop.org
SUMMARY:Seamless Textile Printing: Designing and Printing Patterned Fabric Sec. 2 with Amy Cousins
DESCRIPTION:Seamless Textile Printing: Designing and Printing Patterned Fabric Sec. 2 – Amy Cousins \nDates: August 7 – 11\, 2023\nStudio: Silkscreen\nTuition: Sliding Scale $350 – $1200\nLab fee: $75\nClass limit: 8 \nThis course will guide you through designing and screen printing a patterned textile. Participants will learn how to design a repeat pattern by hand and translate it into screen printed yardage. Each participant will begin with their own visual interests\, whether they be abstract\, narrative\, botanical\, etc\, and incorporate them into repeat patterns that have compositional balance and take advantage of screenprinting’s unique attributes. Participants can design one- or two-color patterns depending on the pacing that their design requires. Each participant will each create their own fabric\, but will print them collaboratively in the studio. \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n\n$150 Deposit (Total Tuition $1200) \n$150 Deposit (Total Tuition $1100) \n$150 Deposit (Total Tuition $1000) \n$150 Deposit (Total Tuition $900) \n$150 Deposit (Total Tuition $800) \n$150 Deposit (Total Tuition $700) \n$150 Deposit (Total Tuition $600) \n$150 Deposit (Total Tuition $500) \n$150 Deposit (Total Tuition $400) \n$150 Deposit (Total Tuition $350)
URL:https://wsworkshop.org/event/seamless-textile-printing-designing-and-printing-patterned-fabric-with-amy-cousins/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230807
DTEND;VALUE=DATE:20230812
DTSTAMP:20230516T200347Z
CREATED:20230123T190900Z
LAST-MODIFIED:20230516T200347Z
UID:41307-1691366400-1691798399@wsworkshop.org
SUMMARY:Collagraph & Embossment/Debossment with Rie Hasegawa
DESCRIPTION:Collagraph & Embossment/Debossment – Rie Hasegawa \nDates: August 7 – 11\, 2023\nStudio: Intaglio\nTuition: Sliding Scale\, $350-$1200\nLab fee: $100\nClass limit: 8 \nThis class is currently full. If you’d like to be added to our waitlist please email info@wsworkshop.org or call 845-658-9133. \nCollagraph is a basic method of printmaking using collage materials such as fabric\, strings and gesso to create a plate without the use of acid or any solvents and print from a variety of textures. It could be treated as relief or intaglio plate. In the regular printing of mediums with depth like relief and intaglio\, plates are inked up and pressed against a paper surface to leave an imprint. In contrast\, Embossing and Debossing involve printing without ink\, using the plate and press to create a physical impression on paper. Both processes are similar techniques that create a different result. Embossing produces a raised impression onto paper (or other surface) while Debossing does the opposite\, causing a depressed impression in the paper. In this class\, we will construct collagraph plates and print with/without ink \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n 
URL:https://wsworkshop.org/event/collagraph-embosment-debossment-with-rie-hasegawa/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230731
DTEND;VALUE=DATE:20230805
DTSTAMP:20230503T175031Z
CREATED:20230119T145603Z
LAST-MODIFIED:20230503T175031Z
UID:41367-1690761600-1691193599@wsworkshop.org
SUMMARY:Dots for Days: Screenprinting for Photographers with Meg Turner
DESCRIPTION:Dots for Days: Screenprinting for Photographers – Meg Turner \nDates: July 31 – August 4\, 2023\nStudio: Silkscreen\nTuition: Sliding Scale\, $350-$1200\nLab fee: $75\nClass limit: 8 \nThis class is currently full. If you’d like to be added to our waitlist please email info@wsworkshop.org or call 845-658-9133. \nA crash course in large format silkscreen printing for photographers. Learn the magic of 4 color separation to create full color hand-printed photographs in the same CMYK halftone dot method that magazines are printed. Students will learn the basics of screenprinting – preparing and exposing screens\, printing by hand with silkscreen ink on paper\, and preparing digital files for printing film positives. We will experiment with dot size and spot color as well as collaging and manipulating the original photographs. \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/dots-for-days/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230724
DTEND;VALUE=DATE:20230729
DTSTAMP:20230616T135446Z
CREATED:20230123T172642Z
LAST-MODIFIED:20230616T135446Z
UID:41270-1690156800-1690588799@wsworkshop.org
SUMMARY:Gel Plate Printing with Holly Hughes
