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DTSTART;VALUE=DATE:20220718
DTEND;VALUE=DATE:20220723
DTSTAMP:20220613T172523Z
CREATED:20220602T202352Z
LAST-MODIFIED:20220613T172523Z
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SUMMARY:Light as a Feather\, Stiff as a Board: Techniques in Paper Casting
DESCRIPTION:Light as a Feather\, Still as a Board: Techniques in Paper Casting – Sarah Rose Lejeune \nDates: July 18-22\, 2022\nStudio: Papermaking\nTuition: Sliding Scale $300 – $1200\nLab fee: $100\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133. \nClick Here For Materials List \nUsing experimental casting processes rooted in fiber properties and hand papermaking techniques\, students will learn to record dimension and texture with paper pulp. Beginning with technical basics such as fiber processing in the Hollander beater and western sheet formation\, students will apply these skills to a variety of non traditional paper casting methods such as embossing with the hydraulic press and vacuum table\, carved and collaged low relief moulds\, found moulds\, use of additives\, and laminate casting objects with high shrinkage fibers. This experimental workshop will emphasize the unique nature of paper as a casting medium through a wide exploration of this material. This course will cover ways of working applicable both to professional and more improvisational studio contexts. All levels are welcome. \n \nIn order to reserve your space in the workshop\, we require a $150 deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/light-as-a-feather-stiff-as-a-board-techniques-in-paper-casting/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20220718
DTEND;VALUE=DATE:20220723
DTSTAMP:20220609T204434Z
CREATED:20220127T174547Z
LAST-MODIFIED:20220609T204434Z
UID:39889-1658102400-1658534399@wsworkshop.org
SUMMARY:The Power of Electro Etching
DESCRIPTION:The Power of Electro Etching – Maggie Oakes \nDates: July 18-22\, 2022\nStudio: Papermaking\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133. \nClick Here for Materials List \nIn this non-toxic workshop\, participants will learn the fundamentals of safer intaglio\, specifically electro-etching methods and explore its endless possibilities. Participants will gain a working knowledge of the science behind electro-etching\, safely preparing and etching their metal plates as well as maintaining a non-toxic work environment.  \nWorkshop will cover the following processes: electro-line\, electro-tint\, open bite\, electro-graphite\, along with the electro-galvanizing method. BIG ground and other safer solutions will be Used. By the end of this workshop\, participants will not only print a small edition of their prints\, but also gain the knowledge and confidence to set up their own electro-etching tank in their studio. \nIn order to reserve your space in the workshop\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/the-power-of-electro-etching/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220711
DTEND;VALUE=DATE:20220716
DTSTAMP:20220502T160514Z
CREATED:20220127T172946Z
LAST-MODIFIED:20220502T160514Z
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SUMMARY:How to Create a Large-Scale Mural: A Street Art Project
DESCRIPTION:How to Create a Large-Scale Mural: A Street Art Project – Lady Pink \nDates: July 11 – 15\, 2022\nStudio: Courtyard\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133. \n\nClick Here for Materials List \nThis workshop will focus on the importance of art in public spaces and give participants the tools to transform any wall into a mural. During the week\, we will discuss murals\, street art and the history of graffiti to inspire the creation of a mural design. Working together as a team\, we will create on paper and execute with paint on a wall\, an original mural that will be exhibited for the entirety of the summer at Women’s Studio Workshop. Participants will leave with a full understanding of how to create a large scale permanent piece of art. \n\nIn order to reserve your space in the workshop\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/how-to-create-a-large-scale-mural-a-street-art-project/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Other Media,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220711
DTEND;VALUE=DATE:20220716
DTSTAMP:20220613T205941Z
CREATED:20220127T173159Z
LAST-MODIFIED:20220613T205941Z
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SUMMARY:Dimensional Pulp: Sculptural Papermaking
DESCRIPTION:Dimensional Pulp: Sculptural Papermaking – Fafnir Adamites \nDates: July 11 – 15\, 2022\nStudio: Papermaking\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133. \nClick Here for Materials List \nThis workshop will give students an opportunity to fully explore the dimensional possibilities of paper pulp – without having to pull sheets. Experimentation will be encouraged as a way to understand and appreciate the inherent fragility\, strength\, texture and skin-like properties of abaca and cotton pulp. Demonstrations and discussions on contemporary paper artists will be incorporated as well as how to continue working with pulp in your own studio\, without expensive tools or equipment. In the studio we will explore materials and strategies of making simple armatures out of wire\, reed and found objects as a basis for dipping and casting. Surface design and assemblage techniques will be utilized to create sculptural forms that are figurative\, abstract\, and at times wonderfully unpredictable. \n 
URL:https://wsworkshop.org/event/dimensional-pulp-sculptural-papermaking/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220711
DTEND;VALUE=DATE:20220716
DTSTAMP:20220630T194058Z
CREATED:20220127T173119Z
LAST-MODIFIED:20220630T194058Z
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SUMMARY:Textile Printing
DESCRIPTION:Textile Printing – Erin Zona \nDates: July 11 – 15\, 2022\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nMaterials list can be found here. \nScreen printing on fabric can involve anything from free-form image making to controlled repeated patterns on yardage or paper. This workshop covers a full range of stencil making techniques\, from simple paper cut designs to photo emulsion processes that utilize drawn and digital films. Participants learn repeat pattern image making methods and multiple color registration printing techniques using WSW’s 16’ fabric printing table. Yardage printing is a collaborative\, physical\, and technical process\, requiring a balance between solo design work and enrolled artists working jointly in the printing process. Participants will have the opportunity to complete two 2-color designs\, with the possibility of more as class time permits. \n\n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)
