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Woodcuts: Scaling Up from Small to Large – Tate Klacsmann

July 31, 2017 - August 4, 2017

| $750

July 31-August 4
Tuition: $750 ($700 members)
Lab fee: $45
Class limit: 6
Student Material List

The goal of this workshop is to learn to scale up a small woodblock to create a larger version, without the fear of making irrevocable mistakes. We’ll create a small relief print and use it as a template for carving a larger woodblock.

After carving and printing a small linocut, we will use a photocopier to blow up the small image onto polyester lithography plate. This polyester plate will be transferred onto a woodblock to guide our carving. Depending on the intricacy of each participant’s image, the larger woodblock may be completed and printed in class.

Woodcarving is technique historically valued for its capacity for intricate detail, directness, freshness of line, and the ability to print large editions.

I developed this particular technique for my own practice. It has the advantage of providing practice for the carver and multiple stages at which to check and refine an image before committing to carving it on a larger scale.

In addition to process, we will cover care and sharpening techniques for a variety of linocut/wood cutting tools and their safe use. We will discuss surfaces for relief carving and work with both soft rubber and MDF. As we print the small relief print, Tate will go over ink, paper, and printing choices. Tate will also demonstrate and discuss the creation and printing of polyester lithography plates. This course is appropriate for beginners and those with some experience.

The registration period for this class has passed. Find more summer workshops on our calendar

Tate came to WSW and made fabulous woodcuts using an innovative technique we were not familiar with. We invited Tate to share this process with WSW participants. The highly detailed woodblocks highlight a sense of unease about discovering beautiful life forms in unsettling places.




Tate Klacsmann

Loving beauty more than efficiency, T. Klacsmann first meticulously carves each living thing that appears in his work in wood or linoleum. Some of the resulting relief prints are further developed with paint, ink, and color pencil to become mixed media collages or parts of room-scale installations; other prints are scanned and layered using graphics software to become digital collages. His work represents the uneasy feeling of discovering beautiful life forms in an unsettling environment. His collage, “Nocturne #1” received the 2014 Medal of Honor in Mixed Media and Walinska Memorial Award from the National Association of Women Artists. His work “Self-portrait as Queen of Bluebirds” was a semi-finalist in the 2016 Outwin Boochever Portrait Competition held by the National Portrait Gallery.

He completed certificates in Green Printmaking at Zea Mays Printmaking, and Graphics and Animation at University of North Georgia; an MFA at Johnson State College with the Vermont Studio Center; a Masters of Art History at the University of Glasgow with Christie’s Education; and a BA at Yale University. His work has been shown nationally and internationally and is included in the permanent collection of the Albany Institute of History and Art, the flat files and archives of Zea Mays Printmaking and the Miriam Shapiro Archives at Rutgers University. He has been an artist resident at Vermont Studio Center, Virginia Center for the Creative Arts, Hambidge Center for the Creative Arts and Sciences, and the Women’s Studio Workshop.


Women’s Studio Workshop Alumnae

View Tate Klacsmann’s Alumnae Profile


July 31, 2017
August 4, 2017
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Women’s Studio Workshop
722 Binnewater Lane
Kingston, 12401 United States
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(845) 658-9133