DESCRIPTION:Gel Plate Printing – Holly Hughes \nDates: July 24 – 28\, 2023\nStudio: Intaglio\nTuition: Sliding Scale\, $350-$1200\nLab fee: $75\nClass limit: 8 \nThis class is currently full. If you’d like to be added to our waitlist please email info@wsworkshop.org or call 845-658-9133. \nGel plate printing is a super user friendly\, kitchen table compatible printmaking technique with no need for a press. Fun\, open to experimentation\, great for travel\, and very painterly – this is a method where artists of any experience level can discover new motifs and approaches for their art practice. At home\, you can use your new skills printing on fabric\, to inspire paintings or for motifs for ceramic decoration. There will also be a demo of an “invisible” collage technique where your vibrant colorful prints can become raw material for larger works on paper. We will use slow drying Golden’s Open Acrylics and simple tools like rubber brayers\, rubber tipped clay shapers\, Q-tips\, brushes and cut paper stencils to build up layers and add complexity\, texture and transparency. A supply list will be provided. Clean-up is incredibly easy with water and baby wipes. This workshop will be a shot in the arm for your art and you’ll be inspired by working in a close-knit group for an exciting\, high-energy week. Take home finished prints and new and flexible skills. \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/gel-plate-printing-with-holly-hughes/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230710
DTEND;VALUE=DATE:20230715
DTSTAMP:20230609T201016Z
CREATED:20230123T181408Z
LAST-MODIFIED:20230609T201016Z
UID:41237-1688947200-1689379199@wsworkshop.org
SUMMARY:Painting Prints with Kat Richards
DESCRIPTION:Painting Prints – Kat Richards \nDates: July 10 – 14\, 2023\nStudio: Intaglio\nTuition: Sliding Scale $350 – $1200\nLab fee: $75\nClass limit: 8 \nFor student material list click here. \nThis class is currently full. If you’d like to be added to our waitlist please email info@wsworkshop.org or call 845-658-9133. \nIn this five-day workshop\, participants will combine painterly and alternative techniques while briefly delving into the history of monoprints. This course is ideal for artists of all skill levels that want to learn or add a new approach to printmaking. Working on and off the press bed\, participants will learn to construct and deconstruct an image while keeping the fluidity of a painting. Through demonstrations\, students will learn water and oil-based inking processes using stencils\, brushes\, and various drawing materials to create several unique prints. This course will also explore low-tech mark-making using pochoir and foiling\, perfect for additive effects or artists with limited press access. Leave this workshop with an expanded understanding of alternative printmaking and a series of new prints. \nMobility information: Participants will be working with hands and standing; some processes can be modified for limited mobility \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/painting-prints-with-kat-richards/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230710
DTEND;VALUE=DATE:20230715
DTSTAMP:20230627T173533Z
CREATED:20230123T174827Z
LAST-MODIFIED:20230627T173533Z
UID:41244-1688947200-1689379199@wsworkshop.org
SUMMARY:Seamless Textile Printing: Designing and Printing Patterned Fabric with Amy Cousins
DESCRIPTION:Seamless Textile Printing: Designing and Printing Patterned Fabric – Amy Cousins \nDates: July 10 – 14\, 2023\nStudio: Silkscreen\nTuition: Sliding Scale $350 – $1200\nLab fee: $75\nClass limit: 8 \nFor student material list click here. \nThis course will guide you through designing and screen printing a patterned textile. Participants will learn how to design a repeat pattern by hand and translate it into screen printed yardage. Each participant will begin with their own visual interests\, whether they be abstract\, narrative\, botanical\, etc\, and incorporate them into repeat patterns that have compositional balance and take advantage of screenprinting’s unique attributes. Participants can design one- or two-color patterns depending on the pacing that their design requires. Each participant will each create their own fabric\, but will print them collaboratively in the studio. \nIn order to reserve your space in the class\, we require a deposit. From the drop down menu below\, please select your desired tuition level. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $350)
URL:https://wsworkshop.org/event/seamless-textile-with-amy-cousins/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220822
DTEND;VALUE=DATE:20220827
DTSTAMP:20220809T185106Z
CREATED:20220127T173400Z
LAST-MODIFIED:20220809T185106Z
UID:40004-1661126400-1661558399@wsworkshop.org
SUMMARY:Inky Explorations with Letterpress Printing
DESCRIPTION:Inky Explorations with Letterpress Printing – Stephanie Carpenter \nDates: August 22 – 26\, 2022\nStudio: Letterpress\nTuition: Sliding Scale $300 – $1200\nLab fee: $75\nClass limit: 8 \n  \nClick Here For Materials List \nIn this workshop we will explore letterpress printing and a variety of experimental inking techniques that will help you create stunning\, one-of-a-kind prints with depth and dimension. Working with both traditional and contemporary approaches to creating relief prints\, participants will use a variety of materials such as wood\, metal\, and carved plates to create unique work that tells a story. You will learn how to work with brayer offset inking methods\, painting on the type\, ghost prints\, ink wiping techniques and more. Demonstrations will include multiple techniques and then participants are encouraged and supported in creating self-guided prints. Each participant will go home with new printing processes and a portfolio of unique prints. All experience levels are welcome. \nIn order to reserve your space in the workshop\, we require a $150 deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\n\n\n 