URL:https://wsworkshop.org/event/textile-printing/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220711
DTEND;VALUE=DATE:20220716
DTSTAMP:20220502T160013Z
CREATED:20220127T173049Z
LAST-MODIFIED:20220502T160013Z
UID:39859-1657497600-1657929599@wsworkshop.org
SUMMARY:Intuitive Printing: Beyond the Monoprint
DESCRIPTION:Intuitive Printing: Beyond the Monoprint – Kat Richards \nDates: July 11 – 15\, 2022\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133.\nClick Here for Materials List \nTake a step outside of traditional printmaking in this five-day workshop. This class is perfect for artists of any skill level who want to push beyond and work outside conventional printing Participants will work hands-on and intuitively\, using stencils to construct and deconstruct images on and off the press bed. During the workshop\, short demonstrations will teach offset printing onto stencils using oil and water-based ink\, jigsaw printing\, and ways to apply texturized ink with alternative tools. This course will also teach low-tech methods\, including pochoir\, trace monotype and faux chine-collé\, ideal for artists without printshop access. Leave this workshop with a series of unique prints and an extensive understanding of alternative printing processes that expand the potential of printmaking!\n \n\nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.
URL:https://wsworkshop.org/event/intuitive-printing-beyond-the-monoprint/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220704
DTEND;VALUE=DATE:20220709
DTSTAMP:20220613T205908Z
CREATED:20220502T171240Z
LAST-MODIFIED:20220613T205908Z
UID:40625-1656892800-1657324799@wsworkshop.org
SUMMARY:Dimensional Pulp: Sculptural Papermaking (Section 2)
DESCRIPTION:Dimensional Pulp: Sculptural Papermaking – Fafnir Adamites \nDates: July 4 – 8\, 2022\nStudio: Papermaking\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 8 \nRegistration for this workshop is full. If you would like to be put on the waitlist\, please email info@wsworkshop.org or call our office at 845-658-9133. \nClick Here for Materials List \nThis workshop will give students an opportunity to fully explore the dimensional possibilities of paper pulp – without having to pull sheets. Experimentation will be encouraged as a way to understand and appreciate the inherent fragility\, strength\, texture and skin-like properties of abaca and cotton pulp. Demonstrations and discussions on contemporary paper artists will be incorporated as well as how to continue working with pulp in your own studio\, without expensive tools or equipment. In the studio we will explore materials and strategies of making simple armatures out of wire\, reed and found objects as a basis for dipping and casting. Surface design and assemblage techniques will be utilized to create sculptural forms that are figurative\, abstract\, and at times wonderfully unpredictable. \nPlease note: This workshop will be happening the week before SAI officially begins. As a result lunches / meals will NOT be available this week. There will be no other workshops happening at the same time as this workshop\, so it will be a little bit of a different experience than our typical SAI classes. \n\n 
URL:https://wsworkshop.org/event/dimensional-pulp-sculptural-papermaking-section-2/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210823
DTEND;VALUE=DATE:20210828
DTSTAMP:20210727T173346Z
CREATED:20210607T215202Z
LAST-MODIFIED:20210727T173346Z
UID:38906-1629676800-1630108799@wsworkshop.org
SUMMARY:Process to Project: Sketchbook as Laboratory with Rejin Leys
DESCRIPTION:Process to Project: Sketchbook as Laboratory – Rejin Leys \nDates: August 23 – 27\, 2021\nStudio: Bindery\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \nClick Here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.\nYour sketchbook can be a place to record observations\, experiment with materials\, or develop ideas. During this workshop\, we’ll learn how to make our own sketchbooks\, and try a variety of drawing exercises to help us loosen up and expand on our ideas about what our work can be. Rather than working towards a finished product\, we’ll be experimenting with materials and techniques\, and asking ourselves “What would happen if I try this? If I combine these things? If I add/remove/wet/erase/fold/tear/change this?” Great for anyone who is experiencing artist’s block\, or just wants to develop new directions to integrate into their work. \n                                            \n 
URL:https://wsworkshop.org/event/sketchbookaslaboratory/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210823
DTEND;VALUE=DATE:20210828
DTSTAMP:20210727T180054Z
CREATED:20210323T164417Z
LAST-MODIFIED:20210727T180054Z
UID:38516-1629676800-1630108799@wsworkshop.org
SUMMARY:Drypoint with Chine Collé with Rie Hasegawa
DESCRIPTION:Drypoint with Chine Collé with Rie Hasegawa \nDates: August 23 – 27\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 5 \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \nClick Here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\nDrypoint is an intaglio printmaking technique in which an image is scratched into a metal or plastic plate. The scratches produce a “burr” – a raised portion of metal or plastic that catches and holds ink while the smooth portions of the plate can be wiped clean. With the help of an intaglio printing press\, this ink gets transferred to a dampened sheet of paper. \nThis class will demonstrate drypoint techniques with either traditional materials\, copper plate\, rigid vinyl\, or recycled materials\, along with inking and transfering images onto paper. Since the image is created by mechanically scratching the surface of the plate\, almost any tool can be used – from traditional drypoint tools\, to sandpaper\, sewing needles\, knives\, etc. Class instruction will also include techniques such as chine collé (collage technique in printmaking)\, à la poupée (inking up different colors on a single plate)\, and multiple layers with drypoint. All techniques are made with non-toxic printmaking materials and processes. \n 
