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DTSTART;VALUE=DATE:20210809
DTEND;VALUE=DATE:20210814
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SUMMARY:Active Patterns: Personal Political Textile Printing with Mary Tremonte
DESCRIPTION:Active Patterns: Personal Political Textile Printing – Mary Tremonte \nDates: August 9 – 13\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nClick Here For Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\nIn this workshop\, participants will learn the basics of screenprinting controlled repeat patterns onto fabric yardage or paper. We will cover photo emulsion-based screenprinting as well as how to design a repeat pattern and the specific setup for printing on a 16’ table. Participants will create at least two two-color patterns\, with the potential to do more as time and energy allow. We will work collaboratively to print together\, as this technical process requires at least four hands. We will dip our toes in some of the subversive potential of textiles and patterns\, but participants are welcome to create designs on any theme or abstraction they like.
URL:https://wsworkshop.org/event/active-patterns-personal-political-textile-printing/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20210809
DTEND;VALUE=DATE:20210814
DTSTAMP:20210726T195626Z
CREATED:20200121T193112Z
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SUMMARY:Indirect Magic: Working with Linocut with T. Klacsmann
DESCRIPTION:Indirect Magic: Working with Linocut – T. Klacsmann \nDates: August 9 – 13\, 2021\nStudio: Intaglio\nTuition: Sliding Scale $300-1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.Click Here For Materials List \nRelief carving is a demanding and time-consuming technique historically valued for its capacity for intricate detail and high reproducibility.  I describe it as “indirect\,” firstly\, because\, like all printmaking\, the final image results from contact with an intermediate surface\, the block\, rather than from direct action of the artist. Secondly\, relief carving in particular is at a remove from the gesture of the artist because the positive areas in the final image result from inking material left behind after the removal of block material. Therefore it is not the material that has been acted upon\, but the untouched material that leads to the final marks on the page.  Because it involves removing material\, precision\, commitment and careful planning can all contribute to successful relief prints. \nWe will create a relief print\, taking a linocut block from conception to final printing with a focus on carving discrete objects\, animals\, or figure that can be “cut out” from the surrounding block.  I will demonstrate how both the carved portion and the remaining block material can be inked and printed together to create a complete composition without masking or registration.  I will also cover the safe use of and care for tools\, a variety of options for image transfer\, and block preparation. Each participant will have up to 18 x 12” of block material available\, and we will carve and print a moderately sized (up to 9 x 12”) linocut.  Based on each students’ vision\, we can then explore options such as: shaping the plate\, exploring narrative with the addition of a second shaped plate\, and/or printing block to block to create a mirror image block and print.  I will discuss ink\, paper\, and printing options. By the end of the course\, each participant will have carved and printed a linocut block\, gained an awareness of a variety of strategies for carving relief prints\, and explored some of the many possibilities for creating a finishes prints using these versatile blocks. \nBecause the level difficulty varies widely based on the ambitiousness and complexity of the block attempted\, this course is appropriate for beginners or those with some experience. \n                                            \n 
URL:https://wsworkshop.org/event/indirect-magic-working-with-linocut/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20210816
DTEND;VALUE=DATE:20210821
DTSTAMP:20210728T201048Z
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SUMMARY:The Painterly Print: Watercolor Monoprint - Karen Lederer
DESCRIPTION:The Painterly Print: Watercolor Monoprint – Karen Lederer \nDates: August 16 – 20\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nClick Here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nLearn to build colorful monoprints using non-toxic\, water-based materials. Participants will print from watercolor paintings on plexiglass\, plastic stencils\, and water-soluble crayon drawings. With a focus on experimentation\, participants will investigate various mark-making techniques\, and learn to build a rich history of layers into their prints using ghost printing. This class offers a healthier alternative to more traditional oil-based printing\, without sacrificing bold color and texture.
URL:https://wsworkshop.org/event/the-painterly-print-watercolor-monoprint-karen-lederer/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20210823
DTEND;VALUE=DATE:20210828
DTSTAMP:20210727T180054Z
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SUMMARY:Drypoint with Chine Collé with Rie Hasegawa
DESCRIPTION:Drypoint with Chine Collé with Rie Hasegawa \nDates: August 23 – 27\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 5 \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \nClick Here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\nDrypoint is an intaglio printmaking technique in which an image is scratched into a metal or plastic plate. The scratches produce a “burr” – a raised portion of metal or plastic that catches and holds ink while the smooth portions of the plate can be wiped clean. With the help of an intaglio printing press\, this ink gets transferred to a dampened sheet of paper. \nThis class will demonstrate drypoint techniques with either traditional materials\, copper plate\, rigid vinyl\, or recycled materials\, along with inking and transfering images onto paper. Since the image is created by mechanically scratching the surface of the plate\, almost any tool can be used – from traditional drypoint tools\, to sandpaper\, sewing needles\, knives\, etc. Class instruction will also include techniques such as chine collé (collage technique in printmaking)\, à la poupée (inking up different colors on a single plate)\, and multiple layers with drypoint. All techniques are made with non-toxic printmaking materials and processes. \n 
URL:https://wsworkshop.org/event/drypoint-with-chine-colle-with-rie-hasegawa/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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