URL:https://wsworkshop.org/event/inky-explorations-with-letterpress-printing/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220815
DTEND;VALUE=DATE:20220820
DTSTAMP:20220603T152701Z
CREATED:20220304T190918Z
LAST-MODIFIED:20220603T152701Z
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SUMMARY:Collagraph Combo
DESCRIPTION:Collagraph Combo – Sue Oehme \nDates: August 15-19\, 2022\nStudio: Intaglio\nTuition: Sliding Scale $300 – $1200\nLab fee: $100\nClass limit: 8 \nClick Here For Materials List \nIn this weeklong workshop\, participants will spend the first 2 days creating various collograph matrices including silk aquatint\, paper collograph\, carborundum aquatint and drypoint\, with demos and guidance from the instructor. We will work with either 8 x 12 or 12 x 12 sizes to keep registration simple. These finished plates will then be printed in oil-based ink colors with the addition of watercolor elements and stencils.  \nThese techniques work well with many varied artistic styles\, including both realism and abstract images. Some artists prefer to create plates that all work well together in various combinations\, while others may prefer to focus on one or two of the techniques and create a complete image which can be editioned. \nParticipants should bring sketches and ideas with them to class\, as well as images of other prints or paintings. It is also encouraged to bring any flat materials to use in your collograph plate building\, such as lace\, textured fabrics or papers\, tree bark\, sandpaper\, or 2 ply mat board. \nIn order to reserve your space in the workshop\, we require a $150 deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)
URL:https://wsworkshop.org/event/collagraph-combo/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220815
DTEND;VALUE=DATE:20220820
DTSTAMP:20220127T173653Z
CREATED:20220127T173653Z
LAST-MODIFIED:20220127T173653Z
UID:39985-1660521600-1660953599@wsworkshop.org
SUMMARY:Slow Looking: The Printed Multiple in the Public’s Eye
DESCRIPTION:Slow Looking: The Printed Multiple in the Public’s Eye – Lukaza Branfman-Verissimo \nDates: August 15 – 19\, 2022\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nClick Here for Materials List \nSlow Looking invites participants to create printed work inspired by and based in the spaces\, people and communities that surround their lives. Through storytelling\, daily site rituals\, public art\, and installation\, we will be asking questions such as: What does it mean to make work in the public eye? How can our work affect or be affected by the spaces that surround us? What does the printed multiple tell us about our own histories? \nFrom exploring the world around us with a viewfinder tool to monoprinted installations and from historic research about the cities we come from to screen printed banners. We will learn from maintenance art\, printed political graphics\, manifestos\, mutual aid and cooperative work. And draw inspiration from artists including Emory Douglas\, Corita Kent\, The Detroit Printing Collective\, Queer. Art Archive and Press Press\, amongst others. \nIn order to reserve your space in the workshop\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)
URL:https://wsworkshop.org/event/slow-looking-the-printed-multiple-in-the-publics-eye/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220808
DTEND;VALUE=DATE:20220813
DTSTAMP:20220711T144858Z
CREATED:20220127T173852Z
LAST-MODIFIED:20220711T144858Z
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SUMMARY:Over the Rainbow: Intro to Pressure Printing
DESCRIPTION:Over the Rainbow: Intro to Pressure Printing – Kathleen O’Connell \nDates: August 8 – 12\, 2022\nStudio: Intaglio and Letterpress\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nClick Here for Materials List \nIn this workshop\, we will learn about pressure printing\, and experiment to create stunning\, one-of-a-kind and editioned prints by playing with layered colors\, multi-directional stencils\, ghost prints\, and split-fountain rolls. Demonstrations will include pressure printing using hand-cut paper\, textiles and more\, color theory\, multi-color printing\, modular printing\, and working across different styles of printing presses. Participants will have the opportunity to produce a variety of printed pieces as small editions and one-of-a-kind prints. All experience levels are welcome. \n\nIn order to reserve your space in the workshop\, we require a $150 deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)