URL:https://wsworkshop.org/event/drypoint-with-chine-colle-with-rie-hasegawa/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210816
DTEND;VALUE=DATE:20210821
DTSTAMP:20210810T202940Z
CREATED:20210323T165341Z
LAST-MODIFIED:20210810T202940Z
UID:38500-1629072000-1629503999@wsworkshop.org
SUMMARY:Custom Copies: Making Zines from Everyday Ephemera with Serena Hocharoen
DESCRIPTION:Custom Copies: Making Zines from Everyday Ephemera – Serena Hocharoen \nDates: August 16 – 20\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nThis free-form\, project-based class will take a deep dive into examining and restructuring the printed materials that surround us in our daily lives: takeout menus\, calendars\, food packaging\, napkins\, t-shirts\, and more! How can these ubiquitous forms be used as inspiration for new hybrid art objects and zines? In this class\, we’ll use humor and absurdity to make zines and collage our everyday experiences on paper. Using fast and easy DIY printing techniques like carbon paper transfers\, Xerox printing\, and a little screenprinting\, we will duplicate forms as blank canvases for our own creative ideas. This class will also delve into WSW’s artist’s book collection to look at experimental book forms. \n 
URL:https://wsworkshop.org/event/custom-copies-making-zines-from-everyday-ephemera-with-serena-hocharoen/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210816
DTEND;VALUE=DATE:20210821
DTSTAMP:20210728T201048Z
CREATED:20191127T064716Z
LAST-MODIFIED:20210728T201048Z
UID:37118-1629072000-1629503999@wsworkshop.org
SUMMARY:The Painterly Print: Watercolor Monoprint - Karen Lederer
DESCRIPTION:The Painterly Print: Watercolor Monoprint – Karen Lederer \nDates: August 16 – 20\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nClick Here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nLearn to build colorful monoprints using non-toxic\, water-based materials. Participants will print from watercolor paintings on plexiglass\, plastic stencils\, and water-soluble crayon drawings. With a focus on experimentation\, participants will investigate various mark-making techniques\, and learn to build a rich history of layers into their prints using ghost printing. This class offers a healthier alternative to more traditional oil-based printing\, without sacrificing bold color and texture.
URL:https://wsworkshop.org/event/the-painterly-print-watercolor-monoprint-karen-lederer/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20210809
DTEND;VALUE=DATE:20210814
DTSTAMP:20210726T195626Z
CREATED:20200121T193112Z
LAST-MODIFIED:20210726T195626Z
UID:37385-1628467200-1628899199@wsworkshop.org
SUMMARY:Indirect Magic: Working with Linocut with T. Klacsmann
DESCRIPTION:Indirect Magic: Working with Linocut – T. Klacsmann \nDates: August 9 – 13\, 2021\nStudio: Intaglio\nTuition: Sliding Scale $300-1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.Click Here For Materials List \nRelief carving is a demanding and time-consuming technique historically valued for its capacity for intricate detail and high reproducibility.  I describe it as “indirect\,” firstly\, because\, like all printmaking\, the final image results from contact with an intermediate surface\, the block\, rather than from direct action of the artist. Secondly\, relief carving in particular is at a remove from the gesture of the artist because the positive areas in the final image result from inking material left behind after the removal of block material. Therefore it is not the material that has been acted upon\, but the untouched material that leads to the final marks on the page.  Because it involves removing material\, precision\, commitment and careful planning can all contribute to successful relief prints. \nWe will create a relief print\, taking a linocut block from conception to final printing with a focus on carving discrete objects\, animals\, or figure that can be “cut out” from the surrounding block.  I will demonstrate how both the carved portion and the remaining block material can be inked and printed together to create a complete composition without masking or registration.  I will also cover the safe use of and care for tools\, a variety of options for image transfer\, and block preparation. Each participant will have up to 18 x 12” of block material available\, and we will carve and print a moderately sized (up to 9 x 12”) linocut.  Based on each students’ vision\, we can then explore options such as: shaping the plate\, exploring narrative with the addition of a second shaped plate\, and/or printing block to block to create a mirror image block and print.  I will discuss ink\, paper\, and printing options. By the end of the course\, each participant will have carved and printed a linocut block\, gained an awareness of a variety of strategies for carving relief prints\, and explored some of the many possibilities for creating a finishes prints using these versatile blocks. \nBecause the level difficulty varies widely based on the ambitiousness and complexity of the block attempted\, this course is appropriate for beginners or those with some experience. \n                                            \n 
URL:https://wsworkshop.org/event/indirect-magic-working-with-linocut/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20210809
DTEND;VALUE=DATE:20210814
DTSTAMP:20210804T201906Z
CREATED:20200108T215756Z
LAST-MODIFIED:20210804T201906Z
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SUMMARY:Active Patterns: Personal Political Textile Printing with Mary Tremonte
DESCRIPTION:Active Patterns: Personal Political Textile Printing – Mary Tremonte \nDates: August 9 – 13\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \n\nClick Here For Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\nIn this workshop\, participants will learn the basics of screenprinting controlled repeat patterns onto fabric yardage or paper. We will cover photo emulsion-based screenprinting as well as how to design a repeat pattern and the specific setup for printing on a 16’ table. Participants will create at least two two-color patterns\, with the potential to do more as time and energy allow. We will work collaboratively to print together\, as this technical process requires at least four hands. We will dip our toes in some of the subversive potential of textiles and patterns\, but participants are welcome to create designs on any theme or abstraction they like.
URL:https://wsworkshop.org/event/active-patterns-personal-political-textile-printing/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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DTSTART;VALUE=DATE:20210726
DTEND;VALUE=DATE:20210731
DTSTAMP:20210625T153930Z
CREATED:20191127T061600Z
LAST-MODIFIED:20210625T153930Z
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SUMMARY:Let's Make Hanji: Korean Papermaking - Aimee Lee
DESCRIPTION:Let’s Make Hanji: Korean Papermaking – Aimee Lee \nDates: July 26 – 30\, 2021\nStudio: Papermaking\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75  \nClass Limit:5 \nClick here for Materials List \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \n \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \nThis is a class all about making and manipulating Korean paper\, known as hanji. Participants will work together to process raw paper mulberry bark into pulp. We will then make paper in the classical version of hanji\, from a suspended bamboo screen. Participants will transform bark into bark lace and thread for future fiber\, sculpture\, and book applications. Hanji made in Korea will be available to fuse and texture (joomchi)\, cord and twine (jiseung)\, and spin into thread to weave (shifu). Alongside the folklore of hanji\, Aimee will share her hybrid methods of using this strong and versatile material. This is an ideal course for students interested in East Asian paper traditions\, paper’s role in material culture\, and hands-on experience of manual labor and patience that result in luminous paper. \n\n 
URL:https://wsworkshop.org/event/lets-make-hanji-korean-papermaking-aimee-lee/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210719
DTEND;VALUE=DATE:20210724
DTSTAMP:20210618T141135Z
CREATED:20210323T170615Z
LAST-MODIFIED:20210618T141135Z
UID:38487-1626652800-1627084799@wsworkshop.org
SUMMARY:How to Create a Large Scale Mural: A Public Art Project with Symone Salib
DESCRIPTION:How to Create a Large Scale Mural: A Public Art Project – Symone Salib \nDates: July 19 – 23\, 2021\nStudio: Other\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 6 \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.\n \n\n\n\nSelect the option that best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n \nClick Here for Materials List \n\nThis workshop will focus on the importance of art in public spaces and give participants the tools to transform any wall into a mural! During the week\, we’ll take a mural tour of Kingston\, where we’ll discuss muralism\, street art\, and the history of graffiti. Working together as a team\, we’ll create a one-of-a-kind mural that will be displayed for the entirety of the summer at WSW. Participants will leave with a full understanding of how to create large scale art that will last on walls for years to come. \n                                 PRONKSTILLEVEN Artist: Gaia Image Courtesy of O+ Fest             AINʼT I WOMAN? Artist: Jetsonorama (with Jess X. Snow) Image Courtesy of O+ Fest          ROBIN X Artist: Michael and Christina Fusco Image Courtesy of O+ Fest
URL:https://wsworkshop.org/event/how-to-create-a-large-scale-mural-a-public-art-project-with-symone-salib/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Other Media,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210719
DTEND;VALUE=DATE:20210724
DTSTAMP:20210712T190718Z
CREATED:20191127T060928Z
LAST-MODIFIED:20210712T190718Z
UID:37078-1626652800-1627084799@wsworkshop.org
SUMMARY:Introducción a la Serigrafía - Amy Díaz-Infante
DESCRIPTION:Introducción a la Serigrafía – Amy Díaz-Infante \nDates: July 19 – 23\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here.\n \n\n\n\nSelect the option that best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n \nMaterials List \n¡Vengan list@s para ensuciarse sus manos! Por la primera vez\, el Women’s Studio Workshop está ofreciendo una clase en español para explorar Serigrafía. \n\nCon la serigrafía\, uno puede producir múltiples fácilmente y experimentar con color\, texto\, y imágenes graficas. En este curso serás introducid@ a las técnicas básicas de la serigrafía – incluyendo como usar plantillas basadas en imágenes dibujadas o fotográficas\, como aplicar varios colores y capas\, y como imprimir sobre papel o tela. Tú escogerás tus propias temas y contenido para tus impresiones con ayuda técnica y también con orientación sobre los elementos del diseño gráfico y retroalimentación artística para mejorar tus diseños. No se requiere experiencia! \n  \nCome get ready to get your hands dirty! For the first time\, the Women’s Studio Workshop is offering a class to explore screen-printing in Spanish.  \nWith screen-printing\, you can easily produce multiples and experiment with graphic color\, text\, and imagery. In this course\, participants will be introduced to the basic techniques of screen-printing – including how to use hand-drawn or photo-based stencils\, how to apply multiple colors and layers\, and how to print on paper or fabric. Participants will select their own themes and content for their prints while receiving technical assistance as well as guidance in the elements of graphic design and artistic feedback to strengthen their designs. No experience is necessary! \n\n 
URL:https://wsworkshop.org/event/introduccion-a-la-serigrafia-amy-diaz-infante/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210712
DTEND;VALUE=DATE:20210717
DTSTAMP:20210611T172926Z
CREATED:20210323T174639Z
LAST-MODIFIED:20210611T172926Z
UID:38478-1626048000-1626479999@wsworkshop.org
SUMMARY:Interdisciplinary Papermaking with May Babcock