URL:https://wsworkshop.org/event/over-the-rainbow-intro-to-pressure-printing/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220801
DTEND;VALUE=DATE:20220806
DTSTAMP:20220429T185056Z
CREATED:20220127T173648Z
LAST-MODIFIED:20220429T185056Z
UID:39949-1659312000-1659743999@wsworkshop.org
SUMMARY:Drypoint with Chine Collé: Multi-colors and Layers
DESCRIPTION:Drypoint with Chine Collé: Multi-colors and Layers – Rie Hasegawa \nDates: August 1 – 5\, 2022\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 8 \nClick Here for Materials List \nDrypoint is an intaglio printmaking technique in which an image is scratched into a metal or plastic plate. The scratches produce a “burr”: a raised portion of metal or plastic that catch and hold ink while the smooth portions of the plate can be wiped clean. With the help of an intaglio printing press\, this ink gets transferred to a dampened sheet of paper. \nThis workshop will demonstrate drypoint techniques either with traditional materials\, copper plate\, rigid vinyl or recycled materials\, and how to ink and transfer image onto paper. Since the image is created by mechanically scratching the surface of the plate\, almost any tool can be used – from traditional drypoint tools\, to sandpaper\, sewing needles\, knives and etc. Instruction will also include producing other techniques such as Chine Collé (collage technique in printmaking)\, À la poupée (inking up different colors on a single plate) and multi layers with your drypoints. All techniques are made with non-toxic printmaking materials and processes \n\nIn order to reserve your space in the workshop\, we require a $150 deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)
URL:https://wsworkshop.org/event/drypointwithchinecolle/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220725
DTEND;VALUE=DATE:20220730
DTSTAMP:20220628T181607Z
CREATED:20220127T173532Z
LAST-MODIFIED:20220628T181607Z
UID:39917-1658707200-1659139199@wsworkshop.org
SUMMARY:Relief & Resistance
DESCRIPTION:Relief & Resistance – Andrea Narno \nDates: July 25-29\, 2022\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nClick Here for Materials List \nIn this workshop\, we will take a dip into the rich tradition of Mexican printmaking\, investigating the world of political caricatures\, Hojas-volante by José Guadalupe Posada\, and contemporary print examples. We will take inspiration from this history of accesibile\, powerful\, hopeful and political prints to design and carve our own linocuts which will combine text and image.  \nCreating a linocut from scratch\, we will look at different strategies to create a visual language. With Andrea\, we will get tricks and tips on tools\, inking and printing linoleum. Together participants will compose their own pieces including image and text\, to give voice to ideas\, dreams or struggles they want to bring into the world. These expansive pieces can be hung in the kitchen or gallery\, brought to the streets or sent to our loved ones in the mail. \nIn order to reserve your space in the workshop\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)
URL:https://wsworkshop.org/event/relief-resistance/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220718
DTEND;VALUE=DATE:20220723
DTSTAMP:20220609T204434Z
CREATED:20220127T174547Z
LAST-MODIFIED:20220609T204434Z
UID:39889-1658102400-1658534399@wsworkshop.org
SUMMARY:The Power of Electro Etching
DESCRIPTION:The Power of Electro Etching – Maggie Oakes \nDates: July 18-22\, 2022\nStudio: Papermaking\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133. \nClick Here for Materials List \nIn this non-toxic workshop\, participants will learn the fundamentals of safer intaglio\, specifically electro-etching methods and explore its endless possibilities. Participants will gain a working knowledge of the science behind electro-etching\, safely preparing and etching their metal plates as well as maintaining a non-toxic work environment.  \nWorkshop will cover the following processes: electro-line\, electro-tint\, open bite\, electro-graphite\, along with the electro-galvanizing method. BIG ground and other safer solutions will be Used. By the end of this workshop\, participants will not only print a small edition of their prints\, but also gain the knowledge and confidence to set up their own electro-etching tank in their studio. \nIn order to reserve your space in the workshop\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/the-power-of-electro-etching/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220711
DTEND;VALUE=DATE:20220716
DTSTAMP:20220630T194058Z
CREATED:20220127T173119Z
LAST-MODIFIED:20220630T194058Z
UID:39867-1657497600-1657929599@wsworkshop.org
SUMMARY:Textile Printing