DESCRIPTION:Interdisciplinary Papermaking – May Babcock \nDates: July 12 – 16\, 2021\nStudio: Papermaking\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \nClick here for Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n \nIn this workshop\, we’ll combine traditional and innovative papermaking techniques with multiple disciplines. Participants will learn to make paper for cyanotype\, gilded metal leaf\, and patina artworks\, and will manipulate paper pulp using a printerly approach to create ‘pulptypes’ and layered imagery. \nThese processes will be introduced through demonstrations and examples\, after which participants will work on individual projects using the techniques shown. One-on-one instruction will help each person realize their own projects. \n This workshop is excellent for anyone with some papermaking experience. Group discussions on participant work will take place throughout the week.
URL:https://wsworkshop.org/event/interdisciplinary-papermaking-with-may-babcock/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210712
DTEND;VALUE=DATE:20210717
DTSTAMP:20210611T172643Z
CREATED:20191127T065444Z
LAST-MODIFIED:20210611T172643Z
UID:37125-1626048000-1626479999@wsworkshop.org
SUMMARY:The Power of Electro-Etching - Malgorzata Oakes
DESCRIPTION:The Power of Electro-Etching – Malgorzata Oakes \nDates: July 12 – 16\, 2021\nStudio: Intaglio\nTuition: Sliding Scale\, $300-$1200\nLab fee: $100\nClass limit: 4 \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\n \n\n\n\nSelect the option which best reflects your capability to pay:\n\n\n$150 Deposit (Total Tuition $1200)$150 Deposit (Total Tuition $1100)$150 Deposit (Total Tuition $1000)$150 Deposit (Total Tuition $900)$150 Deposit (Total Tuition $800)$150 Deposit (Total Tuition $700)$150 Deposit (Total Tuition $600)$150 Deposit (Total Tuition $500)$150 Deposit (Total Tuition $400)$150 Deposit (Total Tuition $300)\n\n\n\n\n \nClick here for Materials List \n\nIn this non-toxic workshop\, participants will learn the basics of electro-etching and explore its endless possibilities. Participants will gain a working knowledge of preparing\, degreasing\, etching the plate along with the printing process itself. We will create multiple plates covering electro-line\, electro-tint\, open bite\, electro-graphite\, soft ground\, and electro-galvanizing with embossment. Experimenting with different resists\, we will also cover grounds including BIG and salt etching techniques. \nBy the end of the week\, participants will feel confident enough to set up an electro-etching tank in their own studio and continue their experimental electro-etching practice.
URL:https://wsworkshop.org/event/the-power-of-electro-etching-malgorzata-oakes/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210712
DTEND;VALUE=DATE:20210717
DTSTAMP:20210611T180400Z
CREATED:20191127T055808Z
LAST-MODIFIED:20210611T180400Z
UID:37075-1626048000-1626479999@wsworkshop.org
SUMMARY:Experimental Screenprinting - Tyanna Buie
DESCRIPTION:Experimental Screenprinting – Tyanna Buie \nDates: July 12 – 16\, 2021\nStudio: Silkscreen\nTuition: Sliding Scale\, $300-$1200\nLab fee: $75\nClass limit: 5 \nEnrollment for this class is full. To be placed on the waitlist\, please email info@wsworkshop.org or call 845-658-9133. \nClick here for the Materials List \nIn order to reserve your space in the class\, we require a deposit. Registration is on a first-come first-served basis\, and you can read about our refund and cancellation policies here. \n\n\nThis course acquaints students with a wide range of screen-printing techniques and approaches using a variety of water-based inks and experimental materials. Participants will discover the medium’s flexibility\, exploring the inherent cross-connections and expressive possibilities of photomechanical\, screen stencil\, monotype\, and digital processes. \nPrintmaking is a unique way to make images and to think about the construction of images. It emphasizes thinking in layers and processes that value indirect and highly mediated production. This course will focus on the history of screen-printing\, as well as contemporary and non-traditional methods and techniques; such as monotypes\, mono-printing\, collage\, and mixed media. Participants will gain an understanding of ink options and color mixing\, and the different ways hand-drawn and photomechanical films can be made\, while exploring the versatility of screen-printing and working with substrates other than paper. \n\n 
URL:https://wsworkshop.org/event/experimental-screenprinting/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190826
DTEND;VALUE=DATE:20190831
DTSTAMP:20190513T194736Z
CREATED:20190114T163345Z
LAST-MODIFIED:20190513T194736Z
UID:35454-1566777600-1567209599@wsworkshop.org
SUMMARY:Introduction to Pop-up Book Structures - Colette Fu
DESCRIPTION:Introduction to Pop-up Book Structures – Colette Fu \nDates: August 26 – 30\, 2019\nStudio: Silkscreen\nClass limit: 6\nTuition: $750 members / $800 non-members\nLab fee: $75 \nIn order to reserve your space in the class\, we require a $300 deposit. \n\n\nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n\n  \nMaterials List \nMovable books were originally created to illustrate ideas about astronomy\, fortune telling\, navigation\, anatomy of the body and other scientific principles. Most commercial pop-up book publications today are geared towards children\, but pop-up book structures can be used to make engaging works of art for any age- from greeting cards to animations to kinetic sculptures. Complex and engaging pop-up structures are created from a combination of basic mechanisms enhanced by play and imagination. \nIn this workshop\, students will learn the basic elements of pop-up paper engineering to more complex mechanisms including platforms\, rotating discs and pull-tabs. We will also view briefly discuss how a commercial pop-up book is manufactured and view examples of how pop-up is used in other formats. Most of all\, students will learn how to effectively incorporate their own art into their structures to create unique pop-up books\, cards\, and works of art. Open to all levels.
URL:https://wsworkshop.org/event/introduction-to-pop-up-book-structures-colette-fu/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190826
DTEND;VALUE=DATE:20190831
DTSTAMP:20190611T200108Z
CREATED:20181204T173205Z
LAST-MODIFIED:20190611T200108Z
UID:35234-1566777600-1567209599@wsworkshop.org
SUMMARY:Color\, Fiber\, Paper\, Cloth: Natural Dyeing for Book Art - Radha Pandey
DESCRIPTION:Color\, Fiber\, Paper\, Cloth: Natural Dyeing for Book Art – Radha Pandey \nDates: August 26 – 30\nStudio: Papermaking\nClass limit: 6\nTuition: $750 members / $800 non-members\nLab fee: $60 \nIn order to reserve your space in the class\, we require a $300 deposit. \n\nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n\n  \nMaterials List \nIn this class students will learn to prepare and dye cellulose fibers for their projects. The techniques that are taught will be applied to dyeing and mordanting pulp prior to papermaking\, and cotton fabrics\, as well for brush-dyeing paper. Students will also learn how to print and pattern on cloth using thickened mordants and resists. In addition\, students will learn to prepare a natural indigo vat. \nStudents will pre-mordant samples of cloth and pulp to dye on the second day using the one-pot palette method to achieve an array of colors. The following days will be spent on experimenting with block printing and some resist techniques on cloth. Students will have the opportunity to bring in their own projects for dyeing. These could include cloth\, beaten pulps for papermaking or finished sheets of paper.
URL:https://wsworkshop.org/event/color-fiber-paper-cloth-natural-dyeing-for-book-art-radha-pandey/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Papermaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190826
DTEND;VALUE=DATE:20190831
DTSTAMP:20190819T191815Z
CREATED:20181204T172446Z
LAST-MODIFIED:20190819T191815Z
UID:35232-1566777600-1567209599@wsworkshop.org
SUMMARY:Monoprinting With Text - Tana Kellner
DESCRIPTION:Monoprinting With Text – Tana Kellner \nDates: August 26-30\nStudio: Intaglio\nClass limit: 6\nTuition: $750 members / $800 non-members\nLab fee: $75 \nIn order to reserve your space in the class\, we require a $300 deposit. \n  \nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n \n\nMaterials List \nThe starting point of this workshop will be the elemental question of motivation and how to make work that honors your personal aesthetic\, and expresses your concerns\, fears\, hopes and desires in an effective way. Through a series of guided exercises\, students will explore mark making using a variety of simple printmaking processes ranging from monoprints\, collagraph\, drypoint\, stencilling and image transfer techniques to create a series of related prints. All of these techniques are non-toxic\, direct processes that are easy to master. Each technique will be introduced and students will have the option of in-depth exploration of a process which best fits their conceptual and artistic ends. We’ll also have the opportunity to explore an effective way to introduce text into our prints using handwriting\, hand cut alphabets and hand stamping with wood type. \n\n                        Find Tatana Kellner’s new series of prints\, Please exit\, doors are closing\, at the Vassar College Palmer Gallery through February 16!                    Within Reach
URL:https://wsworkshop.org/event/monoprinting-with-text-tana-kellner/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190819
DTEND;VALUE=DATE:20190824
DTSTAMP:20190417T151807Z
CREATED:20181204T171213Z
LAST-MODIFIED:20190417T151807Z
UID:35231-1566172800-1566604799@wsworkshop.org
SUMMARY:Excavated Surface: Experiments in Handmade Paper - Sue Carrie Drummond
DESCRIPTION:[asp_product id=”35272″] \n  \nMaterials List \nThis class will cover the basics of papermaking with an emphasis on surface exploration. We will focus on methods to create imagery within the sheet covering techniques related to embedding\, watermarking\, and blowouts. Participants are encouraged to experiment as they consider multiple approaches to each process working with stencils\, dimensional drawing\, and even physical objects to create images and leave impressions. The product from this class may range from stacks of experimental sheets\, to a series folio editions\, or pieces that may be developed further through drawing and printmaking outside the workshop. \nStudents will learn how to beat paper\, proper sheet formation\, and how to work with pigments. They will learn to use overbeaten fibers and explore a range of different drying methods. We will also discuss alternative methods of working for those participants who do not have easy access to a professional paper studio.