DESCRIPTION:Textile Printing – Erin Zona \nDates: July 11 – 15\, 2022\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nMaterials list can be found here. \nScreen printing on fabric can involve anything from free-form image making to controlled repeated patterns on yardage or paper. This workshop covers a full range of stencil making techniques\, from simple paper cut designs to photo emulsion processes that utilize drawn and digital films. Participants learn repeat pattern image making methods and multiple color registration printing techniques using WSW’s 16’ fabric printing table. Yardage printing is a collaborative\, physical\, and technical process\, requiring a balance between solo design work and enrolled artists working jointly in the printing process. Participants will have the opportunity to complete two 2-color designs\, with the possibility of more as class time permits. \n\n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)
URL:https://wsworkshop.org/event/textile-printing/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220711
DTEND;VALUE=DATE:20220716
DTSTAMP:20220502T160013Z
CREATED:20220127T173049Z
LAST-MODIFIED:20220502T160013Z
UID:39859-1657497600-1657929599@wsworkshop.org
SUMMARY:Intuitive Printing: Beyond the Monoprint
DESCRIPTION:Intuitive Printing: Beyond the Monoprint – Kat Richards \nDates: July 11 – 15\, 2022\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133.\nClick Here for Materials List \nTake a step outside of traditional printmaking in this five-day workshop. This class is perfect for artists of any skill level who want to push beyond and work outside conventional printing Participants will work hands-on and intuitively\, using stencils to construct and deconstruct images on and off the press bed. During the workshop\, short demonstrations will teach offset printing onto stencils using oil and water-based ink\, jigsaw printing\, and ways to apply texturized ink with alternative tools. This course will also teach low-tech methods\, including pochoir\, trace monotype and faux chine-collé\, ideal for artists without printshop access. Leave this workshop with a series of unique prints and an extensive understanding of alternative printing processes that expand the potential of printmaking!\n \n\nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/intuitive-printing-beyond-the-monoprint/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/intuitive-printing-beyond-the-monoprint/jpg/Pull_through_large-2-scaled.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210823
DTEND;VALUE=DATE:20210828
DTSTAMP:20210727T180054Z
CREATED:20210323T164417Z
LAST-MODIFIED:20210727T180054Z
UID:38516-1629676800-1630108799@wsworkshop.org
SUMMARY:Drypoint with Chine Collé with Rie Hasegawa
DESCRIPTION:Drypoint with Chine Collé with Rie Hasegawa \nDates: August 23 – 27\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 5 \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \nClick Here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\nDrypoint is an intaglio printmaking technique in which an image is scratched into a metal or plastic plate. The scratches produce a “burr” – a raised portion of metal or plastic that catches and holds ink while the smooth portions of the plate can be wiped clean. With the help of an intaglio printing press\, this ink gets transferred to a dampened sheet of paper. \nThis class will demonstrate drypoint techniques with either traditional materials\, copper plate\, rigid vinyl\, or recycled materials\, along with inking and transfering images onto paper. Since the image is created by mechanically scratching the surface of the plate\, almost any tool can be used – from traditional drypoint tools\, to sandpaper\, sewing needles\, knives\, etc. Class instruction will also include techniques such as chine collé (collage technique in printmaking)\, à la poupée (inking up different colors on a single plate)\, and multiple layers with drypoint. All techniques are made with non-toxic printmaking materials and processes. \n 
URL:https://wsworkshop.org/event/drypoint-with-chine-colle-with-rie-hasegawa/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
ATTACH;FMTTYPE=image/jpeg:https://wsworkshop.org/wp-content/uploads/tribe_events/drypoint-with-chine-colle-with-rie-hasegawa/jpg/vision-test_chine-colle.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210816
DTEND;VALUE=DATE:20210821
DTSTAMP:20210728T201048Z
CREATED:20191127T064716Z
LAST-MODIFIED:20210728T201048Z
UID:37118-1629072000-1629503999@wsworkshop.org
SUMMARY:The Painterly Print: Watercolor Monoprint - Karen Lederer
DESCRIPTION:The Painterly Print: Watercolor Monoprint – Karen Lederer \nDates: August 16 – 20\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nClick Here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nLearn to build colorful monoprints using non-toxic\, water-based materials. Participants will print from watercolor paintings on plexiglass\, plastic stencils\, and water-soluble crayon drawings. With a focus on experimentation\, participants will investigate various mark-making techniques\, and learn to build a rich history of layers into their prints using ghost printing. This class offers a healthier alternative to more traditional oil-based printing\, without sacrificing bold color and texture.
URL:https://wsworkshop.org/event/the-painterly-print-watercolor-monoprint-karen-lederer/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210809
DTEND;VALUE=DATE:20210814
DTSTAMP:20210726T195626Z
CREATED:20200121T193112Z
LAST-MODIFIED:20210726T195626Z
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SUMMARY:Indirect Magic: Working with Linocut with T. Klacsmann
DESCRIPTION:Indirect Magic: Working with Linocut – T. Klacsmann \nDates: August 9 – 13\, 2021\nStudio: Intaglio\nTuition: Sliding Scale $300-1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.Click Here For Materials List \nRelief carving is a demanding and time-consuming technique historically valued for its capacity for intricate detail and high reproducibility.  I describe it as “indirect\,” firstly\, because\, like all printmaking\, the final image results from contact with an intermediate surface\, the block\, rather than from direct action of the artist. Secondly\, relief carving in particular is at a remove from the gesture of the artist because the positive areas in the final image result from inking material left behind after the removal of block material. Therefore it is not the material that has been acted upon\, but the untouched material that leads to the final marks on the page.  Because it involves removing material\, precision\, commitment and careful planning can all contribute to successful relief prints. \nWe will create a relief print\, taking a linocut block from conception to final printing with a focus on carving discrete objects\, animals\, or figure that can be “cut out” from the surrounding block.  I will demonstrate how both the carved portion and the remaining block material can be inked and printed together to create a complete composition without masking or registration.  I will also cover the safe use of and care for tools\, a variety of options for image transfer\, and block preparation. Each participant will have up to 18 x 12” of block material available\, and we will carve and print a moderately sized (up to 9 x 12”) linocut.  Based on each students’ vision\, we can then explore options such as: shaping the plate\, exploring narrative with the addition of a second shaped plate\, and/or printing block to block to create a mirror image block and print.  I will discuss ink\, paper\, and printing options. By the end of the course\, each participant will have carved and printed a linocut block\, gained an awareness of a variety of strategies for carving relief prints\, and explored some of the many possibilities for creating a finishes prints using these versatile blocks. \nBecause the level difficulty varies widely based on the ambitiousness and complexity of the block attempted\, this course is appropriate for beginners or those with some experience. \n                                            \n 
URL:https://wsworkshop.org/event/indirect-magic-working-with-linocut/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210809
DTEND;VALUE=DATE:20210814
DTSTAMP:20210804T201906Z
CREATED:20200108T215756Z
LAST-MODIFIED:20210804T201906Z
UID:37323-1628467200-1628899199@wsworkshop.org
SUMMARY:Active Patterns: Personal Political Textile Printing with Mary Tremonte
DESCRIPTION:Active Patterns: Personal Political Textile Printing – Mary Tremonte \nDates: August 9 – 13\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nClick Here For Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\nIn this workshop\, participants will learn the basics of screenprinting controlled repeat patterns onto fabric yardage or paper. We will cover photo emulsion-based screenprinting as well as how to design a repeat pattern and the specific setup for printing on a 16’ table. Participants will create at least two two-color patterns\, with the potential to do more as time and energy allow. We will work collaboratively to print together\, as this technical process requires at least four hands. We will dip our toes in some of the subversive potential of textiles and patterns\, but participants are welcome to create designs on any theme or abstraction they like.