URL:https://wsworkshop.org/event/excavated-surface-experiments-in-handmade-paper-sue-carrie-drummond/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190819
DTEND;VALUE=DATE:20190824
DTSTAMP:20190513T194849Z
CREATED:20161226T190413Z
LAST-MODIFIED:20190513T194849Z
UID:31221-1566172800-1566604799@wsworkshop.org
SUMMARY:Moving Surfaces: Monoprinting - Tara Sabharwal
DESCRIPTION:Moving Surfaces: Monoprinting – Tara Sabharwal \nDates: August 19 – 23\, 2019\nStudio: Intaglio\nTuition: $750 members / $800 non-members\nLab fee: $75\nClass limit: 6 \nIn order to reserve your space in the class\, we require a $300 deposit. \n\n\nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n\nMaterials List \nExplore monoprinting by building up a colorful\, painterly surface on plexiglass with oil- or water-based inks. We will draw with brushes and brayers and work reductively with a variety of ink viscosities\, transparencies\, and opacities. Participants will develop their prints by building richly layered surfaces over several press runs and learn to combine stencils\, chine collé\, and textured fabrics and materials in the printing process. Pre-existing substrates\, such as etchings or collagraph plates\, can also be used to produce new variations. This is a great way to loosen up\, work rapidly and intuitively\, and develop a new vocabulary to inform your ongoing artistic practice. This class is open to all experience levels. \n\n                                                                                   \n 
URL:https://wsworkshop.org/event/monoprint-tara-sabharwal/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190812
DTEND;VALUE=DATE:20190817
DTSTAMP:20190429T193954Z
CREATED:20181204T163507Z
LAST-MODIFIED:20190429T193954Z
UID:35213-1565568000-1565999999@wsworkshop.org
SUMMARY:Box as Portrait - Golnar Adili
DESCRIPTION:Box as Portrait – Golnar Adili \nDates: August 12-16\, 2019\nStudio: Bindery\nClass limit: 4\nTuition: $750 members / $800 non-members\nLab fee: $75 \nIn order to reserve your space in the class\, we require a $300 deposit. \n\n\n\n\n  \nMaterials List \nIn this class\, we will examine portraiture in the context of the box utilizing design\, architectural thinking and book arts. We will cover different iterations of boxes depending on the content each participant is hoping to house and express. This could range from combinations such as an image of a face covering parts of a simple “shoe box” to more complex interpretations of portraiture such as embedding an object or a loved one’s piece of clothing in a clamshell or nesting boxes. \nInitially we will use a simple solvent transfer technique to multiply the image in mind on various desirable papers to ultimately use to cover the box. In developing the appropriate home for our portrait we will use fundamental book arts elements such as hinges and the accordion\, and some architecture concepts such as sheathing\, scaffolding\, and landscape. A mixed media approach is highly encouraged as we will experiment with encaustic\, plaster rolls and collage.
URL:https://wsworkshop.org/event/box-as-portrait-golnar-adili/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190805
DTEND;VALUE=DATE:20190810
DTSTAMP:20190726T123717Z
CREATED:20181204T163024Z
LAST-MODIFIED:20190726T123717Z
UID:35212-1564963200-1565395199@wsworkshop.org
SUMMARY:Fresh Cuttings - Bhavna Mehta
DESCRIPTION:Fresh Cuttings – Bhavna Mehta \nDates: August 5-9\, 2019\nStudio: Papermaking\nClass limit: 6\nTuition: $750 members / $800 non-members\nLab fee: $75 \nIn order to reserve your space in the class\, we require a $300 deposit. \n\n\nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n\n  \nMaterials List \nThe flatness of paper will serve as an inviting platform for transformation. This workshop will consist of two main activities – making paper and cutting paper. Students will use simple papercutting techniques to create a fan accordion book in a collaborative environment. Paying attention to color\, shape\, pattern and texture\, students will focus on the process of taking an idea and visually translating it. We will develop a narrative sculpture in the form of a book. Making paper in the beginning of the class will yield handmade paper to make sculptural work by cutting and folding that paper. Experience with paper cutting is helpful\, but not required.