URL:https://wsworkshop.org/event/active-patterns-personal-political-textile-printing/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210719
DTEND;VALUE=DATE:20210724
DTSTAMP:20210712T190718Z
CREATED:20191127T060928Z
LAST-MODIFIED:20210712T190718Z
UID:37078-1626652800-1627084799@wsworkshop.org
SUMMARY:Introducción a la Serigrafía - Amy Díaz-Infante
DESCRIPTION:Introducción a la Serigrafía – Amy Díaz-Infante \nDates: July 19 – 23\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.\n \n\n\n\nSelect the option that best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n \nMaterials List \n¡Vengan list@s para ensuciarse sus manos! Por la primera vez\, el Women’s Studio Workshop está ofreciendo una clase en español para explorar Serigrafía. \n\nCon la serigrafía\, uno puede producir múltiples fácilmente y experimentar con color\, texto\, y imágenes graficas. En este curso serás introducid@ a las técnicas básicas de la serigrafía – incluyendo como usar plantillas basadas en imágenes dibujadas o fotográficas\, como aplicar varios colores y capas\, y como imprimir sobre papel o tela. Tú escogerás tus propias temas y contenido para tus impresiones con ayuda técnica y también con orientación sobre los elementos del diseño gráfico y retroalimentación artística para mejorar tus diseños. No se requiere experiencia! \n  \nCome get ready to get your hands dirty! For the first time\, the Women’s Studio Workshop is offering a class to explore screen-printing in Spanish.  \nWith screen-printing\, you can easily produce multiples and experiment with graphic color\, text\, and imagery. In this course\, participants will be introduced to the basic techniques of screen-printing – including how to use hand-drawn or photo-based stencils\, how to apply multiple colors and layers\, and how to print on paper or fabric. Participants will select their own themes and content for their prints while receiving technical assistance as well as guidance in the elements of graphic design and artistic feedback to strengthen their designs. No experience is necessary! \n\n 
URL:https://wsworkshop.org/event/introduccion-a-la-serigrafia-amy-diaz-infante/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210712
DTEND;VALUE=DATE:20210717
DTSTAMP:20210611T172643Z
CREATED:20191127T065444Z
LAST-MODIFIED:20210611T172643Z
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SUMMARY:The Power of Electro-Etching - Malgorzata Oakes
DESCRIPTION:The Power of Electro-Etching – Malgorzata Oakes \nDates: July 12 – 16\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 4 \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \nClick here for Materials List \n\nIn this non-toxic workshop\, participants will learn the basics of electro-etching and explore its endless possibilities. Participants will gain a working knowledge of preparing\, degreasing\, etching the plate along with the printing process itself. We will create multiple plates covering electro-line\, electro-tint\, open bite\, electro-graphite\, soft ground\, and electro-galvanizing with embossment. Experimenting with different resists\, we will also cover grounds including BIG and salt etching techniques. \nBy the end of the week\, participants will feel confident enough to set up an electro-etching tank in their own studio and continue their experimental electro-etching practice.
URL:https://wsworkshop.org/event/the-power-of-electro-etching-malgorzata-oakes/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210712
DTEND;VALUE=DATE:20210717
DTSTAMP:20210611T180400Z
CREATED:20191127T055808Z
LAST-MODIFIED:20210611T180400Z
UID:37075-1626048000-1626479999@wsworkshop.org
SUMMARY:Experimental Screenprinting - Tyanna Buie
DESCRIPTION:Experimental Screenprinting – Tyanna Buie \nDates: July 12 – 16\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \nClick here for the Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\nThis course acquaints students with a wide range of screen-printing techniques and approaches using a variety of water-based inks and experimental materials. Participants will discover the medium’s flexibility\, exploring the inherent cross-connections and expressive possibilities of photomechanical\, screen stencil\, monotype\, and digital processes. \nPrintmaking is a unique way to make images and to think about the construction of images. It emphasizes thinking in layers and processes that value indirect and highly mediated production. This course will focus on the history of screen-printing\, as well as contemporary and non-traditional methods and techniques; such as monotypes\, mono-printing\, collage\, and mixed media. Participants will gain an understanding of ink options and color mixing\, and the different ways hand-drawn and photomechanical films can be made\, while exploring the versatility of screen-printing and working with substrates other than paper. \n\n 