URL:https://wsworkshop.org/event/fresh-cuttings-bhavna-mehta/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190805
DTEND;VALUE=DATE:20190810
DTSTAMP:20190709T213201Z
CREATED:20181204T162617Z
LAST-MODIFIED:20190709T213201Z
UID:35197-1564963200-1565395199@wsworkshop.org
SUMMARY:Draw\, Expose\, Print\, Fold - Sarah McDermott
DESCRIPTION:Draw\, Expose\, Print\, Fold – Sarah McDermott \nDates: August 5 – 9\, 2019\nStudio: Silkscreen\nClass limit: 5\nTuition: $750 members / $800 non-members\nLab fee: $75 \nThe registration period for this class has passed. Find more summer workshops on our calendar! \n  \n\nIn this workshop\, participants will learn new skills in screen printing\, while also creating simple book structures. We will begin with a primer on the photo-emulsion screen print process\, exploring different ways of making stencils with film positives\, including hand drawn\, rubylith and photographic source imagery\, as well as working on layering transparent colors. We will simultaneously practice several folded forms and simple sewn structures\, and will then investigate sequence\, movement\, and the relationships between surfaces as we begin to integrate images with our structures. We will pay attention to materials\, including papers that work well for both printing and folding. Ultimately students will create an edition to share with their classmates. Appropriate for all levels.
URL:https://wsworkshop.org/event/draw-expose-print-fold-sarah-mcdermott/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Book Arts Classes,Printmaking Classes,Summer Art Institute
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GEO:41.8577293;-74.0852967
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190729
DTEND;VALUE=DATE:20190803
DTSTAMP:20190417T152916Z
CREATED:20181204T161834Z
LAST-MODIFIED:20190417T152916Z
UID:35187-1564358400-1564790399@wsworkshop.org
SUMMARY:No Sheets Required – Objects in Pulp - Fafnir Adamites
DESCRIPTION:[asp_product id=”35260″] \n  \nMaterials List \nThis workshop will focus entirely on the sculptural possibilities of paper pulp. Starting with simple armature construction methods\, students will learn how to take paper from 2D to 3D in this hands-on workshop. Materials such as wire\, reed\, string and mesh will be used as armatures to support paper pulp like abaca and cotton. A number of casting methods will be introduced\, including dipping\, casting pulp around found objects and creating molds in clay. Emphasis will be on experimentation\, understanding the inherent qualities of the materials\, and strategies for building volume with paper pulp. Students will explore the sculptural impact of repetition\, texture and surface design like stitching. This workshop is perfect for beginners or experienced sculptors looking for new ways to express themselves in 3 dimensions.
URL:https://wsworkshop.org/event/no-sheets-required-objects-in-pulp-fafnir-adamites/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Papermaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190729
DTEND;VALUE=DATE:20190803
DTSTAMP:20190701T152139Z
CREATED:20181204T160158Z
LAST-MODIFIED:20190701T152139Z
UID:35186-1564358400-1564790399@wsworkshop.org
SUMMARY:Resistance and Relief - Celeste de Luna
DESCRIPTION:Resistance and Relief – Celeste de Luna \nDates: July 29 – August 2\, 2019\nStudio: Intaglio\nClass Limit: 6\nTuition: $750 members / $800 non-members\nLab fee: $75 \nThe registration period for this class has passed. Find more summer workshops on our calendar! \n\nThis workshop will use the history of political printmaking as a platform to explore the nature of political imagery.  With border artist and activist Celeste De Luna\, students will develop imagery using guided imagining to create a visual vocabulary of images based on community cultural wealth that can be used again and again.  Participants will create a woodcut relief print from this inventory.  This workshop will be helpful to those who want to explore creative process collaboratively\, interested in charged imagery\, and ideas on how to use individual studio practice to benefit communities. Techniques covered will include image transfer techniques\, mark making\, registration\, and inking techniques. Print exchange encouraged but not mandatory.
URL:https://wsworkshop.org/event/resistance-and-relief-celeste-de-luna/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190722
DTEND;VALUE=DATE:20190727
DTSTAMP:20190530T183840Z
CREATED:20181204T150840Z
LAST-MODIFIED:20190530T183840Z
UID:35166-1563753600-1564185599@wsworkshop.org
SUMMARY:Check Your Tone: Digital Screenprinting - Paloma Barhaugh-Bordas
DESCRIPTION:Check Your Tone: Digital Screenprinting – Paloma Barhaugh-Bordas \nDates: July 22 – 26\, 2019\nStudio: Silkscreen\nClass limit: 5\nTuition: $750 members / $800 non-members\nLab fee: $75 \nIn order to reserve your space in the class\, we require a $300 deposit. \n\n\nThis class is currently full. To inquire about the waitlist\, please call (845) 658-9133 or email info@wsworkshop.org\n\n  \nMaterials List \nThis workshop focuses in on the possibility and potential for using transparent color-layering in silkscreen on paper. Students will learn how to mix colors using pigment with transparent acrylic ink and building color and blend roll layers to find the sweet-spot with transparency and vibrancy. The workshop will include instruction on the foundations of creating and translating imagery for the screen\, stencil-making processes\, and registration. In addition\, we will practice building and experimenting with color layers\, noting unique and serial methods for painterly screenprints. Ultimately\, students will use this stencil-based print method to focus on mixing and building transparent ink layers for rich and vibrant prints that surpass our expectations of water-based inks.
URL:https://wsworkshop.org/event/check-your-tone-digital-screenprinting-paloma-barhaugh-bordas/
LOCATION:Women’s Studio Workshop\, 722 Binnewater Lane\, Kingston\, 12401\, United States
CATEGORIES:Printmaking Classes,Summer Art Institute
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END:VEVENT
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