URL:https://wsworkshop.org/event/experimental-screenprinting/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190826
DTEND;VALUE=DATE:20190831
DTSTAMP:20190819T191815Z
CREATED:20181204T172446Z
LAST-MODIFIED:20190819T191815Z
UID:35232-1566777600-1567209599@wsworkshop.org
SUMMARY:Monoprinting With Text - Tana Kellner
DESCRIPTION:Monoprinting With Text – Tana Kellner \nDates: August 26-30\nStudio: Intaglio\nClass limit: 6\nTuition: $750 members / $800 non-members\nLab fee: $75 \nIn order to reserve your space in the class\, we require a $300 deposit. \n  \nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n \n\nMaterials List \nThe starting point of this workshop will be the elemental question of motivation and how to make work that honors your personal aesthetic\, and expresses your concerns\, fears\, hopes and desires in an effective way. Through a series of guided exercises\, students will explore mark making using a variety of simple printmaking processes ranging from monoprints\, collagraph\, drypoint\, stencilling and image transfer techniques to create a series of related prints. All of these techniques are non-toxic\, direct processes that are easy to master. Each technique will be introduced and students will have the option of in-depth exploration of a process which best fits their conceptual and artistic ends. We’ll also have the opportunity to explore an effective way to introduce text into our prints using handwriting\, hand cut alphabets and hand stamping with wood type. \n\n                        Find Tatana Kellner’s new series of prints\, Please exit\, doors are closing\, at the Vassar College Palmer Gallery through February 16!          Within Reach
URL:https://wsworkshop.org/event/monoprinting-with-text-tana-kellner/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190819
DTEND;VALUE=DATE:20190824
DTSTAMP:20190513T194849Z
CREATED:20161226T190413Z
LAST-MODIFIED:20190513T194849Z
UID:31221-1566172800-1566604799@wsworkshop.org
SUMMARY:Moving Surfaces: Monoprinting - Tara Sabharwal
DESCRIPTION:Moving Surfaces: Monoprinting – Tara Sabharwal \nDates: August 19 – 23\, 2019\nStudio: Intaglio\nTuition: $750 members / $800 non-members\nLab fee: $75\nClass limit: 6 \nIn order to reserve your space in the class\, we require a $300 deposit. \n\n\nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n\nMaterials List \nExplore monoprinting by building up a colorful\, painterly surface on plexiglass with oil- or water-based inks. We will draw with brushes and brayers and work reductively with a variety of ink viscosities\, transparencies\, and opacities. Participants will develop their prints by building richly layered surfaces over several press runs and learn to combine stencils\, chine collé\, and textured fabrics and materials in the printing process. Pre-existing substrates\, such as etchings or collagraph plates\, can also be used to produce new variations. This is a great way to loosen up\, work rapidly and intuitively\, and develop a new vocabulary to inform your ongoing artistic practice. This class is open to all experience levels. \n\n                                                                                   \n 
URL:https://wsworkshop.org/event/monoprint-tara-sabharwal/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190805
DTEND;VALUE=DATE:20190810
DTSTAMP:20190709T213201Z
CREATED:20181204T162617Z
LAST-MODIFIED:20190709T213201Z
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SUMMARY:Draw\, Expose\, Print\, Fold - Sarah McDermott
DESCRIPTION:Draw\, Expose\, Print\, Fold – Sarah McDermott \nDates: August 5 – 9\, 2019\nStudio: Silkscreen\nClass limit: 5\nTuition: $750 members / $800 non-members\nLab fee: $75 \nThe registration period for this class has passed. Find more summer workshops on our calendar! \n  \n\nIn this workshop\, participants will learn new skills in screen printing\, while also creating simple book structures. We will begin with a primer on the photo-emulsion screen print process\, exploring different ways of making stencils with film positives\, including hand drawn\, rubylith and photographic source imagery\, as well as working on layering transparent colors. We will simultaneously practice several folded forms and simple sewn structures\, and will then investigate sequence\, movement\, and the relationships between surfaces as we begin to integrate images with our structures. We will pay attention to materials\, including papers that work well for both printing and folding. Ultimately students will create an edition to share with their classmates. Appropriate for all levels.
URL:https://wsworkshop.org/event/draw-expose-print-fold-sarah-mcdermott/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Printmaking Classes,Summer Art Institute
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